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Course Criteria
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1.00 - 3.00 Credits
Independent projects allow individual consultation with a prearranged faculty advisor, enabling the student to rewrite a script begun in a previous class or independent project or to develop a script from a prewritten treatment. Students must complete a rigorous application process. 1-3 CREDIT S PREREQUISITES: 24-2710 SCREENWRITING II: THE FETAURE FILM, COMPLETED APPLICATION AND DEPARTMENT APPROVAL
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3.00 Credits
This course introduces and explores a wide variety of documentary styles and techniques. Screenings of classic and innovative films help develop a critical language that is applied by students to their own work. Technical tutorials in camera and audio equipment as well as non-linear editing are incorporated. Students will complete a short, biographical video. 3 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
The media--television, film, print--has a pervasive influence upon how we view the world. This course enables us to analyze subtle and subliminal messages about culture, race ethnicity, gender, religion, class, and ability as presented to us through the media. Through open discussions of difference, research, and stimulating readings, we will learn who we are and why we view things the way we do. Expected outcomes include new insights into media influence and our responsibility as media makers, a research project, and self-examination of personal cultural and racial identity. 3 CREDIT S
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3.00 Credits
Course explores the history of the electronic image from early video art to contemporary interactive CD-ROM s and internet projects. Works by artists ranging from Acconci to Zando are critically examined in terms of form and content to understand not only their historical significance but also their influence within the larger tradition of image making. 3 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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4.00 Credits
This advanced level production course introduces filmmakers to portable video techniques, videography, non-linear editing, and the basics of digital recording. Projects center on non-narrative, alternative forms including documentary, diary, performance work, and experimental soundtracks. Experimental approaches to making work are emphasized. Students will explore a range of structural and stylistic techniques in assignments designed to build skills and fluency in the medium and then complete a final project with the goal of a festival screening. 4 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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4.00 Credits
Course is designed to facilitate the production and completion of a 5-8 minute film or video. Drawing from lectures, workshops, screenings, and discussion, students will be expected to produce a project that significantly surpasses their previous level of work. Students will also learn about distribution, film festivals, and taxes. Film production is built upon professional, productive working relationships; with this in mind, the emphasis of this course is on learning to be an effective collaborator. While employing skills learned in previous classes, students will collaborate with their teacher and their class in preproduction and script development. Further, students will collaborate with producing, cinematography, and sound students in creating an experienced crew. Students will be expected to pitch a concept, write a treatment and script, create a production book, then direct, edit, and mix their film. Past topics have included: science fiction, horror, comedy, and surrealism. 4 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II, 24-2910 PRODUCTION III
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6.00 Credits
In this workshop, students serve as the production designer on a significant short film using a screenplay developed in a previous semester. They will collaborate with advanced student directors, producers, and cinematographers and conceive the overall visual concept for the film. Emphasis will be on the artistic relationship with the director and cinematographer, as well as on the organizational and financial relationship with the producer. Under the leadership of the producers, the production design students will assemble an art department with key personnel, develop and monitor the art department budget, and supervise the execution of their design. 6 CREDIT S PREREQUISITES: PERMISSION OF THE INSTRUCTOR
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3.00 Credits
Internships provide advanced students with practical work experience that places them in training positions related to their academic studies. The College awards academic credit in internships based on a ratio of credit hours to hours worked. Even though the internship takes place outside the classroom, there are institutional and department requirements for students seeking and taking internships. 1-12 CREDIT S PREREQUISITES: DEPARTMENT APPROVAL
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1.00 - 3.00 Credits
Instructor will act as supervisor for students who meet the criteria necessary for enrollment. Students must submit a complete production packet prior to enrolling in this class. 1-3 CREDIT S PREREQUISITES: COMPLETED APPLICATION AND DEPARTMENT APPROVAL
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4.00 Credits
Course applies principles of synchronous motion picture recording to advanced production. Students work on advanced projects on location with faculty supervision. Class sessions provide for discussions, exchange of experiences, and problem solving. 4 CREDIT S PREREQUISITES: 24-2103 LOCATION SOUND RECORDING
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