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German 305: Modern German Drama
3.00 Credits
Haverford College
HU U.Sch nherr
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German 305 - Modern German Drama
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German 320: Sex-Crime-Madness:The Birth of Modernism and the Aesthetics of Transgression
3.00 Credits
Haverford College
HU U.Sch nherr Focusing on major literary figures from Goethe to Brecht, the seminar will examine the 'paradigm shift' towards a modern aesthetics of transgression in which social, racial, and sexual deviancy take center stage. Readings will include prose texts and plays by Goethe, Kleist, E.T.A. Hoffmann, Gotthelf, Wedekind, Schnitzler, Mann, Kafka, and Brecht.
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German 320 - Sex-Crime-Madness:The Birth of Modernism and the Aesthetics of Transgression
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German 321: Topics in German Literature:Literature and New Media:From the Gutenberg-Galaxy to Cyberspace
3.00 Credits
Haverford College
HU (Cross-listed in Comparative Literature and Comparative Literature) U.Schoenherr
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German 321 - Topics in German Literature:Literature and New Media:From the Gutenberg-Galaxy to Cyberspace
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German 359: Music-Text-Performance
3.00 Credits
Haverford College
HU (Cross-listed in Comparative Literature) U.Sch nherr This course will explore the rich and diverse representations of music in all its socio-aesthetic complexity from antiquity to the present. The thematic scope of our investigations shall range from mythological, philosophical, theological, and semiotic questions, through issues of gender, race, and politics, to theories of (operatic) performance. (Taught in English with an extra session in German) Prerequisite: One 200-level course in the Humanities.
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German 359 - Music-Text-Performance
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German 399: Senior Conference
3.00 Credits
Haverford College
HU U.Sch nherr/ H. Schlipphacke
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German 399 - Senior Conference
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German 480: Independent Study
3.00 Credits
Haverford College
HU U.Sch nherr Prerequisite: Consent of the instructor.
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German 480 - Independent Study
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HART B100: The Stuff of Art
3.00 Credits
Haverford College
S.Burgmayer Not offered in 2008-09.
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HART B100 - The Stuff of Art
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HART B103: Critical Approaches to Visual Representation:Icons and Idols
3.00 Credits
Haverford College
D.Kinney What is an icon What is an idol How do they differ or are they the same And what is the relation between icons, idols and images This course treats potent image-objects across cultures and across time, including religious icons (Madonnas), pop icons (Madonna), and comparable image-objects of other traditions, such as African minkisi and Native American totems. Readings range from Plato and the Old Testament to contemporary criticism. Not offered in 2008-09.
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HART B103 - Critical Approaches to Visual Representation:Icons and Idols
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HART B104: Critical Approaches to Visual Representation:The Classical Tradition
3.00 Credits
Haverford College
D.Cast An investigation of the historical and philosophical ideas of the classical, with particular attention to the Italian Renaissance and the continuance of its formulations throughout the Westernized world.
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HART B104 - Critical Approaches to Visual Representation:The Classical Tradition
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HART B105: Critical Approaches to Visual Representation:Poetry and Politics in Landscape Art
3.00 Credits
Haverford College
C.Hertel An introduction to the representation and perception of nature in different visual media, with attention to such issues as nature and utopia; nature and violence; natural freedom; and the femininity of nature.
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HART B105 - Critical Approaches to Visual Representation:Poetry and Politics in Landscape Art
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