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ENGL 1710F: Tribe, Nation, and Race in African Fiction
0.00 - 1.00 Credits
Brown University
How do major African novelists represent the interplay of tribe, nation, and race in African societies? This course will introduce students to key themes and contexts of African literature in English. We will read the work of the writers for the historical sources and conceptual implications of these categories in modern Africa. Writers include Achebe, Emecheta, Farah, Ngugi, and Vera.
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ENGL 1710F - Tribe, Nation, and Race in African Fiction
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ENGL 1710G: Faulkner
0.00 - 1.00 Credits
Brown University
In examining Faulkner's major works from the early stream-of-consciousness novels through the history-driven and race-inflected texts of the 30s and 40s, this course will evaluate Faulkner's practice as a writer working both in and against Southern culture, and as Modernist writing within an international context. Issues include narrative experimentation, race, class, gender, and the evolution of Faulkner's work. Students should register for ENGL 1710G S01 and may be assigned to conference sections by the instructor during the first week of class.
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ENGL 1710G - Faulkner
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ENGL 1710H: Black Internationalism and African American Literature
1.00 Credits
Brown University
The notion that African Americans are an extension of a global racial community has been a fixture of black politics and culture for more than a century. In this course, we will consider how the concept of global racial alliance has shaped black political resistance, literary practice, and critical theory. Likely writers include DuBois, Hughes, McKay, and Wideman. DVPS
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ENGL 1710H - Black Internationalism and African American Literature
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ENGL 1710I: Harlem Renaissance: The Politics of Culture
0.00 - 1.00 Credits
Brown University
The Harlem Renaissance was a remarkable flowering of culture in post-war New York as well as a social movement that advanced political agendas for the nation. This course takes up the relationship between literature and politics by exploring such matters as the urbanization of black America, the representation of the black poor, the influence of white patronage, and the rise of primitivism. Writers may include Hughes, Hurston, Larsen, Fisher, Locke, and McKay. DVPS
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ENGL 1710I - Harlem Renaissance: The Politics of Culture
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ENGL 1710J: Modern African Literature
0.00 - 1.00 Credits
Brown University
Many African writers produce their works in one European language or another. Often, these works are more widely read in Europe and North America than on the African continent itself. This course will use these facts as starting points to explore key themes, antecedents, and intellectual contexts of contemporary African writing. We will examine fiction, drama, poetry, critical prose, and visual materials. Writings by Achebe, Farah, Ngugi, Soyinka, Vera, Wicomb. Films by Davidson, Kouyaté, Teno. DVPS
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ENGL 1710J - Modern African Literature
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ENGL 1710K: Plain Folk: Literature and the Problem of Poverty
1.00 Credits
Brown University
Explores poverty as a political and aesthetic problem for the American novelist. Examines the ways that writers have imagined the poor as dangerous others, agents of urban decay, bearers of folk culture, and engines of class revolt. Also considers these literary texts in relation to historical debates about economic inequality. Writers may include Crane, Faulkner, Wright, Steinbeck, and Hurston.
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ENGL 1710K - Plain Folk: Literature and the Problem of Poverty
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ENGL 1710M: Nationalizing Narratives: Advanced Studies in the 20th-Century American Novel
0.00 - 1.00 Credits
Brown University
An advanced survey that examines how 20th-century American novels construct the nation as "imagined community" and as "fictive ethnicity." We focus on the central role that conceptions of race--as well as those of gender and sexuality--play in the novelistic visions of America projected by such authors as Ralph Ellison, William Faulkner, Jessica Hagedorn, and Chang-rae Lee.
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ENGL 1710M - Nationalizing Narratives: Advanced Studies in the 20th-Century American Novel
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ENGL 1710N: Photography and the American Novel
0.00 - 1.00 Credits
Brown University
Traces the impact made by the emerging medium of photography on American fiction from its very beginnings until the present. Our focus will be on the varying strategies adopted by novelists in response to the representational challenges posed by photography. Writers include Hawthorne, Nabokov, Faulkner, Hurston, Citron, Eugenides, and Barthes. Students should register for ENGL 1710N S01 and may be assigned to conference sections by the instructor during the first week of class.
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ENGL 1710N - Photography and the American Novel
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ENGL 1710O: The Dead and the Living
0.00 - 1.00 Credits
Brown University
Readings in literature, theory, psychoanalysis, philosophy and law examine how the relation between the dead and the living shapes the concerns of modernist narrative and thought. Topics include "Living with the Dead," " Haunting and Knowing," "Writing Lives," "Dreaming and Waking," and "Picturing the Dead." Readings include Joyce, Conrad, Woolf, Forster, and Greene as well as Freud, Lacan, Benjamin, and Barthes.
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ENGL 1710O - The Dead and the Living
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ENGL 1710P: The Literature and Culture of Black Power Reconsidered
0.00 - 1.00 Credits
Brown University
This course reexamines the Black Power movement as a signal development in American literature and culture. We will read classics from the period with a view toward reassessing the nuances and complexities of their form and politics. At the same time, we will recover less familiar texts that complicate conventional understandings of what defines this movement. Authors include Malcolm X, Huey P. Newton, Angela Davis, Eldridge Cleaver, John Edgar Wideman, Ernest Gaines, and Amiri Baraka.
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ENGL 1710P - The Literature and Culture of Black Power Reconsidered
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