CollegeTransfer.Net

Course Criteria

Add courses to your favorites to save, share, and find your best transfer school.
  • 16.00 Credits

    Faculty: Greg Mullins (comparative literature) Major areas of study include literature, literary history, literary criticism, film and writing. Class Standing: Sophomores or above; transfer students welcome. Prerequisites: One quarter of college writing emphasizing literature. Faculty Signature: none required In the 20th century a great deal of literary scholarship was organized around national literary traditions, but in the 21st century cultural forms increasingly flow through transnational circuits of production and meaning. How can we, as readers, critics, and writers, approach literary history today How can we leverage comparative studies to provide needed national contexts while questioning nationalism We will address these questions by reading key works of fiction from Brazil and the United States, by exploring appropriate methods for comparing the two largest societies in the Americas, and by revisiting the classic phases of literary history in those societies. Students will emerge with a strong foundation in critical studies of the novel through Romanticism, Naturalism, Realism, Modernism, and Postmodernism. Possible authors may include Alencar, Azevedo, Machado de Assis, Rheda, and Santiago from Brazil and Hawthorne, James, Faulkner, Morrison, and Danticat from the United States. Total: 16 credits. Enrollment: 25 Program is preparatory for careers and future studies in cultural studies, literature, writing, education and international studies.
  • 16.00 Credits

    Faculty: Anne Fischel (media, community studies), Lin Nelson (public health, environmental studies, community studies) Major areas of study include community studies, public health, media production, media analysis, environmental studies, labor studies, popular education and participatory research. Class Standing: Sophomores or above; transfer students welcome. Prerequisites: Some community service experience desirable. Faculty signature required (see below). Faculty Signature: Students must interview with the faculty at the Academic Fair, May 16, 2007, to discuss their interest in the program. Some background in community service or studies is useful, but not required. For information, contact Anne Fischel, (360) 867-6416 or fischela@evergreen. edu or Lin Nelson, (360) 867-6056 or nelsonl@evergreen. edu. Interviews conducted by the Academic Fair will be given priority. Qualified students will be accepted until the program fills. Local Knowledge is a program focused on the theory and practice of community-based work, using video, oral history, participatory research, and other forms of activist learning. Our goal is to develop frameworks, methodologies, strategies and skills for collaborating with local communities. We hope to work closely with people in the region and support their efforts to sustain and empower their communities. We believe local knowledge is a valuable base from which to construct responses to new challenges, one which we, as collaborators, need to understand and incorporate into our work. The history and identity of a community are inscribed in stories, documents, images, places, forms of knowing and social practice. The ways communities define problems, envision solutions and plan for the future are both enabled and limited by this collectively held sense of history and identity. But communities are also shaped by institutions¡ªgovernment, mass media, globalized corporations, and academic and policy expertise¡ªthat are far removed from local values and experience. As centers of power and decision-making move out of local reach, community knowledge and experience are marginalized. What is at stake here is the capacity of local people to be informed and empowered citizens, creatively identifying, confronting and resolving the social, economic, political, cultural and environmental challenges they face. We will learn from locally initiated efforts and participate in ongoing projects that tackle problems local citizens have identified and begun to address. Through reading, field trips, film screenings, meetings with community mentors and archival research we will develop our knowledge of four local communities: Tacoma, Shelton, Centralia and Olympia. As we shape these case studies, we will ask: What sense of history, identity and common experience guides these communities What challenges do community members confront, and how are these being defined and evaluated How does a community's ability to define and represent itself affect its relationship to regional or national policies, issues and debates How does "expert" information and input affect how communities identify and solve problems What regional, national, or international networks can offer information or support to local struggles Our studies will draw from the literature of popular education, community-based research, environmental studies, public health, political economy and media analysis. We will learn how to conduct research and analyze locally held knowledge, support community initiatives and implement projects for sustainable community development. We will familiarize ourselves with community resources and develop relationships with community members and organizations. We will learn skills in documentary video, media literacy, historical research, oral history and the use of government documents. We will develop a strong sense of local place, story, history and culture. Through these studies we will build a base for collaborative commun
  • 16.00 Credits

