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  • 3.00 Credits

    A study of the history of the film or the photograph as an art form involving mechanical reproduction. Issues of criticism and theory are also addressed.
  • 3.00 Credits

    This course will examine major monuments in the history of ancient Greek and Roman art and architecture from the variety of interpretive perspectives with which they have been addressed in the scholarly literature. Students will study and analyze art-historical "readings" of these monuments and compare the strengths and weaknesses of the authors' arguments in terms of methodological approach and use of both textual and archaeological evidence. In addition, the authors' cultural assumptions, interpretive premises, and ideological goals (if any) will also be addressed in attempting to understand how these works of art have acquired meaning over time and what constitutes that meaning. Offered every other year.
  • 3.00 Credits

    European art and architecture of the Middle Ages, from the decline of Rome to the first decades of the 15th century. Particular emphasis is placed on Romanesque and Gothic cathedral architecture. Prerequisite: 101 or permission of the instructor. Offered alternate years.
  • 3.00 Credits

    This course takes a chronological approach to the history of art in the United States from the late eighteenth century through the early twentieth century. At the start of the semester, we consider questions of how the newly-formed nation and its citizens were represented in art. We will examine how, during the heyday of Western expansion, the American landscape was variously depicted through photography and painting with the ideology of Manifest Destiny and a growing tourist industry in mind. We also discuss the challenges artists faced in the later nineteenth century in creating commemorative public statuary for the nation following a highly divisive Civil War. By the end of the nineteenth century, during America's "Gilded Age," dramatic shifts in race, class and gender relations account for an unprecedented level of activity in the arts. Finally, we examine the issues at stake in a thoroughly diverse and modern version of America, where homosexuality, race relations and debates about gender take center stage, alongside questions of the nation's place in an increasingly global environment. Students can expect to leave the course with a more complex understanding of what America is and how it has been represented across history, by various artists and in a range of media, while also developing crucial skills in critical reading, writing and visual analysis. Prerequisite: 101 or 102, American studies majors, or permission of the instructor.
  • 3.00 Credits

    An intermediate-level study of selected topics in the history of art and architecture. Prerequisites: prerequisites as appropriate to topic.
  • 3.00 Credits

    Introduces students to the history, role, nature, and administration of museums. It examines the emergence and development of museums and the political, social, and ethical issues that they face. Case studies include: government funding of the arts, the lure and trap of the blockbuster, T-Rex "Sue", the Nazi Entartete Kunst exhibition, the Enola Gay exhibition, war memorials, the Holocaust Museum, public sculpture, conservation, museum architecture, auction houses, and the repatriation of cultural property. This course is open to all students and is especially relevant to those studying the fine arts, anthropology, archaeology, history, American studies, and public policy. This course fulfills the Division I.C. distribution requirement. Offered every two years.
  • 3.00 Credits

    An introduction to critical strategies in and theoretical approaches to the visual arts from Plato through Postmodernism. Particular emphasis is placed on close analysis and discussion of texts. The course addresses issues of historiography, critical theory, and contemporary art criticism. Prerequisite: 101 or 102 or permission of the instructor.
  • 3.00 Credits

    This course is an introduction to Japanese art and aesthetics throughout the history of this culture. The study of this art occurs in the context of the civilization as a whole, as it has both changed and resisted change over time due to both internal and external forces. Students are expected to look carefully at their own preferences and prejudices with the intention of seeing them from an additional perspective. Offered alternate years.
  • 3.00 Credits

    This course is an introduction to the history and aesthetic of Chinese art. The art is studied as a primary part of the larger culture. Other elements of the culture are introduced as they are relevant to seeing the civilization as a whole. The subject matter is those arts most typical of the major dynasties, but painting is the primary overall focus. Offered alternate years.
  • 3.00 Credits

    An entry-level course in black-and-white darkroom photography emphasizing theory, history, and practice. Students learn how to create images, use cameras, develop film and make prints using conventional darkroom processes. Students will also be introduced to Photoshop as well as the basics of scanning and digital printing.
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