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Course Criteria
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4.00 Credits
Sulkin This course explores use of plastic lens and lens-less photography emphasizing light, multiple exposure, handmade cameras, and range of materials. Strong emphasis on expressive goals resulting in personalized portfolio. Lab fee: approximately $150. Prerequisite: ART 203. Offered Term 2.
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4.00 Credits
Sulkin This course provides instruction in a variety of processes that involve handapplied emulsions, including Cynotypes, Van Dyke prints, Gum Bichromate prints, and collotypes. Emphasis on use of these processes for expressive goals. Final portfolio required. Lab fee: approximately $150. Prerequisite: ART 203; ART 306 or permission. Not offered in 2008-09.
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4.00 Credits
Nolan A seminar that examines the role that women have played in art, as subjects, patrons, artists, and critics from the Middle Ages through the 19th century. Special attention is given to professional artists like Artemisia Gentileschi and Mary Cassatt, as well as to the impact of feminism on the discipline of art history. Also listed as GWS 314. Prerequisite: one 200-level art history course or permission. Offered Term 1. ( w, x, AES)
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4.00 Credits
Sulkin This course provides instruction in advanced exposure and development technique, lighting, view camera, toning, and advanced printing. Personalized portfolio required. Lab fee: approximately $200. Prerequisites: ART 203 and ART 306. Not offered in 2008-09.
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4.00 Credits
Nolan This student-led seminar explores the role of dress in creating gender and social identities. The course is global in scope and broad in chronological span, ranging from the ancient Mediterranean world and medieval western Europe to African tribal cultures and modern Islamic societies. Topics include the veil in Muslim society, symbolic properties of costume, the construction of masculinity, wedding attire, and contemporary fashion photography. Also listed as GWS 317. Prerequisite: one 200-level art history class. Not offered in 2008-09. (r, AES, GLO)
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4.00 Credits
This course begins with a review of the evolution of French painting and artistic life during the second half of the 19th century. A study of the Impressionist and Post- Impressionist movements and their influence on succeeding generations of artists follows. Emphasis is on training of the eye and direct contact with works of art. Guided museum visits. Offered both terms. (AES, MOD)
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4.00 Credits
Department This seminar explores the impact of the feminist movement and feminist theory on the production, reception, and exhibition of works of art made between 1965 and the present. Topics to be investigated include the pathbreaking Feminist Art Movement of the 1970s; the confluence of race, class, gender, and sexual identity in feminist art; and methods used by feminist artists to address issues important to women's lives. Also listed as GWS 324. Prerequisite: ART 264 or ART 314 or GWS 141 or permission. Not offered in 2008-09. (DIV, MOD)
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4.00 Credits
Department Feminist, postcolonial, and social-historical methodologies have contributed greatly to the transformation of the study of 19th-century European visual culture. Scholars employing these revisionist practices, have, for example, expanded the canon, questioning accepted definitions of modernity; studied the impact of class, race, ethnicity and gender on the production and reception of works of art; deconstructed the power dynamics of the art world; and offered fresh and often contemporary interpretations of monumental works and movements of this era. The course comprises a series of readings of these revisionist texts relating to such movements as Impressionism, Pre- Raphaelitism, and Post-Impressionism, and such specific themes as visual culture's relationship to empire building, the representation of female sexuality, and the visual culture of urbanization. Also listed as GWS 325. Prerequisite: ART 264. Not offered in 2008-09. (w, x, r, AES, MOD)
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4.00 Credits
White This course will focus on developing a personal language of form in the terms of painting. The focus will be on work in oil paint, on a large scale, with appropriate studies and related works in other media. Students will work on increasing their effectiveness at translating observations into expressive forms. Evaluation is by portfolio. Lab fee required. Prerequisite: ART 230. Offered Term 2.
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4.00 Credits
Nolan A seminar that explores the dramatic expansion of church architecture, sculpture, and book art in the late 11th and early 12th centuries. Topics include pilgrimage, crusades, the renewal of monastic life and the cloister, and the role of women's spirituality. Prerequisite: ART 262 or HIST 147. Not offered in 2008-09.
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