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  • 3.00 Credits

    Course provides the independent editor or independent filmmaker with an opportunity to edit a music video. PREREQUISITES: 24-2401 EDITING I OR 24-2910 PRODUCTION III, COMPLETED APPLICATION AND DEPARTMENT APPROVAL
  • 1.00 - 3.00 Credits

    Course provides the independent editor or independent filmmaker with an opportunity to edit a reel of their work. 1-3 CREDIT S PREREQUISITES: 24-2401 EDITING I OR 24-2910 PRODUCTION III, COMPLETED APPLICATION AND DEPARTMENT APPROVAL
  • 4.00 Credits

    This course reviews and evaluates the role and function of the major national and international film festivals in promoting certain styles of filmmaking, as well as their marketing and distribution. The role of film criticism and festival directors will be discussed. The course will have an overview of the history and politics of film festivals in different periods. 4 CREDIT S PREREQUISITES: 24-24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
  • 3.00 Credits

    Taking a pragmatic view of the evolving film industry, course examines the basic process of financing film and video projects including research and analysis and associated procedures to procure production financing. Course also explores the bundle of rights associated with filmmaking including the role of the chain of title and the protocol of negotiating corresponding multi-platform distribution deals. A thorough examination of cast and crew dealmaking, contracts relating to locations, vendors, and other production affiliates is discussed. 3 CREDIT S PREREQUISITES: 24-24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II COREQUISITES: 24-3600 PRODUCING I: PRODUCTION TEAM OR 24-4606 PRODUCING III: THE CREATIVE PRODUCER OR 24-4608 PRODUCING V: PRODUCING PRACTICUM
  • 3.00 Credits

    This course examines the role and functions of the creative producer throughout the life cycle of a film. The creative producer is the person who acquires intellectual property, develops it, packages it, finds financing, and hires and supervisee the entirety of the cast and crew from pre-production through distribution. This course will balance classroom lectures with practical exercises in advanced filmmaking. 3 CREDIT S PREREQUISITES: 24-3600 PRODUCING I: PRODUCTION TEAM COREQUISITES: 24-4605 PRODUCING II: LEGAL AND FINANCIAL OPTIONS AND/OR 24-4607 PRODUCING IV
  • 3.00 Credits

    Students will become familiar with the short film as a distinct form and learn the range of ways fictional short films can be originated along with associated best practices, including legal and ethical considerations. Potential sources will include original ideas, complete works adapted from other modes (such as short stories and stage plays), excerpts from existing works, and real world events (via news and current affairs). Under the supervision of faculty, senior screenwriting and producing students will form teams and provide scripts that maximize the creative and logistical potential of the source material. The course instructors will function as executive producers for all the projects developed within the class. Course admission is by application. 3 CREDIT S PREREQUISITES: 24-3600 PRODUCING I: PRODUCTION TEAM COREQUISITES: 24-4605 PRODUCING II: LEGAL AND FINANCIAL OPTIONS OR 24-4606 PRODUCING III: THE CREATIVE PRODUCER
  • 6.00 Credits

    In this workshop, students are partnered with other practicum students including directors, editors, post-production supervisors, production designers, and others to produce a significant, short production within the semester of no more than 10 minutes in length that is festival- and distribution-ready. Emphasis is on creative collaboration script development, crew assembly and pre-production, production management, and post-production supervision. Producing students are required to take Producing IV and provide a detailed application for entry into this course. 6 CREDIT S PREREQUISITES: PERMISSION OF INSTRUCTOR
  • 3.00 Credits

    The line producer is the day-to-day producer on the front line during production. This immersion course meets for 10, 4 3/4 hours/day, usually prior to the beginning of the semester. This course teaches line producers how to supervise film production. The line producer's role is covered, including decision making and crisis management; team building and collaboration with other production personnel. Additionally, the course explores budgeting and accounting principles in relation to ongoing production changes and adaptations. 3 CREDIT S PREREQUISITES: 24-3600 PRODUCING I: PRODUCTION TEAM
  • 3.00 Credits

    This course teaches assistant directors how to run a set by assembling all of the elements needed for filming and for the daily operation of the shooting set. The course explores an assistant director's objective of providing the director with everything he or she needs to put the director's vision on film. Their duties are supervisory, organizational, administrative - and multifarious. Working within the structure that is governed by budgets, union and guild contracts, industry custom, and so on, they make schedules, attend to the cast, direct extras, oversee the crew as each shot is prepared, create detailed reports of each day's events, and are looked to by cast and crew to solve many problems that arise in advanced productions. 3 CREDIT S PREREQUISITES: 24-24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
  • 3.00 Credits

    The course would focus on applied advanced First Assistant Director skills, including short and feature film scheduling, calling roll on-set, collaborating with the Director and other key crew during production, working in both union and non-union settings, and wrangling associated production documentation. 3 CREDIT S PREREQUISITES: 24-24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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