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  • VIS 261: Introductory Video and Film Production

    0.00 - 4.00 Credits
    Princeton University

    A film/video course introducing the techniques of shooting and editing digital video. Works of film/video art will be analyzed in class to explore the development of, and innovations in, cinematic language. Production will be oriented toward film/video as a visual art, including narrative, documentary, and experimental genres. Several short video projects will be produced during the semester.
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  • VIS 309: Introductory Printmaking

    0.00 - 4.00 Credits
    Princeton University

    This course introduces techniques of copper plate etching, and relief printing. Assignments focus on applications of various printmaking techniques, while encouraging independent development of subject matter. Critiques will occur throughout the term. Students are encouraged to draw regularly outside of class to cultivate themes and content applicable to their prints. Field trips to the University museum and the library's graphics collection will complement class work. Additional independent workshop hours required.
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  • VIS 312: Introduction to Color Photography

    0.00 - 4.00 Credits
    Princeton University

    An introduction to the theory, processes, and applications of color photography as an artistic medium, exploring camera technique, color film, and darkroom printing methods. A series of assignments introduces students to the formal issues presented by color as an element of the medium and analyze visual content in the broader project of photographic image-making. Weekly laboratory-seminars, slide lectures, readings, and discussion elaborate critical issues and historical precedents informing students' work.
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  • VIS 313: Intermediate Photography

    0.00 - 4.00 Credits
    Princeton University

    Serving as a continuation of VIS 211 or 212, this course seeks to increase the usefulness of the photographic process to the student through a careful examination of photo chemistry, print-making methods, and most likely an introduction to view camera. In seminar, the connections between traditions of art, philosophy, science and photography will continue to be important. Appropriate technical texts are selected to fit the class project.
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  • VIS 315: Digital Photography

    0.00 - 4.00 Credits
    Princeton University

    An advanced seminar and lab which explores the aesthetic and theoretical implications of digital technology in relation to photography. The emphasis is on making the photographic print in the digital work space. Class will consist of both independent and collaborative projects. One three-hour class, one three-hour laboratory.
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  • VIS 316: Contemporary Practices in Photography

    0.00 - 4.00 Credits
    Princeton University

    This is a project driven course for the intermediate or advanced studio student. This course explores the variety of ways contemporary artists have used photography since the 1950s, including but not limited to, documentary, conceptual, alternative processes and experimental methods, installation, narrative, collage, serial images, and appropriation.
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  • VIS 332: Ceramics Sculpture

    0.00 - 4.00 Credits
    Princeton University

    This course is course designed for students interested in learning the fundamentals of working with clay. A wide variety of hand building techniques will be taught, enabling students to make utilitarian vessels as well as sculptural forms. Students will learn about glazing and colored engobe application methods and how to operate electric and gas kilns. Studio work may be complemented by readings, field trips and slide presentations.
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  • VIS 343: Major Filmmakers

    0.00 - 4.00 Credits
    Princeton University

    A seminar on the major films of Robert Bresson, Stan Brakhage, and Andrey Tarkovsky. We will read the writings and interviews of the filmmakers and critical essays on their films.
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  • VIS 362: Intermediate Video and Film Production

    0.00 - 4.00 Credits
    Princeton University

    A second level workshop in digital media production. Students complete several videos and view short films and videos each week outside of class. The spring 2011 course will focus on the questions raised when working with music, whether it's hip hop, a Bach concerto or the Ramayana monkey chant. How does it interact with narrative, when can it function as the main audio element, how does the emotion in music affect the emotion in an image, when do lyrics matter, does one always have to edit to the beat, how do we transcend music video clichés, and how and why does music diminish, enhance or otherwise affect our experience of moving images?
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  • VIS 392: Issues in Contemporary Art

    0.00 - 4.00 Credits
    Princeton University

    A required seminar for Art and Archaeology Program 2 majors and Program in Visual Arts certificate students emphasizing contemporary art practices and ideas. The course addresses current issues in painting, drawing, sculpture, film, video, photography, and ceramics. It includes a visiting artist lecture series, critiques of students' work, and excursions to galleries, museums and artists' studios.
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