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Course Criteria
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1.00 Credits
This is an introductory course for students who have interest in what it means to be an animation voice talent. It will explore the acting skills, the vocal skills, the job requirements, the hands on techniques of voicing to picture, auditioning and a final examination of voicing our own Columbia College Chicago APS Studio finished animation character sheets and scripts. 1 CREDIT
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3.00 Credits
This course will serve as an overview of this burgeoning new internet and portable media force and show how radio, writing, and performance skills can impact the content of a podcast; how the technology is impacting the industry; and how the new portable media explosion is changing the way we manage time, entertainment, and information. 3 CREDIT S PREREQUISITES: 51-1151 WRITING AND RHETORIC I
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3.00 Credits
Course prepares students for a position as a personality in discos and nightclubs utilizing the talents of a live disc jockey. Course includes instruction in the use of portable equipment such as turntables, speakers, and microphones. Content covers production techniques inherent to this specialized field of audio entertainment. More advanced radio students should be able to use what is learned to secure full- or part-time employment before graduation from College and thereafter. 3 CREDIT S
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3.00 Credits
Students develop play-by-play techniques, analyze statistics, generate sources, and interview athletes. Course utilizes a combination of actual game videotape, on-location training at various sports venues, and classroom instruction. 3 CREDIT S
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3.00 Credits
Course covers the progression of rock music from its roots in rhythm and blues and country music in the 1950s to current sounds and artists. Students study individual artists and the bands who created the music, trends and styles of music, the music's influence on modern culture, and the impact of current events on the music. 3 CREDIT S
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3.00 Credits
This course will cover the progression of contemporary rock and soul music from its roots in rhythm and blues, country, folk music, and jazz from 1970 to the present. Students will study individual artists and musical groups who created the music, the trends, and the style of this performing art. This course will also cover music's influence on radio formats, modern culture, current events, and present technology. 3 CREDIT S
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1.00 Credits
The Radio Narrative has become a major force in radio creativity mainly through the work of writers, storytellers, and memoir artists producing work for National Public Radio, Public Radio International, and other independent radio/audio venues. This course will focus on the craft of writing and producing effective radio narratives with emphasis on writing for the ear, sound usage, and basic sound and spoken word audio editing. Each student will produce a completed radio narrative, working from an already written piece (re-drafting it for broadcast writing) or writing an entirely new work. The course will progress as a workshop focusing on story development, writing, and basic radio/audio production. 1 CREDIT
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4.00 Credits
Course assists students in understanding the technical and aesthetic functions of radio broadcasting through concentrated programming productions. Development of individuality and a personal style of broadcasting are emphasized through integrated practice in the various broadcasting functions. 4 CREDIT S PREREQUISITES: 41-1121 RADIO BROADCASTING I, 52-1152 WRITING AND REHORTIC II OR 41-1121 RADIO BROADCASTING I AND 52-1162 WRITING AND RHETORIC II SERVICE LEARNING
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1.00 Credits
The Radio Narrative has become a major force in radio creativity mainly through the work of writers, storytellers, and memoir artists producing work for National Public Radio, Public Radio International, and other independent radio/audio venues. This course will focus on the craft of writing and producing effective radio narratives with emphasis on writing for the ear, sound usage, and basic sound and spoken word audio editing. Each student will produce a completed radio narrative, working from an already written piece (re-drafting it for broadcast writing) or writing an entirely new work. The course will progress as a workshop focusing on story development, writing, and basic radio/audio production. 1 CREDIT
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