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Course Criteria
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3.00 Credits
A studio course to explore further, those issues covered in 122, but focusing on the creation of light and space. Landscape, architecture, still-life and the model will serve as subject matter. A large variety of media will be used, including pastel, monotype, ink, acrylic paint and charcoal. Prerequisite: 122 or permission of the instructor.
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3.00 Credits
The course explores the fundamentals of digital image making and manipulation using Adobe Photoshop and related computer software. Prerequisite: 122, 221, or permission of the instructor.
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3.00 Credits
A studio course exploring expressive possibilities offered by the potters wheel. Students will examine both utilitarian and sculptural aspects of the medium. A variety of clays, glazes and firing approaches will be examined.
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3.00 Credits
A sculpture course further examining three-dimensional problems covered in the basic three-dimensional design course. The course will focus on clay as the primary (but not exclusive) fabrication material. Students will examine a range of firing, glazing, and construction techniques. Prerequisite: 123, 224 or permission of the instructor.
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3.00 Credits
A basic studio course exploring the techniques, practices and history of painting and theories of color. Working from observation, subject matter will range from still-life and landscape to architecture and the figure. Prerequisite: 122 or permission of the instructor.
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3.00 Credits
A studio course in which students will gain a working knowledge in each of the four major areas of printmaking woodcut, etching, lithography, and screenprinting. Prerequisite: 122 or permission of the instructor.
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3.00 Credits
The course will be devoted to working from the human form during which the students will be expected to develop a sense of two-dimensional line and three-dimensional illusionistic form through the use of such graphic media as pen and ink, pencil, charcoal, Conté crayon, etc. Prerequisite: 122 or permission of the instructor.
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3.00 Credits
A second-level painting course concentrating on the concepts and practice of painting in the landscape. We will deal with the use of color, space, light and interpretive problems of working on site. Prerequisite: 122 and 227 or the equivalent, or permission of the instructor.
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3.00 Credits
Drawing from the architecture of southwestern France with an emphasis on the figure and its role in establishing scale, movement and narrative. Prerequisite: 122 or the equivalent, or permission of the instructor.
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3.00 Credits
A survey of painting, sculpture, and architecture in Italy from approximately 1250 to 1450. The works of Giotto, Pisano, Donatello, Ghiberti, Brunelleschi, and Massacio, among others, will be addressed. Issues of style, patronage, and function will be considered within the political and cultural contexts of the 13th through 15th centuries. Critical and theoretical writings of the period will also be discussed. Prerequisite: 101 and 102 or permission of the instructor.
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