|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
3.00 Credits
Course continues study of Body Movement for Actors I. Students use their more conscious, able body to develop characterization. Acting II: Character and Ensemble is recommended as a concurrent course with Body Movement for the Actor II. 3 CREDITS PREREQUISITES: 31-1200 ACTING I: BASIC SKILLS, 31-1305 BODY MOVEMENT FOR ACTORS I
-
3.00 Credits
Course continues study of Body Movement for the Actor I. Students use their more conscious, able body to develop characterization. Acting II: Styles is recommended as a concurrent course with Body Movement for the Actor II. 3 CREDITS PREREQUISITES: 31-2305 BODY MOVEMENT FOR ACTORS II
-
3.00 Credits
Course continues and expands on Feldenkrais Method: Awareness through Movement I. 3 CREDITS PREREQUISITES: 31-1310 FELDENKRAIS METHOD I
-
3.00 Credits
Course focuses on creating illusion of violence for stage and screen. Basic instruction is given in unarmed combat (feet, fists, slaps, punches, falls, and rolls) and rapier and dagger (parries, cuts, and thrusts). Safe and realistic violence for stage is emphasized. Final scenes are performed on the main stage during performance weeks. 3 CREDITS PREREQUISITES: 31-1205 ACTING I: SCENE STUDY, 31-1300 VOICE TRAINING FOR THE ACTOR I, 31-1305 BODY MOVEMENT FOR ACTORS I
-
1.00 Credits
This course explores the heightened physicality that is associated with modern drama, especially that of male/female conflict. The class will use shared weight techniques and physical talking and listening to help understand the needs of the character in a given moment in seemingly random, nonskilled forms of violence. 1 CREDIT PREREQUISITES: 31-2200 ACTING II: ADVANCED SCENE STUDY, 31-2315 STAGE COMBAT OR 31-2200 ACTING II: ADVANCED SCENE STUDY, 31-2305 BODY MOVEMENT FOR ACTORS II
-
3.00 Credits
Course continues to teach students to create the illusion of violence for stage and screen. Advanced instruction is given in unarmed combat (feet, fists, slaps, punches, falls, and rolls) and rapier and dagger (parries, cuts, and thrusts). Techniques of broadsword and small sword are also covered. Safe and realistic violence for stage is emphasized. Final scenes are performed on the main stage during performance weeks. Final scene also adjudicated by the Fight Master of the Society of American Fight Directors. Students may qualify for certification at the Actor Combatant level recognized by SAFD. 3 CREDITS PREREQUISITES: 31-2315 STAGE COMBAT I
-
3.00 Credits
Students examine and practice the 10 most commonly used English and foreign language dialects encountered in Englishspeaking theater. Content emphasizes technical aspects of dialect, such as vowel and consonant pronunciation, lilt, rhythm, and vocabulary, and how they affect a theatrical character's personality. 3 CREDITS PREREQUISITES: 31-1300 VOICE TRAINING FOR THE ACTOR I
-
3.00 Credits
Students examine and practice the 10 most commonly used English and foreign language dialects encountered in Englishspeaking theater. Instruction emphasizes technical aspects of dialect, such as vowel and consonant pronunciation, lilt, rhythm, and vocabulary, and how they affect a theatrical character's personality. 3 CREDITS PREREQUISITES: 31-2325 ACCENTS AND DIALECTS I
-
1.00 Credits
Course offers opportunity for performing arts students to explore and develop their personal approach to physical comedy through exposure to a variety of comedy styles and techniques with an emphasis on continuous creation, rehearsal, and performance followed by analysis. 1 CREDIT PREREQUISITES: 31-1200 ACTING I: BASIC SKILLS, 31-1305 BODY MOVEMENT FOR ACTORS I
-
1.00 Credits
Viewpoints is a movement philosophy that explores the issues of time and space. In theater, it allows a group of actors to function spontaneously and intuitively; to generate bold new work quickly by developing flexibility, articulation, and strength in movement; and to use writing and other resources as steps to creativity. Students will learn the vocabulary and basic theory by applying viewpoints to creating new compositions as well as using them with existing theatrical texts. 1 CREDIT PREREQUISITES: 31-2200 ACTING II: ADVANCED SCENE STUDY OR 31-2700 DIRECTING I
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2025 AcademyOne, Inc.
|
|
|