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Course Criteria
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4.00 Credits
Faculty In this studio class, students will be introduced to principles of theatrical design and the artistry of imagination. They will explore how theater designers think about images and use elements such as line, shape, space, mass, texture, light and color to create visual expression and communicate dramatic intention in threedimensional space. Students will gain an understanding of the effect of lighting, scenic and costume design choices for theater and dance productions. Four hours per week. Four semester hours. (A.)
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3.00 Credits
Prof. Scudera A study of the art of theater through an examination of varieties of theater spaces, literary genres, the work of actors, playwrights, directors, and designers, and the nature of the audience. Three hours of class plus one hour arranged production work per week. Four semester hours. (A.) Note: Students who have received credit for CST- 111 may not receive credit for THEA-100.
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3.00 Credits
Prof. Scudera An introduction to the fundamental acting techniques of the Stanislavski system. Students participate in acting exercises, improvisation, monologue and scene study. Prerequisites: THEA-100, or permission of the instructor. Four hours per week. Four semester hours. (A.) Note: Students who have received credit for CST- 225 may not receive credit for THEA-200.
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3.00 Credits
Prof. Scudera Advanced acting theory and physical training are applied to the development of technique. Building a role is explored through in-depth character analysis and performance, movement exercises, improvisation and advanced monologue and scene study. Prerequisites: THEA-200. Four hours per week. Four semester hours. Note: Students who have received credit for CST- 226 may not receive credit for THEA-201. (A.)
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3.00 Credits
Faculty This course will focus on a specific topic of theater production, technical theater or design not covered in other courses in the curriculum. Three hours per week. Four semester hours. Topics might include: Scenic Design, Costume Design, Lighting Design, Stage Management. Three hours per week. Four semester hours. (A.)
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4.00 Credits
Faculty This course will focus on a specific topic of theatrical performance not covered in other courses in the curriculum. Four hours per week. Four semester hours. Topics might include: Performance Composition, Physical Comedy and Improvisation, Voice and Diction, Solo Performance, Mask and Movement, Puppet Theater Production. Four hours per week. Four semester hours. (A.)
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3.00 Credits
Faculty Fundamentals of dramaturgy and its application through production dramaturgy, from Lessing's Hamburg dramaturgy, Piscator and Brecht's dramaturgy, to contemporary European and American dramaturgical practices. Will include methodologies for script preparation and analysis, research of production histories and applicability to new productions. Prerequisite: THEA-100 Three hours per week. Four semester hours. (A.)
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3.00 Credits
Prof. Redman A historical exploration of the development of dramatic literature, theater performance, theatrical spaces and production styles as vital expressions and reflections of social, political, and cultural attitudes and movements from Ancient Greece and Classical Japanese theater through Molière and French Neoclassicism. Prerequisite: THEA-100 or permission of instructor. Three hours per week. Four semester hours. (H.)
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3.00 Credits
Prof. Redman This course delves into the revolutionary, ever-shifting conceptions of the role of theater, the human condition and truth in society and how practitioners-playwrights, directors and designers-have manifested theirtheoretical ideas about theater and the world in their work from 1900 to the present. Readings in theater history, plays, manifestos, plus dramatic and performance theory will provide the link between revolutionary cries for change in theater, aesthetic developments and the various visions of theater. Prerequisite: THEA-100 or permission of instructor. Three hours per week. Four semester hours. (H.)
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3.00 Credits
Faculty This course will focus on a specific topic at an advanced theoretical or critical level within theater not covered in other courses in the curriculum. Three hours per week. Four semester hours. Topics might include:, Feminist Theater, Theater for Living, Performance Theory and Practice, Collective Theater Companies and Democratic Practice, Theater as Expression of Cultural Identities. Three hours per week. Four semester hours. (A.)
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