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FILM-C 350: Film Noir
3.00 Credits
Indiana University-Purdue University-Indianapolis
Private detectives, femmes fatales, dark, shadowy criminal underworlds. But wht, really, is Film Noir? A genre? A historical cycle? Film scholars don't agree. Ironic noirs of th e1940's and 1950's lurk here alongside international examples, precursors, and contemporary neo-noirs. PUL=3
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FILM-C 350 - Film Noir
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FILM-C 351: Musicals
3.00 Credits
Indiana University-Purdue University-Indianapolis
A study of the genre from the dawn of "talkies" to the Glee era; the film musical in its folk, fairy tale, and show business variants; the "organic" musical; Busby Berkeley; Astaire and Rogers; the Freed Unit at M-G-M; Broadway adaptations; revisionist musicals; revival in the 2000s: All will be covered. PUL=3
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FILM-C 351 - Musicals
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FILM-C 352: Biopics
3.00 Credits
Indiana University-Purdue University-Indianapolis
A highly respectable genre of very low repute; the "Great Man" biopic, the Female Biopic and the historical stages of both; the minority appropriation; the "biopic of somebody who doesn't deserve one," and more. Come have the time of someone else's life. PUL=4
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FILM-C 352 - Biopics
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FILM-C 361: Hollywood Studio Era 1930-1949
3.00 Credits
Indiana University-Purdue University-Indianapolis
Hollywood's "Golden Age"; "pre-Code" era; genres, auteurs, and stars; "House style"; "mass audience" when that meant something; the House Un-American Activities Committee and the Hollywood Ten; the U.S. vs. Paramount decision and other factors that ended the era. PUL=4
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FILM-C 361 - Hollywood Studio Era 1930-1949
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FILM-C 362: Hollywood in the 1950s
3.00 Credits
Indiana University-Purdue University-Indianapolis
A period of transition and reinvention. Television, the blacklist, widescreen, Method acting, psychological realism, the decline of the Production Code, the influence of art cinema; iconic films from Sunset Blvd. to Some Like It Hot, Singin' in the Rain to The Searchers, Rebel Without a Cause to On the Waterfront. PUL=4
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FILM-C 362 - Hollywood in the 1950s
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FILM-C 380: French Cinema
3.00 Credits
Indiana University-Purdue University-Indianapolis
Arguably the world's most fervid and versatile film culture; the first public film showings; the first fantasy/science fiction films; the wide-screen lens; the idea of film noir, the Auteur Theory, the New Wave; philosophy and aesthetics, culture and politics; the cross-pollenation between French and U.S. cinemas. PUL=2.
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FILM-C 380 - French Cinema
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FILM-C 390: The Film and Society: Topics
3.00 Credits
Indiana University-Purdue University-Indianapolis
Film and politics; race and gender; social influences of the cinema; rise of the film industry. May be repeated once with different topic. PUL=4
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FILM-C 390 - The Film and Society: Topics
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FILM-C 391: The Film: Theory and Aesthetics
3.00 Credits
Indiana University-Purdue University-Indianapolis
Film form and techniques; aesthetic and critical theories of the cinema; relationships between film movements and literary and artistic movements; relationships of word and image; analysis of significant motion pictures. PUL=4
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FILM-C 391 - The Film: Theory and Aesthetics
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FILM-C 392: Genre Study in Film
3.00 Credits
Indiana University-Purdue University-Indianapolis
Problems of definition; the evolution of film genres such as criminal or social drama, comedy, the western, science fiction, horror, or documentary film; themes, subject matter, conventions, and iconography peculiar to given genres; relationship of film genres to literary genres. Focus on one specific genre each time the course is offered. May be repeated once with different topic. PUL=3
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FILM-C 392 - Genre Study in Film
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FILM-C 393: History of European and American Films I
3.00 Credits
Indiana University-Purdue University-Indianapolis
C393 is a survey of the development of cinema during the period 1895-1926 (the silent film era). PUL=3
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FILM-C 393 - History of European and American Films I
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