    Faculty: Neal Nelson (computer science) Major areas of study include introductory computer programming, mathematical logic, digital logic and history of science. Class Standing: This all-level program accepts up to 33 percent freshmen. This program introduces the logical, historical, and mathematical foundations of problem solving and computing in the sciences. Students in the program will study the evolution of rational thought and mathematical abstraction in the history of science along with the systems of logic and programming that we use today for problem solving in science, mathematics, and computing. Early Greek philosophers dared to assume that humanity could comprehend the true nature of the universe and the material world through rational thought. Using historical readings we will investigate key conceptual developments in the evolution of scientific and mathematical thought from those early intellectual explorations to the twentieth century. At the same time we will learn the powerful formal systems of logic andcomputing into which those early ideas have evolved today. We will study first order mathematical logic and its relationship to early Greek rational thought, contemporary critical reasoning, and scientific theories. We also will study how logic is used to build modern digital computers and how mathematical abstraction and logic combine in the creative act of constructing computer programs to solve problems. Class activities will include hands-on laboratory work in programming and logic along with lectures, weekly readings, seminar discussions, written essays and weekly homework problems. Total: 16 credits each quarter. Enrollment: 24 Program is preparatory for careers and future studies in science, mathematics and computer science. This program is also listed under Scientific Inquiry and Programs for Freshmen.
  • 16.00 Credits

    Faculty: David L. Hitchens (American diplomatic history), Jerry Lassen (economics) Major areas of study include American history, economic thought, American literature and mass culture. Class Standing: This all-level program offers appropriate support for freshmen as well as supporting and encouraging those ready for advanced work. The United States began the 20th century as a second-rate military and naval power, and a debtor country. The nation ended the century as the last superpower with an economy and military that sparked responses across the globe. In between, the United States invented flying, created atomic weapons, sent men to the moon and began to explore the physical underpinnings of our place in the universe. Many observers have characterized the 20th century as "America's Century" because, in addition to developing as the mightiest military machine on the face of the earth, the United States also spawned the central phenomenon of "the mass." Mass culture, mass media, mass action, massive destruction, massive fortunes¡ªall are significant elements of life in the United States. Looking Backward will be a retrospective, close study of the origins, development, expansion and elaboration of "the mass" phenomena and will place those aspects of national life against our heritage to determine if the political, social and economic growth of the nation in the last century was a new thing or the logical continuation of long-standing, familiar impulses and forces in American life. While exploring these issues, we will use history, economics, sociology, literature, popular culture and the tools of statistics to help us understand the nation and its place in the century. At the same time, students will be challenged to understand their place in the scope of national affairs, read closely, write with effective insight and develop appropriate research projects to refine their skills and contribute to the collective enrichment of the program. There will be workshops on economic thought, student panel discussions of assigned topics as well as program-wide symposia. Each end-of-quarter symposium will provide a culmination of the quarter's work. Students will gain valuable experience in public speaking and presentation. Total: 16 credits each quarter. Enrollment: 46 Program is preparatory for careers and future studies in the humanities and social sciences, law, journalism, history, economics, sociology, literature, popular culture, cultural anthropology and teaching. This program is also listed under Programs for Freshmen and Culture, Text and Language. A similar program will be offered in 2008-09.
  • 16.00 Credits

