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Course Criteria
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1.00 Credits
No description available.
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1.00 Credits
A study of the trope of irony and its evaluation, especially in the Romantic tradition. Focuses on the epistemological implications of irony and the role it plays in contemporary criticism. Readings from Plato, Hegel, Schlegel, Kierkegaard, Baudelaire, Lukács, Booth, White, De Man.
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1.00 Credits
Focuses on the historical development of aesthetic values and their relation to social culture, religion, and national identity in Japan from the Nara period to the 20th century, with particular emphasis on the literary arts. Readings from Fujiwara Teika, Zeami Motokiyo, Sen no Rikyu, Okakura Tenshin, and others. A background in critical theory/philosophy and in East Asian studies helpful.
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1.00 Credits
Through readings of recent critical discussions of the lyric genre, we will explore general methodological problems of literary theory. Discussions include: the role of form, structure and tropes in analyzing poetry; problems of subjectivity and voice; the relation between poetry and history; the function of reading: and the problematic "objectivity" of criticism. Readings from Hölderlin, Shelley, Baudelaire, Yeats, Jakobson, Benveniste, Riffaterre, Jauss, Johnson, De Man.
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1.00 Credits
No description available.
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1.00 Credits
Includes discussion of the history and theory of translation, but mainly involves practice in translating poetry or imaginative prose. Conducted as a workshop.
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0.00 Credits
Interested students must register for LITR 1010F S01 (CRN 15712 for fall 2010; CRN 23832 for spring 2011).
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0.00 - 1.00 Credits
No description available.
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0.00 - 1.00 Credits
A consideration of various genres of women's writing from 700 to 1450 C.E. focusing on such issues as literary conventions, the relationship to the vernacular, the role of religion in education, and questions of gender and social class. Writers may include Berthgyth, Murasaki Shikibu, Sei Shonagon, Héloïse, Marie de France, the comtessa de Dia, Ladu Nijo, Julian of Norwich, Christine de Pisan, and various anonymous women.
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0.00 - 1.00 Credits
Draws together works from a wide range of contexts and genres-Enlightenment philosophy, romantic travel literature, Arabic novels and poems-to compose a conversation about aesthetics in the colonial context of Egypt. Senior Seminar.
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