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Course Criteria
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3.00 Credits
This course explores selected aspects of the visual arts in Europe from the late-18th through the late-19th centuries. The primary focus will be upon understanding painting in relation to the social, political, and cultural context in France and England, but key developments in other countries and media will also be covered. The goal of this course is to explore key themes and critical issues that informed the most advanced art of the period. Such topics include: political and industrial revolutions, the birth of the avant-garde, modernism and modernity, the emergence of capitalism, urbanization, the rise of the bourgeoisie, the changing role of the art in society and in relation to patrons, the demise of traditional art institutions and practices, the rise of landscape painting and the female nude, and gender issues throughout the period. PRQ: Junior standing, ART 245 and 246, or consent of instructor. Scheduled: Every two years. Meets: ANO.
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3.00 Credits
This course explores the significant developments in European and American art and architecture from the late 19th century through 1940. Major movements and individual artists will be discussed within their historical, social, and political contexts. Issues of particular interest will include: political ideologies of the period, the effects of revolutions/wars, primitivism, abstraction, psychoanalysis, increased mechanization, the Depression, issues of gender and race, and the central issues and debates surrounding how we define Modernism. PRQ: Junior standing, ART 245 or 246 or consent of instructor. Scheduled: Fall, evennumbered years. Meets: ANO.
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3.00 Credits
This course examines the significant developments in European and American art and some architecture from c. 1945 to the present. In some aspects, this course will be a continued discussion of some of the themes and concepts introduced in ART 352. In addition, this course will examine the intersections between fine art, the media, outsider art, and popular culture that in many ways define the visual culture of the period. Issues of gender and race, censorship, art activism and public art, the environment, the role of the museum, and "new" artistic media will also be explored. The ongoing debate amongst cultural historians and artists concerning the definitions of Modernism and Post-Modernism will also be discussed. PRQ: Junior standing, ART 245 or 246 or consent of instructor. Scheduled: Spring, even-numbered years. Meets: ANO.
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3.00 Credits
English Architecture: 1066-Present
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3.00 Credits
English Palaces & Counry Houses
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3.00 Credits
History of Renaissance Art
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3.00 Credits
Special courses in Art or Art History
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3.00 Credits
Special topics in studio art or in Western or Non-Western Artistic Traditions.
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3.00 Credits
Independent Study in Art
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3.00 Credits
Internship in Art
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