    Faculty: Laurie Meeker (film, video), Joe Feddersen (visual arts, printmaking), Sarah Williams (feminist theory, somatic studies) Major areas of study include visual arts, media arts, meditative arts, feminist theory, art history, photography and writing. Class Standing: This all-level program accepts up to 50 percent freshmen. This program is an inquiry into numinous experience. Just as lava lamps that were made for contemplation in the 60s inspired renewed interest, Rudolf Otto's articulation of the numinous has also regained popularity. In numinous experience everything but the experience of awareness falls away. What kinds of objects, spaces and practices evoke for us, now, a non-rational, non-sensory, experience or feeling that takes us outside the self to that which is "wholly other" Our study together has two parts: we will examine the recognized numinous works of others from global contexts and develop skills to create our own numinous art and experiences. We will explore how artists and practitioners manufacture opportunities for contemplative responses through visual arts, visionary film, experimental video and meditative arts within trans-historical, cross-cultural and gendered contexts. This will lead to experiments in creating our own numinous works through skill development in workshops and collaborative projects in visual arts, media arts, community service, and meditative arts, including yoga. Reflection on the possible inherent disposition of our neurophysiology for numinous experience will be central to our inquiry. Such reflection will require the cultivation of analytic skills as well as the contemplative arts of listening and abiding in silence. We'll cultivate the capacity to pay attention to our awareness of experiences to which the most appropriate response is silence. Total: 16 credits each quarter. Enrollment: 69 Special Expenses: Approximately $330 each quarter for art and media supplies and yoga workshop fee. Program is preparatory for careers and future studies in visual arts, media arts, meditative arts and feminist theory. This program is also listed under Culture, Text and Language and Expressive Arts.
  • 16.00 Credits

    Faculty: Lara Evans (art history, performance studies), Gail Tremblay (studio art, writer) Major areas of study include performance studies, installation art, art history, art theory, costume design and multicultural studies. Class Standing: Sophomores or above; transfer students welcome. Prerequisites: Core program or freshman-level English. This program is designed for students who wish to explore the place of performance art in a social, historical and cultural context with special emphasis on queer, feminist, Native American, African American, Latino and international cultural experiences. Students will learn a variety of installation art skills to create spaces, costumes and props. Over the course of this program, we will study the history of installation and performance art, performance theory, and a variety of techniques for creating and analyzing performances. The program features visits by guest performance artists and field trips to performance events. Fall and winter quarter, students will create two collaborative performance/installation projects as well as participate in weekly art exercises. The program will include occasional guest workshops in movement. Students in spring quarter will create fully developed performances/installations for Arts Walk, an Olympia Arts festival held in April, and a final performance on campus at the end of the quarter. This program will be theoretically intensive and will include reading, writing, and discussions in seminars and workshops. Total: 16 credits each quarter. Enrollment: 50 Special Expenses: Approximately $250 for program field trips, performance and museum tickets. Program is preparatory for careers and future studies in art, art history, community activism, performance, design and theater.
  • 16.00 Credits

    Faculty: Larry Mosqueda (political economy) Major areas of study include political theory, political economy and philosophy, history, race and gender studies. Class Standing: Juniors or seniors; transfer students welcome. Prerequisites: Political Economy and Social Change program or one year of political science, sociology or history or the equivalent. Faculty signature required (see below). Faculty Signature: Faculty will assess students' ability to write at the college-level. Students should submit a past social science research paper and set up an interview with the faculty. For more information, contact Larry Mosqueda, (360) 867-6513 or mosqueda@evergreen. edu. Application materials received before the Academic Fair, May 16, 2007, will be given priority. Qualified students will be accepted until the program fills. I am not a Marxist- Karl Marx Sit down and read. Educate yourself for the coming conflicts- Mary Harris (Mother) Jones If one believes the current mass media, one would believe that Marxism is dead and that the "end of history" is upon us. As Mark Twain is reported to have said upon news accounts of his demise, "The reports of my death are greatly exaggerated." The same, of course, is true for Marxist Theory. Few Americans have read more than The Communist Manifesto, if that. Very few "educated" people have a clear understanding of Marx's concept of alienation, dialectics, historical materialism, or his analysis of labor or revolutionary change. In this program, we will examine the development of Marx's thought and Marxist Theory. We will read and discuss some of Marx's early and later writings as well as writings of Lenin and others. We will also explore concrete examples of how "dialectics" and "materialism" can be applied to race and gender issues. At the end of the program students should have a solid foundation for further study of Marxist analysis. Total: 16 credits. Enrollment: 25 Program is preparatory for careers and future studies in political science, political theory and history.
  • 16.00 Credits

