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AMCS 368: Modern America Since 1929
3.00 Credits
Washington University in St Louis
Same as History 368
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AMCS 368 - Modern America Since 1929
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AMCS 3680: The Cold War, 1945-1991
3.00 Credits
Washington University in St Louis
Same as History 3680
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AMCS 3680 - The Cold War, 1945-1991
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AMCS 369: American Horrors
3.00 Credits
Washington University in St Louis
Same as Film 370
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AMCS 369 - American Horrors
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AMCS 370: The American West: The Image in History
3.00 Credits
Washington University in St Louis
Same as Art-Arch 370
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AMCS 370 - The American West: The Image in History
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AMCS 3711: The History of Popular Culture in the United States
3.00 Credits
Washington University in St Louis
This course surveys major developments in the history of popular culture in America, stretching from the mid-19th century to the present. It explores topics such as literature, drama/theater, dance halls, movies, radio, advertising, television, music, and the internet; it covers different types of popular culture such as printing, performance, image, and audio; it looks at how popular culture has been depicted in terms of icons, myths, stereotypes, heroes, celebrities and rituals; it addresses the rise of mass production and consumption; it examines the ways in which race, class, gender, ethnicity, and sexuality have been perceived and are portrayed in popular culture; and it illustrates how the content of popular culture shapes and reflects our personal, social, political, and intellectual beliefs and values.
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AMCS 3711 - The History of Popular Culture in the United States
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AMCS 3712: Art and Culture in America's Gilded Age
3.00 Credits
Washington University in St Louis
Same as Art-Arch 3712
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AMCS 3712 - Art and Culture in America's Gilded Age
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AMCS 3713: Values and the Art-Culture Machine
3.00 Credits
Washington University in St Louis
This course introduces students to a range of contexts and problems that contemporary art and culture face with respect to how to account for and value human, communal, and diverse experiences. We begin with a comparison of dominant aesthetic, spiritual, and representational practices in Modernism and Postmodernism by looking closely at science, feminism, and commodity art and culture. We consider the ethics of silence in contemporary art in relation to human suffering and the place of humanness in relation to machines and reproductive technologies and products, including the printed picture and kitsch. We then consider the relevance of a computational understanding of human cognition and how information and experience relate. We address the role of art and artists in times of crisis and war, as well as the modes of mobilization, production, and distribution characteristic of art worlds. We question the authenticity of African tourist art and Aboriginal paintings. We highlight experiments in the representation of values and difference in contemporary art and anthropology. We conclude with a discussion of the relevance of time, fantasy, and imagination in cultural production.
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AMCS 3713 - Values and the Art-Culture Machine
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AMCS 372C: History of Law in American Life II: 1776 to the Present
3.00 Credits
Washington University in St Louis
Same as History 372C
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AMCS 372C - History of Law in American Life II: 1776 to the Present
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AMCS 373: Making War
3.00 Credits
Washington University in St Louis
Same as Film 371
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AMCS 373 - Making War
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AMCS 3730: History of the United States: Foreign Relations to 1914
3.00 Credits
Washington University in St Louis
Same as History 373
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AMCS 3730 - History of the United States: Foreign Relations to 1914
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