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Course Criteria
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3.00 Credits
Staff Not offered in 2008-09.
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3.00 Credits
Staff Not offered in 2008-09.
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3.00 Credits
D.Cast A survey of painting in Florence and Rome in the 15th and 16th centuries (Giotto, Masaccio, Botticelli, Leonardo, Michelangelo, Raphael), with particular attention to contemporary intellectual, social and religious developments.
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3.00 Credits
C.Hertel An introduction to painting, graphic arts and sculpture in Germany in the first half of the 16th century, with emphasis on the influence of the Protestant Reformation on the visual arts. Artists studied include Altdorfer, Cranach, D rer, Gr newald, Holbein and Riemenschneider.
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3.00 Credits
Gorfinkel Introduction to the international history of film as a narrative and aesthetic form, with consideration of cultural, social, political, technological, and economic determinants that allowed film across the world to evolve, thrive, and become the defining artistic medium of the 20th century.
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3.00 Credits
Gorfinkel This course will examine the particular challenges that women filmmakers face, as well as the unique and innovative contributions they have made to film aesthetics and narrative form. The class will address central debates within feminism from the 1970s to the present, in particular, feminism's influence on women's independent film production and the question of female authorship.
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3.00 Credits
G.McKim-Smith A study of painting and sculpture in Spain from 1492 to the early-19th century, with emphasis on such artists as El Greco, Velázquez, Zurbarán, Goya and the polychrome sculptors. As relevant, commentary is made on Latin America and the Spanish world's complex heritage, with its contacts with Islam, Northern Europe and pre-Columbian cultures. Continuities and disjunctions within these diverse traditions as they evolve both in Spain and the Americas are noted, and issues of canon formation and national identity are raised.
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3.00 Credits
Meyer Not offered in 2008-09.
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3.00 Credits
S.Levine Close attention is selectively given to the work of Cézanne, Courbet, David, Degas, Delacroix, Géricault, Ingres, Manet and Monet. Extensive readings in art criticism are required.
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3.00 Credits
D.Cast, C.Hein The major traditions in Western architecture are illustrated through detailed analysis of selected examples from classical antiquity to the present. The evolution of architectural design and building technology, and the larger intellectual, aesthetic and social context in which this evolution occurred, are considered. Not offered in 2008-09.
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