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Course Criteria
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3.00 Credits
Studies the painting, sculpture, and architecture of the seventeenth century in Italy, the Low Countries, France, and Spain. Focuses on Caravaggio, Bernini, Velazquez, Rubens, Rembrandt, and Poussin.
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3.00 Credits
A survey of the art of the Dutch and Flemish Golden Age, including such artists as Rubens, Rembrandt, van Dyck, Hals and Vermeer. The course examines innovations in style and new subjects like landscape, still life and daily-life genre in relation to major historical developments, including the revolt of the Netherlands, the rise of the Dutch Republic, and the Counter-Reformation. The course includes a survey of Dutch architecture.
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3.00 Credits
Studies painting, architecture, and sculpture in Italy from the close of the Middle Ages through the sixteenth century. Focuses on the work of major artists such as Giotto, Donatello, Botticelli, Leonardo, and Michelangelo. Detailed discussion of the social, political, and cultural background of the arts. (Y) Credits: 3
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3.00 Credits
Studies the painting, architecture, and sculpture or the sixteenth century, emphasizing the works of major artists, such as Leonardo, Michelangelo, Raphael, Giorgione, and Titian. Detailed discussion of the social, political, and cultural background of the arts. (Y) Credits: 3
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3.00 - 4.00 Credits
Surveys European painting and sculpture from the late Baroque period to Neo-Classicism. Emphasizes the artistic careers of major figures and on the larger social, political, and cultural contexts of their work. Artists include Watteau, Boucher, Fragonard, Chardin, Falconet, Pigalle, Greuze, Batoni, Rusconi, Hogarth, Gainsborough, and Reynolds.
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3.00 Credits
Surveys European painting and sculpture from the last decades of the Ancien Regime to the liberal revolutions of 1848. Major artists, such as David, Canova, Ingres, Constable, Turner, Gericault, Delacroix, Friedrich, Goya, Corot, and Thorvaldsen are examined in their political, economic, social, spiritual, and aesthetic contexts.
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3.00 Credits
Examines the relationship of visual art to empire from the colonization of North America to the scramble for Africa, focusing on the period between 1700 and 1900. The course examines the work of European artists working on five continents and it engages with readings in which art history intersects with that of other disciplines including anthropology and museum studies.
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4.00 Credits
This survey of British Art in the modern period examines the work of some of Britain’s greatest painters, sculptors, and printmakers including Hogarth, Blake, Flaxman, Turner, the Pre-Raphaelites, Sickert, Bacon, and Freud. Major themes include the relationship of British art to religion, urbanization, empire, industrialization, and post-colonialism.
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3.00 Credits
Surveys major developments in painting and graphics in the fifteenth and sixteenth centuries in the Netherlands and Germany. Includes the rise of Netherlandish naturalism and the origins of woodcut and engraving. Explores the effects of humanist taste on sixteenth-century painting and the iconographic consequences of the Reformation. Emphasizes the work of major artists, such as Van Eyck, Van der Weyden, Dürer, Bosch, and Bruegel. (IR) Credits: 3
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3.00 - 4.00 Credits
Surveys modernist movements in European art during the second half of the nineteenth century. Major themes include the establishment of modernity as a cultural ideal, the development of the avant-garde, and the genesis of the concept of abstraction.
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