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  • 3.00 Credits

    Carr Quite often in photography, the approach involves finding the image, creating a composition from your surroundings or capturing a great shot through intuitive timing. We'll be doing none of that. This is an opportunity to work more slowly, to conceptualize the image, stage it, and then make the photo. In this class, students will explore the constructed image, first in the darkroom with the camera-less image and then with the Holga, a plastic medium format camera prone to adventure. In addition, we'll look at many examples of this way of working, and we will discuss each other's work at the end of each assignment. Course fee required.
  • 3.00 Credits

    This course is an experiential exploration of women creating their own leadership roles. We will take a hands-on approach to identifying leadership behaviors and effective communication skills, and explore related concepts such as decision making, conflict resolution, mentoring, and change. A significant portion of the course will be devoted to identifying each students' particular personality temperaments, understanding and appreciating the contrasting temperaments of others, and learning how to use these qualities to become an effective leader and team member. The course is designed to include many experiential activities including a variety of interactive exercises, meeting with local women leaders, journaling, and participating in an outdoor leadership adventure. Open to Horizon students only.
  • 3.00 Credits

    This course blends an exploration of the French-speaking world with the use of the latest technologies that employers will be looking for in the people they hire. Through technology-based projects, students will learn to use Publisher to create a professional-looking tourist brochure about a region of France and SharePoint Designer to develop a Web site about Québec for tourists. Students will also create their own podcasts about a French-speaking African country for a virtual museum and blog their cultural experiences as they take a virtual visit to one of the many festivals that the Francophone world has to offer. Students will also participate in a francophone festival poster contest for fun and prizes! As we explore France, Québec, and French-speaking Africa, we will also sample and discuss representative films, short selections of literature, music, and food. Course taught in English.
  • 3.00 Credits

    This class will look at how 20th century films-major motion pictures and lesser known documentaries-have created and reflected popular opinion about the American South during times of tumultuous change. We will watch highly influential movies such as Birth of a Nation ( 1915) and Gone With the Wind ( 1939), alongside more modest short films like The Louisiana Story (1948) and The High Lonesome Sound ( 1963) that document ways of life in two very different parts of the South. We will discuss the images of race relations, folk life, religion, and other themes depicted in these films to explore how they reinforce or overturn myths and stereotypes about the region. Popcorn provided.
  • 3.00 Credits

    Weber This course focuses specifically on the critical assessment of persuasive texts written by women. We will concentrate our analysis on women's speeches, but also read some earlier writings by feminists of the 18th century who wrote in an era when social custom prevented them from speaking in public. Throughout the course we will discuss what makes a text effective, including an analysis of style, emotions, arguments, and impact.
  • 3.00 Credits

    The Bloomsbury Group, a collection of British writers and intellectuals who were active during the first decades of the 20th century, included Virginia Woolf and her sister the artist Vanessa Bell, the art critics Clive Bell and Roger Fry, the novelists E. M. Forster and, at times, D. H. Lawrence, the historian and biographer Lynton Strachey, and the economist John Maynard Keynes, among others. This seminar focuses on the work of these writers and artists and the artistic and intellectual interrelations that seemed to define them as a group. Some of the questions we will investigate include: In what ways did this group represent a British avant-garde? Were there important links between sexual and artistic liberation? Did the group share common artistic ideals? What were the major literary and artistic works produced during this period and by whom? What were the important philosophical ideas undergirding this group? The seminar will deal with various texts, paintings, and film adaptations, such as the film versions of Virginia Woolf's Orlando and D. H. Lawrence' s Women inLove.
  • 3.00 Credits

    This course explores connections between mathematics and needlework. Starting with the basics of knitting (or cross-stitch) students will design and create projects based on mathematical principles. Students will complete at least two needlework pieces and write a paper explaining the mathematical significance of each project. As a group, we will brainstorm and work on a community project. Mathematical topics will be chosen from the following possibilities: geometric transformations, symmetry, self-similarity, modular arithmetic, topology and Diophantine equations. Beginning needle crafters are welcome. Students with appropriate experience may complete mathematical quilting, crochet, or needlepoint projects with permission of the instructor. Students will be responsible for buying their own materials and the cost of the course will be $100-200, depending on the materials a student chooses. The course is open to students of all mathematical levels.
  • 3.00 Credits

    Aphrodisiac. Stimulant. Medicine. Food. In this course we will consider chocolate from a variety of perspectives: historical, social-scientific, economic, culinary, and sensory. We will begin with an exploration of the history of cacao and its uses among the Maya and Aztecs; we will consider the labor relations of and ethics surrounding the harvesting, processing, and consuming of chocolate; and we will examine chocolate's symbolic and exchange values in a variety of cultural and historical contexts, including the contemporary global market for "boutique" chocolate and other related high-end comestibles. Wewill also explore chocolate for its chemical composition, health benefits, and gustatory delights. Tasting and cooking with chocolate are, of course, required. Students must be able to attend off-campus fieldtrips as well.
  • 3.00 Credits

    Sulkin This seminar is open to anyone who has previous experience, wishes to pursue an independent project over Short Term, and is willing to meet daily with others. Exploring possibilities strongly encouraged. Final portfolio required.
  • 3.00 Credits

    Knipe We will study the volumes of the human head in clay, learn the basic anatomy of the head, do several studies of famous portraits at the National Gallery of Art in Washington, D.C., and draw in various mediums producing a series of portraits from various models including yourself. Lab fee required. Suggested prerequisite: ART 100 or permission.
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