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AH 392: Practicum
8.00 Credits
University of Rochester
Each student will intern in an institution arranged or approved by the Art and Art History faculty. The purpose of this internship is to give students an insiders' view of the workings of the art world. Students will be expected to document their internship experiences as a means of evaluation at the end of the semester. This program is limited to second, third, fourth and fifth year undergraduate students interested in learning about all aspects of contemporary art, about how art gets made, how it reaches its public, and the processes of its interpretation. Internships will consist of 20 hours per week, for which students will receive eight credits. Permission of instructor required.
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AH 392 - Practicum
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AH 393: Art History Honors Project
0.00 Credits
University of Rochester
No course description available.
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AH 393 - Art History Honors Project
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AH 394: Internship
8.00 Credits
University of Rochester
No course description available.
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AH 394 - Internship
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AH 396: Museum Internship
4.00 Credits
University of Rochester
No course description available.
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AH 396 - Museum Internship
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AH 397: European Arts Internship
8.00 Credits
University of Rochester
No course description available.
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AH 397 - European Arts Internship
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AH 397F: Uk Arts Internship
6.00 Credits
University of Rochester
No course description available.
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AH 397F - Uk Arts Internship
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AH 415: SEM CONT ART: Advanced Histories and Theories Of Photography
4.00 Credits
University of Rochester
Theoretical treatments of photography have ranged from ridicule (Baudelaire) to ambivalence (Benjamin) to earnest investigations of its ethical and social implications (Sontag). But in order to understand how photographs affect us, we have to locate it historically, at the intersection of social history, the history of technology, and art history. Touching on several nodal points—from the history of urbanization and police work in the19th century to the conceptualization of charity in the 20th to the impact of digitalization on artistic authorship in the 21st—this course seeks to develop new ways of looking at photography and photographs.
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AH 415 - SEM CONT ART: Advanced Histories and Theories Of Photography
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AH 435: Chinese Visual Culture: Medium and Materiality
4.00 Credits
University of Rochester
This course explores the cultural politics of Chinese visual culture through an examination of its mediums. We’ll consider how in pre-20th century China paintings structured relations of gender and of inner and outer worlds; how the inscription of calligraphy on land mediated image and writing, nature and culture; and how the mass production of artworks intersected with conceptions of nature and social organization. We’ll then consider the new media culture of the 1920s-1930s, iconoclasm and idolatry during the Cultural Revolution, and the emergence of experimental and documentary art in recent decades. Our concern will be how mediums, as assemblages of images and surfaces with specific material qualities and practices function within real social spaces and create virtual spaces of representation and imagination.
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AH 435 - Chinese Visual Culture: Medium and Materiality
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AH 463: Twentieth Century Art & Culture
4.00 Credits
University of Rochester
This course will explore selected aspects of twentieth-century art, including issues of identity, difference, and the body and ways in which institutions have shaped art. Works in different media will be considered, including examples from George Eastman House. The course will focus on a limited time period or a theme.
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AH 463 - Twentieth Century Art & Culture
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AH 482: Ren. Art:Space Narrtv, Form
4.00 Credits
University of Rochester
Focusing on the art of 15th and 16th-centuries, this course will explore the development of the characteristic structures of renaissance painting, sculpture & architecture through 3 related concepts: space, narrative & form. These concepts will lead us to study the development of pictorial space, & the parallel, & connected, development of a narrative tradition in art. Together these 2 initiatives resulted will be shown to culminate in a distinctive pictorial style in which space & narrative work together to produce the appearance of reality often referred to as a “view through a window.”
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