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Course Criteria
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3.00 Credits
The work of Gerard Manley Hopkins, W.B. Yeats, Ezra Pound, T.S. Eliot, Robert Frost, Langston Hughes, Marianne Moore, William Carlos Williams, Wallace Stevens, W.H. Auden, and others is read in this survey of the Modernist period, 1900-1945. The course also provides an introduction to Postmodernism. 3 CRE DITS PREREQUISITES: 52-1602 INTRODUCTION TO POETRY AND 52-1152 WRITING AND RHETORIC II
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3.00 Credits
Students in this advanced seminar will study a selected author or group of authors in depth. Course is repeatable as topic changes. 3 CRE DITS PREREQUISITES: 52-1602 INTRODUCTION TO POETRY AND 52-1152 WRITING AND RHETORIC II
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3.00 Credits
This course is intended for entering freshmen who have an interest in fiction writing. Students write and read fiction and become acquainted with story and basic techniques of storytelling in various media such as film, theater, and oral storytelling. Course prepares a sound foundation for Fiction Writing I. (Course is not required for entrance into Fiction Writing I and does not count toward the major.) 3 CREDITS
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4.00 Credits
Fiction I is the first course in the core sequence. Emphasizing the dynamic relationship between individual students, the workshop director, and the class, the Story Workshop method is employed to allow students to move at their own pace in developing perceptual, technical, and imaginative abilities in fiction writing. No prerequisites, though either Introduction to Fiction Writing or English Composition are helpful. 4 CREDITS
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4.00 Credits
This course develops writers' approach to reading and to writing about literature being read as an integral, dynamic part of the writers' process, development, and career. Journals and other writings by such authors as D.H. Lawrence, Richard Wright, and Virginia Woolf are used as examples of how writers read and write about what they read in order to learn to develop dimensions of their own fiction and to become aware of their uniqueness and commonality with other writers' efforts. Manuscripts and notes of famous works may be used to show writers' processes and development. 4 CREDITS COREQUISITES: 55-1100 INTRODUCTION TO FICTION WRITING OR 55-1101 FICTION WRITING I OR 55-4101 FICTION WRITING I
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3.00 Credits
Fiction has been an important source for cinematic storytelling since its earliest incarnations. This class critically explores the elements of fiction writing as they are translated on film: voice, point of view, dialogue, scene, structure, and other fictional forms. Students will view films, read fictional excerpts, discuss techniques, and hear speakers, studying how these elements can be used to heighten their own stories. This course will be helpful for students interested in studying fiction, film, and other arts and media disciplines. 3 CREDITS
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3.00 Credits
Fiction has been an important source for cinematic storytelling since its earliest incarnations. This class critically explores the elements of fiction writing as they are translated to film with an emphasis on foreign and international stories: voice, point of view, dialogue, scene, structure, and other fictional forms. Students will view films, read fictional excerpts, discuss techniques, and hear speakers, studying how these elements can be used to heighten their own stories. This course will be helpful for students interested in studying fiction, film, and other arts and media disciplines. 3 CREDITS
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1.00 Credits
The Radio Narrative has become a major force in radio creativity mainly through the work of writers, storytellers, and memoir artists producing work for National Public Radio International and other independent radio/audio venues. This course will focus on the craft of writing and producing effective radio narratives with emphasis on writing for the ear, sound usage, and basic sound and spoken word audio editing. Each student will produce a completed radio narrative, working from an already written piece (redrafting it for broadcast writing) or writing an entirely new work. This course will progress as a workshop focusing on story development, writing, and basic radio/audio production. 1 CREDIT
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1.00 - 2.00 Credits
Tutorial program addresses basic skills in grammar and punctuation, fiction writing, rewriting, editing, journal writing, organization, and more. Story Workshop Tutorial Program is designed for students concurrently enrolled in Fiction Writing Workshop, Prose Forms, Critical Reading and Writing, and Specialty Writing classes. Many students find one-on-one attention of a tutor, who is an advanced writing student, gives their writing added energy and clarity and helps them make valuable discoveries. 1-2 CREDITS CONCURRENT: 55-1100 INTRODUCTION TO FICTION WRITING OR 55-1101 FICTION WRITING I or 55-4101 FICTION WRITING I OR 55-4102 FICTION WRITING II OR 55-4104 PROSE FORMS OR 55-4106 FICTION WRITING: ADVANCED
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3.00 Credits
Internships provide advanced students with an opportunity to gain work experience in an area of concentration or interest while receiving academic credit toward their degrees. PERMISSION OF DEPARTMENT CHAIR OR DESIGNATE 1-4 CREDITS
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