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Course Criteria
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2.00 Credits
1 cl hr, 2 lab hrs, 2 cr Special uses of plastics and metals in the fabrication of stage scenery and scenery elements. The major emphasis will be placed on the forming and shaping of various plastics, molds and casting, problems of safety and toxicity and the selection and use of metals. Prerequisites: ST 2140/ST 140, ENT 2210/ST 211
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3.00 Credits
2 cl hrs, 2 lab hrs, 3 cr Provides a theoretical and practical foundation in temporary and permanent video systems technology for entertainment applications such as theatre, corporate events, hotel/ballroom A/V work, theme parks, museums and other related applications. After an introduction to video signals and formats, the student will explore the application and use of a wide variety of video equipment, such as tape- and disc-based video playback devices, production switchers, scan converters, frame synchronizers and video projectors. The second half of the class will focus on practical applications, and the student will design and build video systems for live events and permanent installations and will evaluate the performance of these systems with the aid of test signals and video test equipment. The course will be of interest to students of Entertainment Technology, Electrical Engineering and Art/Advertising Design. Prerequisites: ENT 2280/ST 280 or department approval required
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3.00 Credits
2 cl hrs, 2 lab hrs, 3 cr An advanced study of the applications of lighting technology in entertainment venues. The areas of film, video, stage and concert lighting production will be covered in depth, with production management techniques being emphasized. Specific skills in drafting, lighting databases, electrical practice, shop preparation, rigging, grip equipment use, loadins, focusing, color use, cueing, and performance support will be covered. Pre- or corequisites: ENT 1250/ST 250, ENT 2200/ST 200
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2.00 Credits
1 cl hr, 3 lab hrs, 2 cr An introduction to methods and techniques of painting scenery and properties for the stage. This includes layout for large-scale perspective drawing, the process of working from painter's elevations; use of primers, preservatives, proper brushes; and when to use special application methods, materials and textures. The class will focus on interpretation and reproduction of a variety of professional scenery painters' techniques. Prerequisite: ENT 1110/ST 110
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3.00 Credits
2 cl hrs, 2 lab hrs, 3 cr Introduction to the use of sound in multimedia. Digital multitrack recording and editing is explored, with an emphasis on integration with visual components. Students develop techniques of recording and editing on industry-standard software and hardware systems. Digital audio formats, compression protocols, streaming audio, synchronization and integration with multimedia elements are covered. MIDI and basic sequencing, as used in Internet-based playback systems. Importing and exporting audio protocols between a variety of applications. Students will work in an intensive, project-oriented environment, using a variety of applications on the Macintosh platform. It is recommended that AD students bring existing multimedia projects of their own creation to explore how to enhance with additional audio effects. Prerequisites: ADV 3620/AD 620 or ADV 3650/AD 650 or ADV 4720/AD 720 or ENT 1270/ST 271 or department approval required
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2.00 Credits
1 cl hr, 2 lab hrs, 2 cr A study of the principles and methods used in the rigging and flying of stage scenery, and mechanical means of moving scenery on the stage. Emphasis will be on hemp, counterweight and motorized systems; cable drive wagons and turntables; attention to rigging safety and proper care and maintenance of all systems. Field trips include lecture and laboratory demonstrations in working theatrical spaces. Prerequisites: ENT 2210/ST 211 or ENT 2350/ST 351 or ENT 2370/ST 371
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3.00 Credits
2 cl hrs, 2 lab hrs, 3 cr An in-depth analysis of the planning, budgeting and construction processes used in the production of scenery. Students will apply their knowledge of construction and drafting techniques and process to generate shop drawings, develop budget estimates and plan construction schedules. Lab work will focus on creating prototypes, introducing new construction materials, and developing jigs and fixtures that increase productivity and accuracy in the scene shop. Pre- or corequisites: ENT 2210/ST 211, ENT 3300/ST 300, ENT 3200
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3.00 Credits
3 cl hrs, 3 cr An introduction to the methods and problems of running a professional shop and managing projects. Subjects to be covered include: contracts, bidding, estimates, procurement, government regulations, wage/time studies, shop layouts, workflow, the assembly and staffing of a show for performance, budgeting, scheduling, problemsolving, special problems (metric vs. US standard measurements, language barriers, conflict resolution, etc.) and political/social issues that affect working relations. Prerequisites: ENT 3320/ST 320 and (ENT 2210/ST 211 or ENT 2350/ST 351 or ENT 2370/ST 371)
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3.00 Credits
2 cl hrs, 2 lab hrs, 3 cr An introduction to the aesthetics of scenery lighting as a visual art. Analysis of a script for lighting and the development of a workable design concept. Through this concept and an evaluation of the performers' spatial relationships in the production, students will generate light plots and all of the associated paper work common to a production. Computer software and hardware for this purpose will be used in the laboratory. Additional lab work will include color and angle studies, focusing procedures, the design of projected images, and cueing and record keeping for various production formats. Pre- or corequisite: ENT 2350/ST 351, ENT 3200, ENT 3350
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3.00 Credits
2 cl hrs, 2 lab hrs, 3 cr An investigation of the techniques and practices of sound design, emphasizing the use of modern computer-based recording and playback techniques. Sampling, hard disk playback systems, sequencing, MIDI, systems integration, the use of surround systems, low-frequency elements and specials to achieve a variety of effects will be covered. Sound design practices will include script analysis, sound cue construction, integration with director and communication with other members of the design team. Additional areas of concentration will be: development of cues based on functional, transitional, underscoring, surreal and hyper-real techniques; integration of musical and soundscape aesthetics; practice on Macintosh computer platforms using Digital Performer, Pro-Tools and a variety of plug-ins; programming of automation equipment and development of robust redundant systems capable of sustaining a high-use theatrical environment. Pre- or corequisite: ENT 2370/ST 371 or ENT 2390/ST 391
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