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Course Criteria
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4.00 Credits
This course is designed to broaden the student's awareness of communication, gender, and culture. Students will focus on the ways gender differences are infused in Western culture, politics, and interpersonal relationships. Society's views on gender are clearly reflected in our literature, films and music. Using a number of approaches, students will explore communication patterns in relationships.
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4.00 Credits
A mix of rhetorical and social science perspectives on the art and science of persuasion. Topics include classic models and theories, source credibility, message design, visual persuasion, and compliance gaining strategies in politics, advertising and health campaigns.
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4.00 Credits
Prerequisite: COM 211 Following on the concepts and practices learned in Motion Picture Production I, this class deals with color negative stocks and synchronous sound shooting and editing. Students learn advanced organizational practices, how to communicate with labs and post-production service houses, and sync-sound finishing procedures.
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4.00 Credits
This course will give students a thorough background in film and video editing theory and an opportunity to put this theory into practice through use of AVID media composer. Through editing a number of short pieces, students will gain an understanding of how their editing choices impact viewer response .Topics covered including dialogue editing, the impact of sound design on an image, and building suspense/tension through editing.
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4.00 Credits
This seminar explores ancient and current wisdom about the nature of communication, from intimate to formal settings, and as a crucial link between humans, animals and machines. Communication is considered as information, expression, performance, signification, and an emblem of identity. Unlike computers and other information systems that we often use as models of communication, humans have no system of exact and efficient transfer of meaning. The class encourages the engagement of active learners interested in building on readings other course materials to explore the challenges of this dilemma.
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4.00 Credits
(same as AAH 343; WGS 305) Explores the impact feminism has had on film theory, criticism, and production. Various approaches to the study and production of the cinematic apparatus will be explored including psychoanalysis, issues of representation, spectatorship, ethnicity, and hybrid sexualities.
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4.00 Credits
Through critical reading, critique, case study analysis, and hands-on applications, this advanced undergraduate seminar examines cutting-edge research and practice regarding uses and effects of new media and emerging technologies in a wide variety of health communication contexts, and proposes directions for future research.
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4.00 Credits
Prerequisites: COM 212 or permission of instructor This course covers all aspects of documentary production from idea development and research, to production, post-production and distribution strategies. Class includes screenings and discussion of documentary styles and issues as well as a production workshop.
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4.00 Credits
An exploratory course in the uses of light beyond basic illumination. Electrical, optical, and color theory applied to stage and television lighting. Familiarity with luminaires, control systems, physical and dynamic properties of light. Practical application in studio and on location.
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4.00 Credits
Focuses on a significant historical or theoretical topic, or on studio and performance skills; may be repeated when topic changes.
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