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  • 1.00 Credits

    Students will learn to confidently read and play music on the guitar. Attention will be given to such fundamental skills as harmonization of song tunes, basic guitar maintenance, and choosing an instrument. Those working toward a career in music education will find the course essential for work with elementary student groups and as a model for a course they may teach to others in the future.
  • 1.00 Credits

    In each of the following sections, the students will prepare, rehearse, and present public performances of the specialized repertoire for each ensemble type listed. Woodwind Quintet Brass Quintet Chamber Music Horn Ensemble Lyric Theatre Guitar Ensemble Flute Choir Harp Ensemble Brass Ensemble Saxophone Ensemble Piano Ensemble
  • 2.00 Credits

    Prerequisite: Music majors and successful completion (C- or higher) of MUS 222 (Keyboard Skills II). This course is the third in a series of four courses and serves to provide music majors with late elementary/early intermediate keyboard skills focusing particularly on accompanying and score reading.
  • 4.00 Credits

    This course combines two weekly 80-minute classroom meetings with 15-hours of work in an arts-related community work project. Students will strive to understand the concept of community cultural development and assess the importance of the arts in society by defining the role of the arts in our local community and personal lives. Students compare public and private funding; discuss the relationship of the arts to political, social and economic interests; and survey the diversity of community-based arts programs in our region. Students will then develop perspective by researching the role of the arts in society in both historical and contemporary, Western and non-Western contexts, and comparing them with contemporary American practices.
  • 2.00 Credits

    Prerequisites: Successful completion of MUS 261, MUS 262, MUS 111, and MUS 222 or permission of the chair. This course is designed to give training relative to the basic physical elements of conducting and elementary score preparation. Emphasis is placed on beat patterns, cueing, and baton management. In addition, emphasis is placed on conductor etiquette, rehearsal management, score marking, and analysis.
  • 2.00 Credits

    The Introduction to Music Education Course is intended as an introductory course for music education majors who are in both the choral and instrumental tracks. Students will explore the various careers available in a K-12 music program, as well as have the opportunity to plan and teach a short peer lesson in a musical setting. Students will also begin to explore current practices and trends in music education.
  • 4.00 Credits

    (same as AAS 240) A survey course covering the development and content of Jazz music. The course covers major innovations and styles and emphasizes both listening and writing skills.
  • 4.00 Credits

    This course is an introduction to the study of music in/as culture. Students will study music cultures from throughout the world, drawing on select Native American, African, African American, Latin American, Indian, Indonesian, and Japanese traditions. Rather than offering a broad survey of world musics, however, this course is comprised of focused case studies that examine the experience of music in specific secular, spiritual, art, and popular contexts. Students will acquire and refine basic musical knowledge and skills, including critical listening. Each student will further develop research, writing and critical thinking strategies through an individual semester ethnography project focusing on a music culture with which they are relatively unfamiliar. MUS 246 is open to students in all majors; no prior music training is required. Note that MUS 246 is required for music majors, who usually take it in the fall semester of the freshman year.
  • 4.00 Credits

    Prerequisites: music major, music minor, or permission of the instructor; ability to read music. Introduction to fundamentals of music theory, two-part species counterpoint, beginning four-part harmony and tonal analysis, utilizing tonic, subdominant, and dominant functions, basic analysis of early Western and non-Western music, sight singing, using the movable do system, and melodic, rhythmic, and harmonic dictation skills in the major key.
  • 4.00 Credits

    Prerequisite: Successful completion of MUS 261 or placement by examination. Continuation of counterpoint and harmony skills gained in Musicianship I; introduction of all diatonic major- and minor-key harmonies in part writing and piano-style textures via harmonization of soprano and figured bass lines; creation of short original compositions; harmonic and melodic analysis of music from the common practice period; formal analysis of basic classical forms. Ear training in sight singing and dictation will advance to the minor key, employing movable do (major keys) and movable la (minor keys).
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