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Course Criteria
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3.00 Credits
Foundation course in three-dimensional design. Exploratory problems that help develop understanding of and sensitivity to use of three-dimensional design fundamentals. Analysis of concepts as a basis for sculpture, ceramics, architecture and industrial design. (1 hr. lecture, 4 studio hrs. each week.) Offered on: A-E-G / 3 cr. hrs.
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3.00 Credits
Focuses on historical and nontraditional processes such as pinhole photography, handcoloring, cyanotype,van dyke brown printing, toning, Polaroid transfer, positive/negative printing, ortho film and liquid light. Students must supply their own film, paper and some other supplies. (1 hr. lecture, 4 hrs. studio per week.) Offered on: G / 3 cr. hrs.
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3.00 Credits
Examines history and use of authoring tools in multimedia production. Covers use of authoring tools in basic programming techniques, animation control, modeling, texturing and design principles using computer software such as Macromedia Flash. Emphasizes character animation involving looping, character interacting, timing, color and sound. (6 studio hrs. each week.) (Offered fall semester only) Offered on: E / 3 cr. hrs.
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3.00 Credits
Emphasizes practical aspects of 2D game design such as interface, documentation and characters. Based on knowledge acquired in ART221, students plan electronic productions with emphasis on pre-production, production and post-production techniques. Explores animation using computer software such as Macromedia Flash. (6 studio hrs. each week.) (offered spring semester only) Offered on: E / 3 cr. hrs.
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3.00 Credits
Based on knowledge acquired in ART125, students learn to combine and assemble images, type, 3D models, and illustrations into complex animation sequences. Addresses concepts such as frame-by-frame versus real-time recording. (5 studio hrs. each week.) (offered spring semester only) Offered on: E / 3 cr. hrs.
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1.00 Credits
As part of continual process as an artist, students are guided through preparation of a portfolio which is presented and assessed as a graduation requirement. (offered spring semester only) Offered on: E / 1 cr. hr.
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3.00 Credits
Introduces the concepts of website design and development for the photographer and artists with a focus on research, self-expression and self-promotion using image and web software. Effective use of animation and promotion using image and web software. Effective use of animation and static to communicate with viewer provides the emphasis on the integrity of design, client satisfaction, and technical mastery. Software is used to create portfolio images, and other information of choice. Class meets for 2 lecture hours and 2 studio hours per week. Offered on: E-G / 3 cr. hrs.
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3.00 Credits
This course builds on the photographic techniques introduced in ART 146: Digital Photography II and ART149: Photographic Lighting with the emphasis on studio pottraiture, people illustration, and an introduction to still life. Standardized lighting techniques will be covered including: glamour, triangle (short and broad), side, rim, and Avedon. Low and high key photographic situations will be explored in relationship to exposure control used for these creative situations. Posing skills along with studio etiquette will be discussed. Also, there will be an in-depth exploration of medium format digital photography, including lens selection and proprietary image processing software. Advanced imaging processing skills will be taught, including RAW format processing, file formats, image compressions, advanced digital workflow management, retouching methods for portraiture, and color workflow/advanced printing techniques used for portraiture/people photography. Students are required to have a digital SLR camera with a resolution of 6MB or greater and must provide their own memory cards, jump storage drives, CDs, ink jet paper and some other supplies. 2 hrs. lecture, 3 hrs. lab. Offered on: E-G / 3 cr. hrs.
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3.00 Credits
This course builds on skills acquired in Digital Photography III with an emphasis on still life photography as a medium for creative expression and visual experimentation. The tools and techniques particular to the still-life photographer are investigated and demonstrated, including lighting techniques, perspective, camera angle, surface propping, set rigging, multiple exposure, and other esoteric techniques. In-depth exploration of digital view camera techniques is explored including focal plane, shape, and depth of field control. Advanced image processing techniques will be addressed including digital workflow management, distortion and perspective correction and control, retouching techniques, advanced image compositing and stitching techniques. Assignments will relate to typical problems that are part of a working studio's daily life, and they will investigate the overlapping relationships of fine art, editorial and commercial still-life photography. Students must provide their own memory cards, jump storage drives, CDs, ink jet paper and some other supplies. 2 hrs. lecture, 3 hrs. lab. Offered on: E-G / 3 cr. hrs.
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3.00 Credits
This course will cover basic business issues on a practical level necessary for freelance photography, small studio, or working as a photographer's assistant. Job search methods, cover letter and resume preparation, self-promotion, professional organizations, calculating creative fees, client negotiations, invoicing, copyright and legal aspects of business will be addressed. Offered on: E-G / 3 cr. hrs.
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