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Course Criteria
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4.00 Credits
This course will examine and practice advanced sound recording strategies and techniques to prepare advanced location sound students for a career as a professional sound mixer. Students will provide complete production audio services to advanced projects including preproduction assessment of equipment budgets, production meetings attendance, location scouting, table reads recording, acquisition of quality audio tracks, production journals maintenance, all audio media management, and formats and documentation. They will also perform technical competency tests with hard disk recording and wireless microphone technologies. Emphasis is on providing the highest level of quality audio services to advanced department productions. 4 CREDIT S PREREQUISITES: 24-3101 ADVANCED LOCATION SOUND RECORDING
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4.00 Credits
Course is intended for advanced students who wish to gain more insight and experience in preparing and mixing sound tracks for film. Students work in teams to complete class projects during additional weekly lab times. 4 CREDIT S PREREQUISITES: 24-2102 AUDIO FOR VISUAL MEDIA II
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3.00 Credits
Under guidance of an advisor, the student is responsible for on-location production sound recording and playback on the student or professional films. PREREQUISITES: 24-2103 LOCATION SOUND RECORDING, COMPLETED APPLICATION AND DEPARTMENT APPROVAL
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3.00 Credits
Student designs and renders the necessary elements for completion of a soundtrack on student or professional films. PREREQUISITES: 24-2101 POSTPRODUCTION AUDIO I OR 24-2102 AUDIO FOR VISUAL MEDIA II, COMPLETED APPLICATION AND DEPARTMENT APPROVAL
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4.00 Credits
Course focuses on the visual image and how to arrive at that image through intellectual and physical means. This highly technical class stresses knowledge of technical elements necessary to accomplish the sophisticated marriage of art and science. 4 CREDIT S PREREQUISITES: 24-1200 LIGHTING I, 24-2202 CINEMATOGRAPHY: CAMERA SEMINAR
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4.00 Credits
Course focuses primarily on operating the latest models of 16mm, Super 16, and 35mm cameras and includes an introduction to ARI SR3, Aeton 16, ARI 535, and Panavision cameras. Instruction also covers support equipment, including the dolly, jib arm, gear head, video assist, Steadicam, and Smart Slate. Students learn how to operate equipment, shoot 35mm footage, and receive exposure to Telecine transfer in a commercial facility that includes digital da Vinci. 4 CREDIT S PREREQUISITES: 24-2202 CINEMATOGRAPHY: CAMERA SEMINAR COREQUISITES: 24-3200 LIGHTING II, 24-3202 SPECIAL STUDIES: CINEMATOGRAPHY I
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4.00 Credits
Through individual and group projects, students focus on the interpretation of artistic goals and work through technological problems of cinematography. Students develop different creative approaches to the visual concept of the script. Technical issues including film stocks, processing, densitometry, special effects, and lighting are discussed and analyzed. 4 CREDIT S PREREQUISITES: 24-1200 LIGHTING I, 24-2201 IMAGE DESIGN FOR CINEMA, 24-2202 CINEMATOGRAPHY: CAMERA SEMINAR, 24-3206 PHOTO THEORY/LAB PRACTICE
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4.00 Credits
This course is designed to acquaint students with the role of the cinematographer in the motion picture, emphasizing creation of the visual concept of the movie, problems of style, and design and arrangement in connection with the choice of creative techniques. This course also deals with the color structure of the motion picture. 4 CREDIT S PREREQUISITES: PREMISSION OF INSTRUCTOR
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4.00 Credits
Course explores technical and aesthetic demands of interformat production, digital cinematography, and digital postproduction and special effects. Students light the set and shoot the scene in different formats, using 16mm, 35mm, Digital Video, SP BETA, and HDTV. After composing the scene with special effect plates, students transfer the final product on 35mm print and evaluate how different recording media handle the video-to-film transfer process. 4 CREDIT S PREREQUISITES: 24-3202 SPECIAL STUDIES: CINEMATOGRAPHY I
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4.00 Credits
Course focuses on advanced lighting for motion pictures based upon brightness analysis of the scene. Students learn how to light a scene using a spotmeter only. 4 CREDIT S PREREQUISITES: 24-3200 LIGHTING II, 24-3201 CINEMATOGRAPHY: CAMERA SEMINAR II, PERMISSION OF INSTRUCTOR
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