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TAPS 0280: Costume Design and the Theatre
1.00 Credits
Brown University
Introduction to the various elements of costume design in all performance forms and media. Examines the role of the costume designer in relation to other theatre artists. Stresses research techniques and their application. Lab required. Instructor permission required. Enrollment limited to 10.
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TAPS 0280 - Costume Design and the Theatre
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TAPS 0310: Beginning Modern Dance
1.00 Credits
Brown University
Introduction to the art of movement. Focuses on building a common vocabulary based on ballet, vernacular forms, improvisation, Laban movement analysis, American modern dance, and the body therapies. Individual work is explored. One and one-half hours of class, four days a week. Enrollment limited to 40. S/NC.
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TAPS 0310 - Beginning Modern Dance
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TAPS 0320: Dance Composition
1.00 Credits
Brown University
Focuses on building the individual's creative voice. A movement vocabulary is developed from Western techniques (ballet, American modern dance, Laban/Bartenieff movement analysis, vernacular forms, space-harmony/movement physics, and the body therapies) along with group improvisations and collaboration with artists in other disciplines. Enrollment limited to 40. S/NC.
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TAPS 0320 - Dance Composition
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TAPS 0330: Mande Dance, Music and Culture
0.00 - 1.00 Credits
Brown University
Examines, by theory and praxis, the techniques and philosophy of dance in Mande culture. Each dance is taught as a highly codified language, with detailed phrasing structures, focus, center, variations of intonation, and qualitative choice. The specific ethnicities are studied in relationship to their music and dance variations. Participants must be physically fit. Enrollment limited to 50. S/NC.
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TAPS 0330 - Mande Dance, Music and Culture
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TAPS 0410: Persuasion and Public Controversy
0.00 - 1.00 Credits
Brown University
Examines the role of persuasion in defining controversial public issues and producing social agreements and judgments. Includes units on classical, symbolic, and institutional perspectives on persuasion. The overall goal is to improve our critical consumption of public argumentation. No background in argument is required or assumed. Preference given to first- and second-year students.
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TAPS 0410 - Persuasion and Public Controversy
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TAPS 0500: Topics
1.00 Credits
Brown University
No description available.
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TAPS 0500 - Topics
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TAPS 0500A: Introduction to Dramaturgy
1.00 Credits
Brown University
The class will focus on the practice, theory and history of theatrical dramaturgy. Dramatic action, stage storytelling craft and time design will be examined while also exploring and establishing alternative theories of perception and performance organization. Special attention will be paid to the dramaturg's relationship to the making of new work.
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TAPS 0500A - Introduction to Dramaturgy
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TAPS 0500D: Surveillance, Performance, and Culture
1.00 Credits
Brown University
This course will introduce students to a range of social, political and artistic applications of surveillance technologies in the 20th and 21st centuries. Through a mix of theoretical and practical explorations, students will examine surveillance technologies as tools of socio-political discipline as well as tools of performance in social and artistic frameworks. From artists using technologies of surveillance to create interactive performance and installation works, such as The Surveillance Camera Players, Institute for Applied Autonomy and the Shunt Collective, to social software systems such as Facebook we will explore the ways in which we have culturally embraced and responded to techniques and technologies of surveillance in our aesthetics and everyday lives.
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TAPS 0500D - Surveillance, Performance, and Culture
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TAPS 0500E: Improvisational Theory and Practice
1.00 Credits
Brown University
Takes a close look at improvisation--an undertheorized, underhistoricized, and yet nonetheless ubiquitous performance concept and modality--in order to better apprehend its vast potential as a practical tool for the creation of performance works and texts (both historical and contemporary) and to uncover its utility as a critical tool for reading and understanding performance of all varieties, including fully-scripted works. Please note: class time will be divided evenly between textual discussion based on theoretical/critical readings and full-bodied practical work inspired by our drawing from key "periods" of intensity in the (as of yet non-existent) history of improvisation. Enrollment limited to 18.
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TAPS 0500E - Improvisational Theory and Practice
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TAPS 0800: First Year Seminar
1.00 Credits
Brown University
No course description available.
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TAPS 0800 - First Year Seminar
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