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Course Criteria
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4.00 Credits
Students are introduced to synchronous film and video and professional audio technologies. Areas covered include microphones, analog and digital audio recorders, SMPTE time code, film and video formats, and film and video data tracks. Students become proficient in the use of professional location sound packages, Nagra recorders, hard and wireless microphones, mic mixers, and booms. 4 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
Students are introduced to elements of music and ways in which these elements may be used to create a musical style that enhances the visual statement. Course emphasizes understanding the function of the score and how it relates to texture, color, and drama in music. Students explore their creativity using the tools available, work on projects of increasing complexity, and complete a score for their own film or video as a final project. Listening skills, music vocabulary, and business and legal aspects of the profession are also studied. 3 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
This critical listening aesthetics course simultaneously studies the historical progression of the motion picture soundtrack, from classic sound theory to modern sound theory, while analyzing the composition of each of the four distinctive elements that form it: dialogue, sound effects, music, and lull, or the decreased use of any/all of the first three. 3 CREDIT S CONCURRENT: 24-1100 VISUAL AUDIO, 52-111
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4.00 Credits
This course will prepare the student to cue, perform and edit the Foley and Automated Dialogue Replacement as needed for film, animation, television and games. Small class projects will include studio time for performing footsteps, props and cloth for Foley and voices for principle and group ADR. Final projects will require the cueing, shooting and editing of Foley and ADR on student films. 4 CREDIT S PREREQUISITES: 24-2101 POSTPRODUCTION AUDIO I OR 43-2420 AUDIO FOR VISUAL MEDIA I
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1.00 Credits
Students will gain knowledge of the aesthetics and techniques of the Foley use in film and video. They will have practical experience with cueing, performing, and editing Foley effects. They will learn what distinguishes Foley performed on stage from hard edited effects from sound effects library or audio gathered from field shooting. 1 CREDIT CONCURRENT: 24-2101 POSTPRODUCTION AUDIO I
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1.00 Credits
Students will gain a solid knowledge of aesthetics and techniques of ADR. They will engage in the practical techniques including cueing, recording, and editing ADR. They will learn what distinguishes ADR from dialogue recorded on set learn to recognize when it is necessary to replace dialogue recorded on location. 1 CREDIT PREREQUISITES: 24-2101 POST-PRODUCTION AUDIO I
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3.00 Credits
Class examines issues of visual communication and design of the cinematographic image. Through lectures, practical assignments, and critiques, students refine their ability to use images to see, conceive, and communicate most effectively. They also develop critical thinking necessary for filmmakers when creating the visual concept of the story. 3 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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4.00 Credits
Course gives students working knowledge of 16mm motion picture camera equipment. Operation and maintenance procedures are specified for each camera. Instruction also covers duties of the camera assistant and operator. 4 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
Course serves as a general introduction to the optical printer and its capabilities, emphasizing the basic operation of a J-K printer. Exercises involve control of focal techniques, exposure, time manipulation, superimposition, fades and dissolves, high contrast processing, mattes and countermattes for wipes and insets, blow-up and reduction, color adjustment, combination, and isolation. 3 CREDIT S PREREQUISITES: 24-2030 PROJECT DEVELOPMENT, PREPRODUCTION, AND PREPARATION, 24-2031 MOVING IMAGE PRODUCTION II
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3.00 Credits
Through practical hands-on application, students learn the methodology of visual effects production. Students acquire general knowledge of a variety of skills needed to effectively produce and direct a visual effects sequence. 3 CREDIT S PREREQUISITES: 24-1200 LIGHTING I, 24-2202 CINEMATOGRAPHY: CAMERA SEMINAR
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