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Course Criteria
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3.00 Credits
Course offers students the opportunity to further explore concepts and techniques studied in Contemporary Issues in Printmaking. Plate lithography, monotype, reduction woodcut, lift-ground etching, and chine colle are among the new processes presented. Students are encouraged to develop more mature imagery and technical facility. 3 CREDITS PREREQUISITES: 22-1102 HISTORY OF ART II: RENAISSANCE TO MODERN, 22-1220 FUNDAMENTALS OF 2-D DESIGN, 22-2224 CONTEMPORARY ISSUES IN PRINTMAKING
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3.00 Credits
Cardboard, wood, plaster, plastic, metal, and clay are used in this introduction to basic additive and reductive sculpting processes. Contemporary modes and methods of sculpture making are examined. 3 CREDITS PREREQUISITES: 222-1102 HISTORY OF ART II: RENAISSANCE TO MODERN, 22-1230 FUNDAMENTALS OF 3-D DESIGN
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3.00 Credits
Woodworking skills and manual as well as machine technology are used to create sculpture in wood. Main emphasis is on constructed form while some time may be spent on carving and reductive techniques. 3 CREDITS PREREQUISITES: 22-1230 FUNDAMENTALS OF 3-D DESIGN
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3.00 Credits
Students draw upon a wide range of materials such as paper, metal, clay, plaster, wax, plastic, and found objects while incorporating various techniques in the fabrication of 3-D works. Students incorporate materials and technical skills that they may already possess. For example, while video and digital imaging is not taught in this class, students may incorporate such processes into their projects. 3 CREDITS PREREQUISITES: 22-1230 FUNDAMENTALS OF 3-D DESIGN
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3.00 Credits
Students expand their visual and conceptual vocabulary using various time-based media and site-specific approaches to the creation of new work. Classroom/studio activity will promote the creative process in a relationship between the artist's expression and the designated medium and site. 3 CREDITS PREREQUISITES: 22-1102 HISTORY OF ART II: RENAISSANCE TO MODERN
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3.00 Credits
Course provides a hands-on laboratory for students interested in creating images and events that are idea-driven, dimensional, or performative in nature. Sound, video, slides, language, site, self, and various media are employed. 3 CREDITS PREREQUISITES: 22-1102 HISTORY OF ART II: RENAISSANCE TO MODERN, 22-1220 FUNDAMENTALS OF 2-D DESIGN, 22-1230 FUNDAMENTALS OF 3-D DESIGN
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3.00 Credits
Students are given a comprehensive introduction to the history and nature of performance art and develop their ideas for live work. Course covers major Postmodern movements that make particular use of live art--Dada, Futurism, and Fluxus--as well as issues of feminism and multiculturalism that have utilized performance. Students present work for critique throughout the semester, culminating in a group show to be presented in a public forum. 3 CREDITS
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3.00 Credits
Students learn sculptural paper techniques, including moldmaking, casting, and the use of various fibers as lightweight durable media. 3 CREDITS
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3.00 Credits
This is an intensive, hands-on studio course introducing the tools and techniques of book construction as well as the conceptual possibilities and concerns of the book as a significant contemporary art form. Students will construct a variety of blank book models, learn simple image transfer techniques, and produce their own artists' books. 3 CREDITS
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3.00 Credits
This course explores the conceptual possibilities and technical complexities of ceramic material as a vehicle for Contemporary Art and Design. A large cross section of activity in clay will be considered and discussed, from brickmaking to porcelain design, and from handbuilding and moldmaking to hybrid materials. Historical and contemporary models will be referenced throughout the class, while considering what terms such as "craft" and "utility" can mean in a contemporacontext. 3 CREDITS PREREQUISITES: 22-2240 CERAMICS I
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