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  • 3.00 Credits

    Faculty A continuation of Printmaking I. Emphasis on etching as well as an introduction to lithography and silk screen printing. Students are expected to develop a portfolio of work outside the class meetings. Prerequisite: Art 105 or permission of the instructor. Three hours per week plus extensive individual work in the studio. Four semester hours. Art materials fee. ( A.)
  • 3.00 Credits

    Dr. Imatani A continuation of Sculpture I. Students will further develop their skills in terra-cotta, stone and wood carving as well as learn special techniques such as medallion work. Prerequisite: Art 106 or permission of the instructor. Three hours per week plus extensive individual work in the studio. Four semester hours. Art materials fee. ( A.)
  • 3.00 Credits

    Faculty A focused exploration of special subject areas and/or periods in Western, Asian and African art. Students will utilize regional museums and archives for individual research projects. Museum trips required. This course could also be held off campus. Open to all students although a course in art history is strongly recommended. Three hours per week. Four semester hours. (A.)
  • 4.00 Credits

    Faculty An international experience in which a focused exploration of special subject areas and/or periods in art is conducted abroad. Individual research projects and group museum and historic site excursions required. Open to all students although a course in art history is strongly recommended. Four semester hours. (A.)
  • 3.00 Credits

    Faculty An introduction to photographers and their images from 1829 to the present with attention to photographic images created from diverse cultural perspectives. Emphasis is on the development of photography as a fine art. Readings will be selected from artists and critics in the field. Open to all students. Three hours per week plus museum trips. Four semester hours. (A.)
  • 3.00 Credits

    Faculty An examination of Western art from the 1860s to the 1960s. The history of modern art from Manet and the Impressionists in the late 19th century, through movements of Post-impressionism, Symbolism, Expressionism and Cubism at the turn of the century to Abstract Expressionism, Minimalism and Pop after the Second World War will be discussed. Artists' work, lives, and contexts will be discussed as will the meanings and consequences of modernism itself. Approaches taken toward the material range from formalist to feminist with particular attention to the relationship between art and society. Three hours per week plus museum trips. Four semester hours. (A.)
  • 3.00 Credits

    Faculty An examination of American painting, sculpture and architecture in the United States from its earliest settlement to World War II. Emphasis is placed on the relationship between artistic production/content and the prevailing social and political conditions. Issues to be explored include: art as the expression of personal and national identity; public censorship; the artist's role and status in society; and art as a cultural commodity. The Berman Museum and the museums of Philadelphia will be used extensively. Three hours per week. Four semester hours. (A.)
  • 3.00 Credits

    Faculty The course offers an opportunity to develop creative ability using various two and three-dimensional media. The specific course focus will vary from semester to semester, but topics may include graphic design, ceramics, advanced scenic design and other topics of interest to students. Prerequisite: one studio art course or permission of the instructor. Three hours per week plus extensive individual work. Four semester hours. Art materials fee. ( A.)
  • 3.00 Credits

    Faculty A focused exploration of special subject areas and/or periods in art. Students will utilize regional museums and archives for individual research projects. This course could also be held off campus. Prerequisite: ART 150 or 160 or permission of instructor. Three hours per week plus museum trips. Four semester hours. (A.)
  • 3.00 Credits

    Dr. Shifrin An introduction to the social and political history of museums, as well as the structure, function and practices of museums in America and Europe. The Berman Museum will be our laboratory, and independent projects will focus on objects from the Museum's collections. Outside scholars and specialists will offer in-depth examination of selected topics. Visits are made to regional museums. Three hours per week. Four semester hours. (A.)
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