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Course Criteria
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3.00 Credits
Fundamentals of the recording arts including basic audio signal and acoustics theory, recording consoles, microphone design and technique, and signal processing. Students work in on-campus studios to complete lab assignments and projects. Prerequisite: PHY 102 or permission. 3 credits.
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3.00 Credits
Multitrack studio production techniques are developed through class discussion, demonstration, and project assignments. Theory and application of MIDI technology and its integration into music production is emphasized. Students use the studios for assignments and individual projects. Prerequisite: MRT 277. 3 credits.
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1.00 Credits
This course immerses students into the European tradition of Tonmeister engineering methods. This approach emphasizes an awareness of acoustics, musical genres, and methods of on-location recording in order to effectively capture an acoustic performance in a concert hall. 1 credit.
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3.00 Credits
Special Topics
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3.00 Credits
Students use the art of recording live ensembles, focusing on tonmeister recording techniques and philosophy. Prereqisite: MRT 278. 1 credit.
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3.00 Credits
Topics discussed include: how the music business operates, songwriting and music publishing, copy- right law, music licensing, record companies and recording contracts. Writing intensive. 3 credits. Prerequisite: permission of the instructor.
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3.00 Credits
Topics discussed include: music merchandising, retail, entrepreneurship, promotion, advertising and distribution; music for telecommunications and new media. Prerequisite: MRT 371 and permission of the instructor. Writing process. 3 credits.
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3.00 Credits
An in-depth look at the history, use and development of electronic music. Emphasis in MIDI, sequencing, transcription, sound design, synthesis techniques, sampling and studio production integration. Prerequisite: MRT 278 or permission of instructor. 3 credits.
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3.00 Credits
An in-depth examination of the principles and applications of digital audio in today's recording and interactive media industries. Topics discussed include: digital audio fundamentals, recording and reproduction systems theory, computer-based recording and editing, and audio for CD-ROM; and other new media applications. Prerequisite: MRT 278 or permission of instructor. 3 credits.
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3.00 Credits
This course focuses on stereo recording, surround recording and mixing, and mastering. The emphais is on listening critically for mic placement, umnderstanding hall acoustics, applying musical decisions during the recording process, exp[loring new directions in surround sound for music production, and developing a musical, artistic, and technical aawareness of issues involved in mastering projects for commercial release. Prerequisite: MRT 278, MRT majors only. 3 credits.
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