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CIN 210: Film Theory
4.00 Credits
CUNY College of Staten Island
4 hours; 4 credits Study of film theory and its relation to international cinema of the silent and sound periods. Readings include the major theoretical works of various critics, philosophers, and filmmakers. Required for the Cinema Studies major. Prerequisites: CIN 100 and ENG 111
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CIN 210 - Film Theory
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CIN 211: Cinematography
4.00 Credits
CUNY College of Staten Island
4 hours; 3 credits A basic workshop in cinematography. Visual exercises will focus on techniques of composition, lighting, and camera movement. Prerequisite: CIN 111
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CIN 211 - Cinematography
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CIN 212: Documentary Video
4.00 Credits
CUNY College of Staten Island
4 hours; 3 credits Advanced training in the strategies, techniques, decision-making processes and structures of nonfiction videomaking. Prerequisites: CIN 111
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CIN 212 - Documentary Video
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CIN 220: Film History
4.00 Credits
CUNY College of Staten Island
4 hours; 4 credits Survey history of world cinemas. The course will consider research practices, historiography, film style, and industrial models of production; viewing and discussion of films by various American and international filmmakers. Required for the Cinema Studies major. Prerequisites: CIN 100 and ENG 111
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CIN 220 - Film History
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CIN 230: American Film and American Myth
4.00 Credits
CUNY College of Staten Island
(Also AMS 230) 4 hours; 4 credits An interdisciplinary consideration of American filmmaking practices in relation to national mythmaking. Topics include: American film genre (the Western, film noir, the musical, and other dominant narrative models); gender, race, and class identities in film; cinematic aesthetics and nationalism; and cinematic treatments of international cultural and political relations involving the United States. (arts & com.) Prerequisite: ENG 111 and COR 100
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CIN 230 - American Film and American Myth
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CIN 240: Third Cinema
4.00 Credits
CUNY College of Staten Island
4 hours; 4 credits A survey of cinema from and about the Third World that emphasizes the effort to construct an identity within a post-colonial multinational context. Considered and analyzed will be films from Africa, Latin America, the Middle East, and Asia, as well as films of the diaspora made by emigrés (p&d) Prerequisite: CIN 100
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CIN 240 - Third Cinema
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CIN 271: Women and Film
4.00 Credits
CUNY College of Staten Island
(Also WMS 271) 4 hours; 4 credits Explores the historical trajectory of the representation and selfrepresentation of women in film, with particular attention to the significant developments in the status and achievements of women as stars, screenwriters, directors, consumers, and spectators. Screenings of key films, techniques of critical analysis of the moving image, weekly readings, discussions, and lectures, will all help to shape this consideration of film representations of what gender is, and what it has produced, over a period of more than 100 years. Prerequisites: ENG 151
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CIN 271 - Women and Film
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CIN 274: Introduction to Screen Writing
4.00 Credits
CUNY College of Staten Island
(Also ENL 274) 4 hours; 4 credits Writing for television and film. Class discussions of students’ work and the problems of creating in this field. Selected readings. Prerequisite: ENG 151
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CIN 274 - Introduction to Screen Writing
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CIN 301: Screen Adaptations
4.00 Credits
CUNY College of Staten Island
4 hours; 4 credits A study of the theory and practice of adapting literary fictions into narrative films and dramatic television programs. Prerequisites: ENG 151 and CIN 210 or CIN 220
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CIN 301 - Screen Adaptations
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CIN 303: Screen Comedy
4.00 Credits
CUNY College of Staten Island
4 hours; 4 credits An examination of screen comedy. The course will consider comedy as a form of performance and as a mode of film practice, with attention to techniques that create laughter. Readings include critical and theoretical works on the nature of comedy and the role of the comic performer in generating meaning. Prerequisites: ENG 151 and CIN 210 or CIN 220
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CIN 303 - Screen Comedy
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