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  • 3.00 Credits

    This Honors seminar has the student think about Franciscan responses to the world: responses similar to or reinforced by the examined literature, particularly biographical vs. hagiographical elements in Francis of Assisi's life; the writings of Francis of Assisi and Clare of Assisi; troubadour notions of fin amour in Old Occitan and Old Proven ? al troubadour songs and tales; in the Matter of France and the Matter of Britain, with particular attention to Chrétien de Troyes and the Duke of Champagne' s Court.Prerequisite: Open to students in Honors program only. 3 credits. Offered as planned by Honors Council.
  • 3.00 Credits

    In this seminar, we read, listen to, and view works of prose, poetry, and drama from American Nobel Laureates. Students explore the reasons why the Nobel Committee selected a particular author for this prestigious award. Students are also expected to develop familiarity with American culture and aesthetics through oral reports. Through course discussion, presentations, and writing, we collectively attempt to articulate why certain American authors have been singled out for international literary and aesthetic fame and we place these authors within a globalized aesthetic framework. Prerequisite: Open to students in Honors program only. 3 credits. Offered as planned by Honors Council.
  • 3.00 Credits

    Orpheus leads Eurydice up from the darkness with a renewal of his devotion for his dead, but soon to be alive again, love. Orpheus is a poet and lover. The seminar investigates his attempt to bring his poetry (art) and love, Eurydice, into the light. We investigate texts and non-texts as they reveal and hide themselves, the author, and the audience. We search fiction, poetry, film, and fine arts. Conversation, discussion, written and oral response to the various (non-)texts is essential for the course. Prerequisite: Open to students in Honors program only. 3 credits. Offered as planned by Honors Council.
  • 3.00 Credits

    Is our character fixed at birth? Is our character determined? How much of who we are comes from the circumstances in which we find ourselves? A reading of works by major British authors in a period of historical, cultural, and intellectual transition: 1870- 1930. Literary analysis of work by Thomas Hardy ( Tess of the D'Urbervilles, Jude the Obscure), E.M. Forster (Where Angels Fear to Tread, A Room With a View, Howards End, A Passage to India), and D.H. Lawrence ( The Rainbow, Women in Love, Etruscan Places). It is recommended that the student familiarize him/herself with George Eliot's Middlemarch; a film version (or at least parts of such) of Eliot's novel is shown. The aim of the course is to examine (helped generally by methods from phenomenology, ecology, and ethics) the philosophical ideas of character and consciousness, as evidenced in the books, and to attempt reconciliation between the notions of fixed character and character via circumstance. Prerequisite: Open to students in Honors program only. 3 credits. Offered as planned by Honors Council.
  • 3.00 Credits

    This interdisciplinary course brings together psychology and literature in order to examine how our view of the body, health and illness are connected to changing psychosocial and political ideals. Gender, as a specific factor of these ideals, is the underlying focus of the course readings and discussions. Prerequisite: Open to students in Honors program only. 3 credits. Offered as planned by Honors Council.
  • 3.00 Credits

    An exploration of blues, jazz, and the literature of the Harlem Renaissance. In the process of developing a stronger, more critical appreciation of these art forms, students study such legendary figures as Alain Lock, WEB duBois, Langston Hughes, Zora Neal Hurston, Louis Armstrong, Bessie Smith, and Duke Ellington. Lectures are supplemented with film, slides, and recorded examples. We will attend live jazz performances. 3 credits. Offered as planned by Honors Council.
  • 3.00 Credits

    A remedial course designed to develop and/or strengthen basic topics in algebra that a student should master before taking a first course in mathematics. Prerequisite: Placement by examination. 3 lecture hours per week. No credits. Every semester; day and evening.
  • 3.00 Credits

    A review of topics in elementary algebra and an extended treatment of some topics such as equations and inequalities in one and two variables as well as linear systems. Other topics include relations, functions, exponents, logarithms, exponentials, quadratic equations, and applications. Prerequisite: Placement by examination or MAT 050. 3 lecture hours per week. No credits. Every semester; day and evening.
  • 3.00 Credits

    A liberal arts mathematics course for non-mathematics and nonscience majors. Explores several ideas of mathematics to give the student an appreciation of the significance of mathematics. The course covers mathematical patterns and problem solving, numeration and mathematical systems, other number bases, the binary number system, modular arithmetic, the Fibonacci sequence and the Golden ration, and real numbers and their representation. Prerequisite: Placement by examination or MAT 050. 3 credits. Every semester; day and evening.
  • 3.00 Credits

    A course for mathematics and science majors designed to develop and strengthen those topics in algebra and trigonometry that a student should master before taking a first standard course in calculus. Prerequisite: Placement by examination or MAT 105. Graphing calculator is optional. 4 credits. Every semester; day.
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