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RIM 4320: Concert Promotion and Touring
3.00 Credits
Middle Tennessee State University
Three credits. Prerequisites: RI majors - admission to candidacy; others - RIM 3010 and 3600. An in-depth study of the theoretical and practical aspects of presenting contemporary arts and entertainment performances. Topics include talent acquisition, contracts and riders, production, venues, budgeting, ticket services, and promotion.
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RIM 4330: Sound Reinforcement
3.00 Credits
Middle Tennessee State University
Three credits. RI majors - admission to candidacy; others - RIM 3010. Current technologies and techniques involved in modern sound reinforcement. Topics include club venue and large concert systems. Field work required.
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RIM 4400: Techniques of Recording
3.00 Credits
Middle Tennessee State University
Three credits. Prerequisites: RI majors - admission to candidacy and RIM 1230 or MUTH 1110; others - permission of instructor. Develops an understanding of the techniques and technology involved in modern multitrack recording and mixing. Extensive hands-on experience. Laboratory required.
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RIM 4440: Critical Listening
3.00 Credits
Middle Tennessee State University
Three credits. Prerequisites: RI majors - admission to candidacy and previous or concurrent enrollment in RIM 4400; others - permission of instructor. Ear-training and aesthetics for recording engineers. Class activities involve listening and analysis of master tape and disc formats. Sources include a wide variety of music genres as well as specialized technical ear-training materials. Development of a vocabulary for communication of aural impressions. Introduction to "high-end" audio.
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RIM 4480: Mastering
3.00 Credits
Middle Tennessee State University
Three credits. Prerequisites: RI majors - admission to candidacy and RIM 4200 and 4400; others - permission of instructor. An advanced hands-on approach to the principles and practices of mastering. Focuses on the use of digital audio workstations specially designed for audio mastering and related outboard equipment. Additional focus on surround mastering and DVD authoring. Laboratory required.
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RIM 4510: Study Abroad
1.00 - 3.00 Credits
Middle Tennessee State University
One to three credits. Prerequisite: Permission of department. Topics related to the recording industry in the country in course delivered. May be taken two times.
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RIM 4560: Concepts and Development of Multichannel Audio
3.00 Credits
Middle Tennessee State University
Three credits. Prerequisites: RI majors - admission to candidacy; others - permission of instructor. Overview of multichannel audio technology. History and development of multichannel audio systems for film soundtracks and music production. Mathematical conceptualizations of these systems and current trends in multichannel digital audio technology presented.
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RIM 4570: The Art of Soundtrack Design
3.00 Credits
Middle Tennessee State University
Three credits. Prerequisite: RI majors - admission to candidacy; others - permission of instructor. Examines the creative use of sound in film and theatre through critical listening to various soundtracks. The theory and practice of sound design analyzed and discussed in a lecture-oriented class.
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RIM 4580: Disk-Based Audio Post Production
3.00 Credits
Middle Tennessee State University
Three credits. (Same as EMC 4580.) Prerequisites: RI majors - admission to candidacy, RIM/MUTH 4190, RIM 4200 and 4400; EMC majors - RIM 3010, EMC 3120 and 3130; all others - permission of instructor. An advanced, hands-on approach to the principles of tapeless digital recording on a variety of digital platforms. In-depth discussions of disk-based digital audio, synchronization, audio for video and film, and multichannel sound mixing techniques. Focuses on use of digital audio workstations in an audio post-production environment. Laboratory required.
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RIM 4590: MIDI Studio Techniques
3.00 Credits
Middle Tennessee State University
Three credits. (Same as MUTH 4590.) Prerequisites: RI majors - admission to candidacy, RIM/MUTH 4290, and RIM 4400; others - RIM/MUTH 4290 and RIM 4400 or permission of instructor. MIDI systems design and the total integration of all MIDI-controllable devices. SMPTE and MIDI Time Code and their application to tape synchronization. A continuation of advanced techniques for digital sampling, sequencing, sound manipulation, and use of alternate controllers. Other topics include sound effects and music scoring for film and video, and the MIDI Machine Control and MIDI Show Control specifications. Laboratory required.
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