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Course Criteria
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2.00 - 3.00 Credits
HU Y.Li Students are encouraged to experiment with various drawing media and to explore the relationships between media, techniques and expression. Each student will strive to develop a personal approach to drawing while addressing fundamental issues of pictorial space, structure, scale, and rhythm. Students will work from observation, conceptual ideas and imagination. Course includes drawing projects, individual and group crits, slide lectures, museum and gallery visits. Prerequisite: Fine Arts Foundations or consent.
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3.00 Credits
HU Y.Li Students are encouraged to experiment with various painting techniques and materials in order to develop a personal approach to self-expression. We will emphasize form, color, texture, and the relationship among them; influences of various techniques upon the expression of a work; the characteristics and limitations of different media. Students will work from observation, conceptual ideas and imagination. Course includes painting projects, individual and group crits, slide lectures, museum and gallery visits. Prerequisite: Fine Arts Foundations or consent.
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3.00 Credits
HU M.Weil In essence the same problems as in Fine Arts 231A or B. However, some of the drawing media are clay modeling in half-hour sketches; the space and design concepts solve three-dimensional problems. Part of the work is done from life model. May be repeated for credit. Prerequisite: Fine Arts Foundations or consent.
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3.00 Credits
HU M.Weil The behavior of objects in space, the concepts and techniques leading up to the form in space, and the characteristics and limitations of the various sculpture media and their influence on the final work; predominant but not exclusive use of clay modeling techniques: fundamental casting procedures. Part of the work is done from life model. May be repeated for credit. Prerequisite: Fine Arts Foundations or consent.
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3.00 Credits
HU W.Williams Students are encouraged to develop an individual approach to photography. Emphasis is placed on their creation of black and white photographic prints, which express plastic form, emotions, and ideas about the physical world in chemical and in digital formats. Work is critiqued weekly to give critical insights into editing of individual student work and their use of the appropriate black and white photographic materials necessary to giver coherence to that work. Study of the photography collection, gallery and museum exhibitions, lectures, a critical and theoretical analysis of photographs from the permanent collection and a research project supplement the weekly critiques. In addition students produce a handmade archival box to house their work, which is organized into a loose sequence and mounted to archival standards. Prerequisite: Fine Arts 103 or equivalent.
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3.00 Credits
HU (Cross-listed in Independent College Programs) J.Muse In this course, the specific mid-20th C movement called Conceptual Art will be explored, as will its progenitors and its progeny. Students will study the founding manifestos, the canonical works and their critical appraisals, as well as develop tightly structured studio practica to embody the former research. The course invites artists, writers, activists, & cultural thinkers, those who want to know what it is to make things, spaces, situations, communities, allies, & trouble--without necessarily knowing how to draw, paint, sculpt, photograph, videotape, or film.
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3.00 Credits
HU W.Williams Students are encouraged to develop an individual approach to photography. Emphasis is placed on their creation of color photographic prints, which express plastic form, emotions, and ideas about the physical world in chemical and in digital formats. Work is critiqued weekly to give critical insights into editing of individual student work and their use of the appropriate color photographic materials necessary to giver coherence to that work. Study of the photography collection, gallery and museum exhibitions, lectures, a critical and theoretical analysis of photographs from the permanent collection and a research project supplement the weekly critiques. In addition students produce a handmade archival box to house their work, which is organized into a loose sequence and mounted to archival standards. Prerequisite: Fine Arts Foundation or equivalent.
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3.00 Credits
HU H.Kim Concepts and techniques of Color Intaglio. Combined printmaking methods as well as solid foundations in printmaking techniques will be encouraged. Personal statements and coherent body of works will be produced during the course. Individual and group critiques will be employed. Prerequisite: Permission of instructor by review of portfolio.
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3.00 Credits
HU H.Kim Concepts and techniques of Color Lithography. Combined printmaking methods as well as solid foundations in printmaking techniques will be encouraged. Personal statements and coherent body of works will be produced during the course. Individual and group critiques will be employed. Prerequisite: One course in printmaking or consent.
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