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Course Criteria
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3.00 Credits
This introductory survey focuses on art of the ancient world and the Middle Ages in the West and selected non-Western cultures to 1400 including India, China, and Mesoamerica. It emphasizes the role of art in the formation of a culture, the shifting function of art in different societies and time periods, and the approaches students can use to understand art.
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3.00 Credits
This introductory survey focuses on Western art from the Renaissance to today and the art of selected non-Western cultures (including Japan, Africa, and Islamic countries) after 1400. It concentrates on the stylistic, technical, and expressive evolution of painting, architecture, and sculpture within specific historical contexts, yet also explores the cross-influences and interaction of non-Western and Western art as defining characteristics of the modern world.
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3.00 Credits
This course is an introduction to the problems and use of two-dimensional design. Subjects include pattern, balance, scale, movement, rhythm, proportion, and relationships of figure to ground in various media. Additional Fee(s): Applied art fee.
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3.00 Credits
This course introduces students to the Macintosh computer interface and related media practices. Students explore digital foundations, media related histories, theoretical frameworks and critical examination of production elements as they discover how computers are radically changing the way image makers create and present their work. Cross listed as COM 141. Additional Fee(s): Course Computing Fee.
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3.00 Credits
This course is designed to introduce students to black and white darkroom photography. Students build on camera skills while investigating 35mm film fundamentals and wet lab methods. They will study exposure and printing in the black and white darkroom. A range of photographic materials, analog processes, and techniques will be covered. Students will study the photograph as a medium for documentation, representation, and expression. Cross-listed as COM 142. Additional Fee(s): Applied laboratory fee.
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3.00 Credits
This course introduces the tools, technology, and techniques of digital video production. Students plan, script, manage, and produce videos using digital technologies. Along with the technical application, students will be exposed to the history of video as an artistic and instructional medium, as well as the relationship of digital video to film and television. The theoretical focus is on critiques of narrative construction. Cross-listed as FDT/COM 150. Additional Fee(s): Applied art fee.
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3.00 Credits
This course introduces students to the basic aesthetic grammar of digital photography and provides a historical and critical context for looking at and making photographs. Students will use their own digital cameras with manually adjustable focus, exposure manipulation, photo finishing techniques and printing processes. They will also learn the fundamentals of digital capture and will utilize Adobe Bridge and Lightroom software for file processing, management, and output. Cross-listed as COM 152. Additional Fee(s): Applied art fee.
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3.00 Credits
This advanced studio course gives the student the opportunity to study a particular process or combination of processes in more depth. Contemporary approaches such as installation and performance art, and environmental and conceptual art are are introduced. Prerequisite(s): Art 105 or permission of the instructor. Additional Fee(s): Applied art fee.
Prerequisite:
ART105
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3.00 Credits
A studio course designed to present the theoretical and practical elements of audio physiology and production techniques, creating a learning environment in which students can apply their production skills to a variety of media. Specific material includes recording and dubbing techniques, audio mixing, equipment management, and digital sound. Prerequisite(s): Art 141 or permission of the instructor. Additional Fee(s): Applied art fee.
Prerequisite:
ART141
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3.00 Credits
Are political posters still viable in the age of Twitter and Facebook? Judge for yourself as we explore international graphics of dissent and how these forms have adapted to new technology and emerging media. Posters of Persuasion from Cuba, China, Germany, zimbabwe, Israel, and others will provide a broad historical context of visual communication strategies. The most effective posters are able to inspire, illuminate, inform, stimulate, and agitate us through the manipulation, juxtabpositions, and interpretation of metaphors, images, symbols and typography. You will create from concept through production posters based upon social cultural issues or public service campaign. The exploration of different media and creative techniques will be encouraged as traditional skills are mediated through CS4-Adobe Illustrator and Photoshop.
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