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Course Criteria
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3.00 Credits
The development of the Romantic movement, realism, naturalism, and symbolism. Prereq: FREN 215 or permission of the instructor; C. Akuetey
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3.00 Credits
A study of modern and contemporary authors, including Gide, Colette, Camus, Sartre, Proust, Apollinaire, Breton and others. Additional lectures on relevant music and art. Prereq: FREN 215 or permission of the instructor; C. Akuetey
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3.00 Credits
(In French or English) A study of the French Arthurian materials in modern French or English translation. Principal texts are drawn from the works of Marie de France, Chrétien de Troyes, the Tristan materials, and the Lancelot-Grail cycle. Topics addressed include the development of the Arthurian tradition and its relationship to medieval society. FREN 311E satisfies HUM Foundations; STAFF
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3.00 Credits
Readings and discussions of the classic drama, Corneille, Racine, Molière, and some nondramatic writers such as Pascal, Descartes, La Fontaine, and others. Prereq: FREN 215 or permission of the instructor; B. Davis
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3.00 Credits
An analysis of works by Laclos, Diderot, Voltaire, Rousseau, Marivaux, and Beaumarchais. Prereq: FREN 215 or permission of the instructor; B. Davis
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3.00 Credits
An analysis of works by Rabelais, Ronsard, du Bellay, and Montaigne. Prereq: FREN 215 or permission of the instructor; STAFF
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3.00 Credits
Readings and discussions of medieval works that have had an impact on the Western tradition: the Chanson de Roland, the Chevalier de la Charrette, and others. The course focuses on texts from the 12th-15th centuries. Prereq: FREN 215 or permission of the instructor; STAFF
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3.00 Credits
Advanced practice in written and oral expression. Prereq: FREN 210 or equivalent; STAFF
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3.00 Credits
This course begins with a reflection on the concepts "nation" and "national identity" and thproceeds to identify and analyze the institutions and iconography that constitute the "deep structure"of France. How do the French remember the past How have they "reconstructed" it How do they view the world around them and their place in it How do they view each other As we attempt to find answers for these and other questions, it is necessary to look at those watershed events in French history that have over time transcended their reality and have been transformed into the myths that underlie and establish French identity. B. Davis
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3.00 Credits
(In French or English) A socio-historical study of the development of major themes and their adaptation to other literatures or disciplines. Some themes explored: Russian-French comparative literature, French literature and international opera, etc. Prereq: any literature course or permission of the instructor; FREN 330E satisfies HUM Foundations; STAFF
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