Course Criteria

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  • 3.00 Credits

    Multimedia Performance Systems explores the composition and programming of real-time performance systems. We will examine the basics of MIDI, sound synthesis, digital signal processing, and image/video manipulation. Final projects will consist of a real-time performance system or interactive installation. When Offered: Fall yearly. Cross Listed: Cross-listed with ARTS 4030. Students cannot obtain credit for both courses. Credit Hours: 3
  • 3.00 Credits

    Development and completion of individual creative projects in electronic arts with discussions and critiques of student work in a seminar format. Projects may use any of the studios and combinations of media available in the iEAR Studios. All projects will be presented or performed in public concerts, exhibitions, and installations. Prerequisites/Corequisites: Prerequisite: limited to MFA students in electronic arts. When Offered: Fall term annually. Credit Hours: 3 per semester, with a maximum of 9
  • 3.00 Credits

    This seminar will deal with the history, theory, and creation of art, popular culture, and mass media from a contemporary perspective. Theoretical and historical texts and a spectrum of electronic arts and media will be investigated. This course is to be taken in conjunction with ARTS 6080, Electronic Arts Practice, in the first semester of graduate work in the M.F.A. program. It will support the students' development and articulation of the aesthetic, cultural,and theoretical underpinnings of their artistic work produced in ARTS 6080 and in other studio courses. Prerequisites/Corequisites: Prerequisite: limited to M.F.A. students or permission of instructor. When Offered: Fall term annually. Credit Hours: 3
  • 3.00 Credits

    This course is an introduction to fieldwork and ethnographic methods in support of artistic creation. The class will guide students through interviews, participant-observation and documentation at various field sites to produce diverse creative projects ranging from ethnographic essays to video to installations. Students will be encouraged to work on topical materials of their choice, focused on issues such as technological change, artistic subcultures, or environmentalism. Enrollment is restricted to students with graduate standing or by permission of the instructor. When Offered: Spring term annually. Credit Hours: 3
  • 3.00 Credits

    This course asks what is really new about New Media, and looks at creative practices, theoretical discourses and social contexts to find answers. The course concentrates on cutting edge cultural expression using information and communication technologies. The objective is to equip students with multiple perspectives - aesthetic, communications, historical - with which to analyze, critique, and develop original concepts about the uses of new media in art and culture. Cross-listed with ARTS 4130. Student cannot obtain credit for both courses. Credit Hours: 3
  • 3.00 Credits

    This seminar is an investigation of the "successes" and "failures" of the news media, set within historical and contemporary contexts. The title "media watch" is intended to evoke a "watch-dog" approach found in "independent media" sources and organizations like "human rights watch." Assignments involve analyzing how issues are portrayed in the media and students choose their topics according to their interests. The course can therefore enhance capstone, thesis, or dissertaWhen Offered: Offered upon availability of instructor. Cross Listed: Cross-listed with ARTS-4150. Student cannot obtain credit for both courses. Credit Hours: 3
  • 3.00 Credits

    A graduate-level course focusing on the development of curatorial practices, and will include emphasis research including how curators conceive, organize and execute exhibitions. This course is important for practicing artists, not only to allow them to function as programmers and curators themselves - extending their own area of expertise - but to also give students the opportunity to see what curators need to exhibit work. What kind of press materials, timelines, writing materials are necessary for curators to produce exhibitions In other words, what do artists need to provide to curators to be successful When Offered: Fall term annually. Credit Hours: 3
  • 4.00 - 8.00 Credits

    Individual and collaborative projects and readings adapted to the needs of individual students at the advanced level. When Offered: Fall and spring terms annually. Credit Hours: 4 to 8
  • 1.00 - 9.00 Credits

    Active participation in research, under the supervision of a faculty adviser, leading to a master's thesis. Grades of IP are assigned until the thesis has been approved by the faculty adviser and accepted by the Office of Graduate Education to be archived in a standard format in the library. Grades will then be listed as S. Credit Hours: 1 to 9
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