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Course Criteria
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3.00 Credits
This cross-disciplinary course presents selected topics on women in the visual arts, including varied ways of thinking and writing about women, art and culture. Topics include a survey of women in art, being female in the Renaissance, contemporary women artists, female artists in Latin America, and 19th-century women artists.
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3.00 Credits
This course considers African Americans in the visual arts, including varied ways of thinking and writing about African American art and culture. Topics include slavery and emancipation, the Harlem renaissance, the Civil Rights movement, African American women artists, and collecting African American art.
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3.00 Credits
A survey of American architecture, painting and sculpture from the earliest exploration days. The course will cover art of Native America, the colonial period, the Civil War era and the 20th century.
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3.00 Credits
As a survey of the art produced in Italy, 1200-1480, the course examines the production of art as it relates to society and culture. From St. Francis’ Assisi to Pope Sixtus IV’s Rome, and from Giotto to Botticelli, painting, sculpture, and architecture will be studied in contexts of history, gender, technology, intellectual life, theology and philosophy.
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3.00 Credits
This course continues with a survey of art and society in Italy, 1480-1620. The papacy, during the 15th century, brings Michelangelo and Raphael to Rome, which remains a cultural capital for artists through the 17th century. Artists working in 16th century Florence, in the wake of Michelangelo, introduce a style that flourishes brightly, but briefly: Mannerism.
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3.00 Credits
(Formerly ARTH 410)This course investigates the painting, sculpture, and architecture of Michelangelo. By considering the artistic traditions to which he fell heir as a Florentine artist, the traditional and the innovative aspects of Michelangelo’s work will be assessed. Readings from his letters and poetry and from 16th-century biographies will furnish a rich context for the appreciation of his work and for understanding the society to which he belonged.
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3.00 Credits
(Formerly ARTH 411)Artist, scientist, author and free-thinker, Leonardo left few paintings, many drawings, and copious notes attesting the wide range of his intellectual curiosity. This course focuses both on the 15th-century world to which the artist belonged and on his many writings in order to measure Leonardo’s greatness as prodigy and visionary.
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3.00 Credits
(Formerly ARTH 303)A survey of the painting, sculpture, and architecture produced in Europe between 1600 and 1750. The course opens in Bernini’s Rome of the Counter-Reformation and concludes in France at the royal courts of Louis XIV and XV.
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3.00 Credits
(Formerly ARTH 311)Art produced in northern Europe (France, Germany, Belgium, and the Netherlands) differs remarkably from the art produced in Italy by Botticelli and Michelangelo. This course surveys painting north of the Alps by such artists as Jan van Eyck, Rogier van der Weyden, Hieronymus Bosch, and Albrecht Dürer.
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3.00 Credits
The course explores the historical development of photography and considers the medium’s aesthetic components as well as the theoretical and representational issues it raises.
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