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Course Criteria
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3.00 Credits
Women composers and performers from various countries, historical eras, and musical genres. Prior musical knowledge helpful but not required. Fall. Two 70-minute periods. (M6) Staff
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3.00 Credits
Theoretical and practical problems and issues that arise in teaching. Focus of discussion is on issues perceived to be relevant to all participants. Prerequisites: Education 367 and 368. Co-requisites: Education 375, 376, and 377; minimum 3.00 QPA. Spring. One 2-hour period. Hirokawa
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3.00 Credits
Overview of major historical styles from antiquity to the present, including basic music theory for analysis and composition of rounds, theme and variations, and 12-bar blues progressions. Various genres of music are studied to produce personal listening guides. Binford
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3.00 Credits
Elements of music and its role in various non-Western cultures, including Africa, Japan, China, India, Vietnam, Egypt, Russia, Israel, Australia, Latin America, Native America. Music as related to other forms of art; instruments unique to each culture. Prerequisite: Music 165.2 Spring. Two 50-minute periods. Stockton
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3.00 Credits
Antiquity, Roman Catholic liturgical forms, secular vocal and instrumental music of England and the continent; musical aftermath of the Protestant Reformation; the rise of the Baroque; origins of opera, music of the court and church, ascendancy of instrumental music. Prerequisite: Music 165.2. Fall. Two 70- minute periods. Binford
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3.00 Credits
Pre-classical style; Viennese classical style; early American music; Beethoven and his romantic heirs; programmatic music; nationalism; poetry and the art song; rise of chamber music and works for solo piano. Prerequisite: Music 281. Spring. Two 70-minute periods. Writing-intensive. Binford
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3.00 Credits
Post-romanticism, impressionism, neoclassicism, serial techniques, diverse currents in the United States, Europe, and Russia. Prerequisite: Music 283. Fall. Two 50-minute periods. Lipkis
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3.00 Credits
Modern opera and ballet, new directions in sound, extensions of serialism, indeterminacy, minimalism, electronic and computergenerated music, post-modernism. Prerequisite: Music 352.2. Spring. Two 50-minute periods. Lipkis
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3.00 Credits
Principles of tonal music explored through analysis and writing: voice-leading, chord progression, and procedures of formal analysis. Prerequisite: Music 140.2. Spring. Two 50-minute periods. Staff
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3.00 Credits
Extension of diatonic harmony: secondary functions, modulations, modal mixture, augmented sixth chords, Neapolitan chords, other harmonic enrichments, and jazz theory. Prerequisite: Music 171.2. Fall. Two 50-minute periods. Staff
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