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Course Criteria
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3.00 Credits
This course presents an intensive survey of contemporary performance, site, and installation art from an anthropological point of view. Specifically, the course focuses on artist's work that is constructed to be experienced live and/or through photographic and video documentation of the work. Students will be given workshops on sound, digital photography, and video editing. Students will be required to produce and present a performance, site, or installation work of their own for their final project as well as photographic and/or video artworks based on their piece. 3 CREDI TS
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3.00 Credits
Course explores the wide range of photographic responses to the man-made environment, from classical documentation to the search from personal and formal documentation to the search for personal and formal images. Course also emphasizes view camera skill, discussion of work, and development of individual projects. 3 CREDI TS PREREQUISITES: 23-1121 DARKROOM WORKSHOP III, 23-3300 STUDIO I, 52-1152 WRITING AND RHETORIC II
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3.00 Credits
Course encourages each student to identify and develop a complex documentary project. Students refine traditional photographic practice and learn digital desktop publishing tools including Quark Xpress. Individual student projects are shaped into small self-published documents. 4 CREDI TS PREREQUISITES: 23-3520 DOCUMENTARY PHOTOGRAPHY
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3.00 Credits
The Photography in the South of France class is a two week long documentary workshop in St. Remy-Provence that concentrates on the cultural, art historical and visual environment of this significant region. Part of the workshop experience are visits to archeological sites occupied by the Romans 3500 years ago, places where Van Gogh, Gauguin and Picasso painted, as well historic towns and villages. All of the participant stay at the Hotel de L'Image which is equipped with a complete b&w darkroom facilities. Part of the workshop experience are two group critiques and the production of a portfolio of photographs. 3 CREDI TS
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3.00 Credits
Course surveys major concepts and methods of 20th century art theory and criticism from the early formalism of Roger Fry and Clive Bell to the late Modernist critical theories of Clement Greenberg. Instruction covers other art historical points of view such as stylistic analysis, iconography, structuralism and semiotics, and the social history of art. Discussion of contemporary critical positions of Post-Modernism includes Post-Structuralist attitudes and responses to late 20th century art. 3 CREDI TS PREREQUISITES: 222-1102 HISTORY OF ART II: RENAISSANCE TO MODERN, 52-1152 WRITING AND RHETORIC II
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3.00 Credits
Each semester the History of Photography Seminar will focus on a special topic related to recent trends in photographic and/or critical histories and theories of photography. Over the course of the semester we will analyze this topic's ideological, representational, technological, historical, and aesthetic ramifications for photography. Class time will involve some short lectures and exhibition viewings but will mostly consist of discussions of reading and looking assignments. Course expectations and requirements will be adjusted accordingly for undergraduates and graduates. 3 CREDI TS PREREQUISITES: 52-1152 WRITING AND RHETORIC II
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3.00 Credits
Course explores directed, manipulated, and constructed photographs. It investigates this rich tradition by looking at both historical and contemporary photography. Instruction addresses the veracity of the photographic image by discussing artificial photographs and comparing them to traditional documentary ideas. 3 CREDI TS PREREQUISITES: 23-3300 STUDIO III, 52-1152 WRITING AND RHETORIC II
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3.00 Credits
Course looks at the representation of human experience in photographic form. Students work on ongoing portrait projects in the studio and in natural environments. 3 CREDI TS PREREQUISITES: 23-1121 DARKROOM WORKSHOP II, 23-2300 STUDIO I, 52-1152 WRITING AND RHETORIC II
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3.00 Credits
Are digital cameras the future for studio and commercial work This new workshop will introduce students to professional-level digital cameras. We will have small, medium, and large-format state-of-the-art equipment available for demonstration and use. The workshop will discuss current professional practice, lighting for digital cameras, and the changes that can be expected in the near future. 1 CREDI T PREREQUISITES: 23-1121 DARKROOM WORKSHOP II, 23-2300 STUDIO I, 52-1152 WRITING AND RHETORIC II
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