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Art 502S: Senior Project II
3.00 Credits
Hamilton College
A required one-semester course for senior concentrators working toward honors and the senior exhibition. Prerequisite, 501F and permission of the senior project advisor. The Department.
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Art History [151F]: Architecture and the Environment
3.00 Credits
Hamilton College
A critical and historical introduction to the study of human intervention in the environment, considering such issues as the alleviation of biological and psychological stress through architectural design, social purpose and formal significance. Individual buildings examined in relation to their urban and natural contexts. (Proseminar.) Maximum enrollment, 16.
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Art History [151F] - Architecture and the Environment
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Art History [236]: Outrageous Acts: Avant-Garde Theatre and Performance Art
3.00 Credits
Hamilton College
An examination of experimental art's capacity to shock and to force us to recognize ourselves from new and unexpected perspectives. The historical, cultural and philosophical origins and influences, as well as exemplary works from the early avant-garde movements (1890-1940) and more contemporary avant-garde theatre and performance art (1950-1990). Discussion of the art, music, literature, theatre and film of Surrealism, Symbolism, Expressionism, Dada, Futurism, Constructivism, Epic, The Living Theatre, Grotowski, Monk, Wilson, Foreman, The Wooster Group, Hughes, Finley. (Oral Presentations.) (Same as Theatre 236.)
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Art History [236] - Outrageous Acts: Avant-Garde Theatre and Performance Art
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Art History [245S]: Hindu, Buddhist and Islamic Arts of India
3.00 Credits
Hamilton College
An introduction to Hindu, Buddhist and Islamic traditions of art and architecture in India, as well as the art and architecture of the colonial and post-colonial periods. (Same as Religious Studies 245.)
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Art History [245S] - Hindu, Buddhist and Islamic Arts of India
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Art History [257]: The World of Spanish Art: From the Alhambra to Guernica
3.00 Credits
Hamilton College
Intensive study of the artistic production of Spain, as reflected in the most significant expressions of architecture, painting and sculpture, along with the cultural and historical context in which these works were created. To be included, among others: Moorish, Romanesque, Gothic, Renaissance, Baroque, Neoclassic and Modernist styles (in architecture); El Greco, Velázquez, Zurbarán, Ribera, Murillo, Goya, Sorolla, Picasso and Dalí (in painting); and Vasco de la Zarza, Bigarny, Diego de Siloé, Juni, Montanás, Cano, Mena, Berruguete (in sculpture). Prerequisite, 200, 201 or consent of instructor. Taught in Spanish. (Same as Hispanic Studies 257.)
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Art History [257] - The World of Spanish Art: From the Alhambra to Guernica
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Art History [258F]: Political Power and Cultural Authority: The Arts of China
3.00 Credits
Hamilton College
A historical examination of the ethico-aesthetic, religio-philosophical and socio-political values expressed in the indigenous arts associated with the imperial court, the scholar's studio, the marketplace and the subtle art of dissent. Chinese material culture, including painting, calligraphy, sculpture, ceramics, jade, ritual bronzes, architecture and silk robes.
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Art History [258F] - Political Power and Cultural Authority: The Arts of China
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Art History [266S]: Art of the Islamic World
3.00 Credits
Hamilton College
The Near and Middle Eastern origins, the classical inheritance, and the Eastern and Western diffusion of Islamic civilization.
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Art History [266S] - Art of the Islamic World
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Art History [286S]: Art in the Age of the Enlightenment
3.00 Credits
Hamilton College
The 18th century in Europe and its overseas dominions seen as a watershed between a rational and an empirical attitude to nature and reality. The rococo, sentimental and picturesque/sublime traditions and their assimilation into neoclassicism. Attention given to the landscape garden and the decorative arts as well as architecture, painting and sculpture.
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Art History [290F]: Facing Reality: A History of Documentary Cinema
3.00 Credits
Hamilton College
The history of cinema as representation and interpretation of "reality," focusing on nonfiction film and video from a variety of periods and geographic locales. Emphasis on the ways in which nonfiction films can subvert viewers' conventional expectations and their personal security. Forms to be discussed include the city symphony, ethnographic documentary, propaganda, nature film, direct cinema, cinéma vérité, the compilation film and personal documentary. (Same as Comparative Literature 290.)
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Art History [290F] - Facing Reality: A History of Documentary Cinema
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Art History [313F]: Seminar Religion and Modern Art
3.00 Credits
Hamilton College
Investigates the ways religious traditions have continued to influence the visual arts into the modern and postmodern periods. Topics range from the theosophical inclinations of Kandinsky and Mondrian to the mystical inclinations of abstract expressionism, from the "blasphemous" images of Ernst and Dix to the meditational video work of Gary Hill and Bill Viola. Media covered include painting, sculpture, video, architecture, and film. Recent exhibitions such as "Negotiating Rapture," "Traces du Sacre" and "The Third Mind" will be discussed. Prerequisite, one course in religious studies or art history. Includes mandatory two-day trip to NYC. (Same as Religious Studies 313.) Maximum enrollment, 12.
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Art History [313F] - Seminar Religion and Modern Art
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