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  • 3.00 Credits

    Television is the primary source for the transmission of information, politics, entertainment, and our collective and dispersed cultures in the United States, surpassing even film and newspaper because of its combined accessibility and visual appeals. Further, TV has for decades now shaped how we tell and understand stories about the worlds we live in and those we hope to live in, from notions of race and gender to presidents and child-rearing. In your aspiration to become a professional in the field of television, understanding how TV operates culturally and socially in a sophisticated manner will ultimately make you a better creative artist, producer, manager, screenwriter, etc.! We work from the premise that there is no such thing as "just TV," for certainly the industry wouldn't survive ieveryone really could care less about what they watch. Thus, we will seek to master methods of analysis that "get beneath"TV: historic and industrial, auteurism and genre, semiotics and psychoanalysis, postmodern, and ideological. 3 CREDI TS PREREQUISITES: 52-1152 WRITING AND RHETORIC II
  • 3.00 Credits

    This course examines a specific topic within the field of television, rotating the topics on a regular basis to keep the course relevant to trends and issues within television and society. Today more than ever, TV is the primary storyteller in U.S. culture, and therefore the medium raises a constant stream of issues concerning everything from representation of groups to how parents raise their children. Classes focus on providing students with in-depth examinations of TV-related topics, with an overarching emphasis on the importance of approaching television and related issues from a variety of humanistic perspectives (philosophical, industrial, historiographical, etc.) so as to enrich and complicate our understanding of both the issue and TV. 3 CREDI TS PREREQUISITES: 52-1152 WRITING AND RHETORIC II
  • 3.00 Credits

    In this advanced television course, students will serve as the Operations Department of Columbia College's television station, Frequency Columbia. All aspects of maintaining and operating a broadcast facility including programming, scheduling, recruiting, commercial and product sales, distribution, production, and promotions will be included in the experience of this high-profile, high-demand project. 3 CREDI TS PREREQUISITES: 40-2201 THE TELEVISION PRODUCER, 40-2301 TELEVISION ARTS: DIRECTING
  • 3.00 Credits

    This advanced level scriptwriting class teaches the skills needed to write the most popular form in television today, the situation comedy. The class will require the students to write two half-hour comedies, one based on an existing prime-time television series, the other based on an original pilot concept. 3 CREDI TS PREREQUISITES: 24-1710 SCREENWRITING I: WRITING THE SHORT FILM
  • 4.00 Credits

    In this advanced workshop, students will serve as staff writers for the Columbia College television series, "Windows." "Windowsis a half-hour show consisting of six short (five-minute) segments that share a common theme. For each of the six segments, all writers will submit individual first drafts; half of those will be chosen by the writers to go to a second draft. The second drafts will be pitched to the executive producer, who will choose one script to go to a polished final draft. All phases of individual and collaborative writing, from concept development to finished script, will be experienced in this intensive course. 4 CREDI TS PREREQUISITES: 52-1152 WRITING AND RHETORIC II
  • 3.00 Credits

    Students will learn pre-production, production, and post-production techniques in the completion of several entertainment magazine-style segments. From conception to completion, each student will gain experience in interviewing, writing, storytelling, scheduling, and developing an artistic approach to various profile pieces to be aired on Frequency TV. Working as a team member with videographers, studio crews, editors, graphic artists, and Frequency TV staff members, the student will gain invaluable experience in all facets of being a producer. 4 CREDI TS PREREQUISITES: 40-2201 THE TELEVISION PRODUCER, 40-2401 PRODUCTION AND EDITING II
  • 3.00 Credits

    Students in this advanced producing workshop will work on preproduction for the Television Department's annual television pilot, to be produced in the Spring by the Master Workshop Narrative: Producing & Directing courses. Students will work on budgets, casting plans, location scouting, legal, script breakdowns, and other processes necessary to prepare for a major production of a television pilot. Students are highly encouraged to register for the Master Workshop Narrative: Producing course in the spring. 1 CREDI T
  • 3.00 Credits

    In this advanced workshop, students will serve as producers and directors for a new Columbia College anthology fiction series. Students will have the opportunity to experience all phases of collaborative producing, from concept development throughout the finished program segments. 4 CREDI TS PREREQUISITES: 40-2201 THE TELEVISION PRODUCER, 40-2301 TELEVISION ARTS: DIRECTING, 40-2401 PRODUCTION AND EDITING II
  • 3.00 Credits

    Students will study television broadcasting's structure and all of the issues affecting the decision-making process. Students will consider the human and economic factors governing decision making in all phases of television operations. Lectures and field trips will focus on situations that influence management decisions, including research, programming, advertising sales, rating systems, and management styles with emphasis on decisions in day-to-day operations at the top levels of management. Cross-listed with Arts, Entertainment, and Media Management 28-4670 Decision Making: The Television Industry. 3 CREDI TS
  • 3.00 Credits

    This course is planned for undergraduates in Television and graduate students in Management. Course provides the historical background of the television business, including the launch of the industry in the 1940s, the establishment of the regulatory system, the operational structure of stations and networks, the development of cable and satellite broadcasting, and the programming policies and strategies of the present broadcasting industry. The class is intended to provide a road map to the business practices and methods of operation of broadcasting entities at the beginning and at the end of the 20th century. 3 CREDI TS
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