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Course Criteria
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3.00 Credits
Students select one or two photographic projects and explore those in depth. Weekly group critiques of work, and class discussions of assigned readings. Students who have only completed ART 114 will be required to work only in analog black and white film. Students who have only completed ART 119 or JOUR 119 will be required to work only in digital images. Students who have completed both 114 and 119 may work in black and white film or digital or both. ARTS; Prereq: ART 114, ART 119 or JOUR 119, or permission of the instructor; Students may not receive credit for both ART and JOUR 214; M. Godsil
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3.00 Credits
ARTS; Prereq: ART 115; T. Gant, L. Lombard
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3.00 Credits
ARTS; Prereq: ART 116; M. Holmes
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3.00 Credits
ARTS; Prereq: ART 117; M. Holmes
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3.00 Credits
This course will further develop graphic design skills with a focus on magazine production. The history of magazines and current trends will be studied. Students will develop a concept and produce a 24-page publication as their final project. Prereq: ART 118 or permission of the instructor; CL: JOUR 218; C. Cirone
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3.00 Credits
This course will introduce students to making clay sculpture directly from the life model. Students will work on clay sketches, portraits, and sculptures of the entire figure. The practical aspects of armature construction and plaster casting will be explored. Fundamentally, the course will emphasize how principles of rhythm, proportion, volume, gravity, tension and mass create expressive and dynamic form. T. Gant
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3.00 Credits
Surveys the art of the native peoples of the Americas with a focus on the ancient art of Mesoamerica and the Andes, as well as cultural artifacts of native American Indian peoples. Considers methodological and cultural issues of studying non-Western artistic traditions in conjunction with a critical examination of the cultural legacy of native arts to more recent artistic developments. HUM; Prereq: ART 105, ART 106, or permission of the instructor; CL: LAST 221; W; G. Gilbert
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3.00 Credits
Early Christian, Byzantine, Carolingian, Romanesque and Gothic art and architecture. Shows how Western art emerged and developed under the influence of classical, near eastern and barbarian traditions. HUM; Prereq: ART 105, ART 106, or permission of the instructor; W; G. Gilbert
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3.00 Credits
European architecture, sculpture, and painting of the fifteenth and sixteenth centuries. Emphasis on such major figures as Brunelleschi, Masaccio, Michelangelo, Van Eyck, Durer, Titian, Gentileschi, and Giotto in the context of pictorial and sculptural form and religious, philosophical and cultural beliefs. HUM; Prereq: ART 105, ART 106, or permission of the instructor; L. Lombard
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3.00 Credits
Seventeenth century European painting, sculpture, and architecture. Special attention is given to major artists such as Bernini, Gentileschi, Poussin, Rubens, and Rembrandt in the context of social, political, cultural and religious trends. Particular emphasis is given to such topics as artistic identity, gender, Baroque theories of visuality, and the role of art in relation to Absolutism. HUM; Prereq: ART 105, ART 106, or permission of the instructor; W; G. Gilbert
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