    Faculty: Rose Jang (theater); Ratna Roy (dance) Major areas of study include theater, dance, performing arts, anthropology, intercultural communication and writing. Class Standing: This lower-division program is designed for 50 percent freshmen and 50 percent sophomores. Prerequisites: Two quarters of a coordinated studies program or freshman composition and writing. All theaters are symbolic, but in this program, we are trying to explore only those which purposefully incorporate symbolic, abstract physical expressions as major hallmarks of their style. All theaters are symbolic, because the origin of theater can be found in symbolic gesturing and dance movements of the ancient time in direct communication with the spiritual realm. Masks were frequently used in ancient symbolic performances to suggest natural spirits or supernatural powers in possession of the body. Through history and across the globe, theatrical performances focused on the symbolic quality of face and movement and have continued to engage our joy, interest and imagination as both theater goers and practitioners. In this program, we will study many theaters of East and West whose masterful use of masks or movements or both have kept the flaring sparks and deep spirit of ancient rituals alive. In the Eastern tradition, we will look at such enduring performance and aesthetic practices of symbolism as in Indian dances, Chinese opera and Japanese Noh theater as well as their contemporary metamorphoses in the hands of new theater artists of the East. In the Western tradition, we will study equally powerful and everlasting traditions of stylized movements and mask use tracing through Greek theater, Roman theater, commedia dell'arte, mime, theater of carnivals and clownery, all the way to the modern experiments by Peter Brook, Robert Wilson and Ariane Mnouchkine. Students will read about these traditions and artists, watch films of the works they are studying, and participate in workshops incorporating various different aesthetics and performance styles. After intense reading, reflective writing, viewing and workshop exercises for the first six weeks of the quarter, students will have the opportunity to create their own symbolic theater pieces using masks and movements. Using their works, they will then collaborate to create an end-of-quarter public production, focused more on movement and imagination than on the technical trappings of the stage. Total: 16 credits. Enrollment: 46 Special Expenses: Approximately $100 for tickets to theater and dance performances. Program is preparatory for careers and future studies in theater, dance, performing arts, anthropology and cultural studies. This program is also listed under Expressive Arts. A similar program is expected to be offered in 2009-10.
  • 16.00 Credits

    Faculty: Rachel Hastings (mathematics) Major areas of study include real analysis, abstract algebra, point-set topology, algebraic topology, geometry, history and philosophy of mathematics. Upper-division science credit will be awarded for upper-division work. Class Standing: Sophomores or above; transfer students welcome. Prerequisites: One year of calculus. This program involves the intensive study of several fundamental areas of pure mathematics, including a nucleus of real analysis, abstract algebra and topology. Later in the year, students will also have the opportunity to learn other advanced topics, such as combinatorics, geometry and mathematical linguistics. The schedule of study includes introductions to abstract algebra (group theory) and real analysis (advanced calculus) in the fall, continuing with more advanced work in these areas in the winter. Parallel to these studies, point-set topology will be introduced, which, together with abstract algebra, will allow for an investigation of the beautiful theory of algebraic topology. The work in this advanced-level mathematics program is likely to differ from students' previous work in mathematics (such as calculus) in a number of ways. Our emphasis will be on understanding the careful definitions of mathematical terms and the statement and proofs of the theorems which capture the main conceptual landmarks in the areas we study. Thus, a major portion of our work will involve the reading and writing of rigorous proofs in axiomatic systems. This skill is valuable not only for continued study of mathematics, but in many areas of thought in which an argument is set forth according to strict criteria of logical deduction. Students will gain experience in articulating their evidence for claims, and expressing their ideas with precise and transparent reasoning. In addition to work in core areas of advanced mathematics we will devote seminar time to looking at our studies in a broader historical and philosophical context. We will read and discuss work on the history of mathematics, as a way of understanding how the current mode of mathematical thinking came to be developed. We will seek to understand the intellectual threads that came from different cultures and regions and that influenced current theories and approaches. In short, we will be interested in deepening our understanding of what mathematics is today, and how it came to be that way. This program is designed for students who intend to pursue studies or teach in mathematics and the sciences, as well as for those who want to know more about mathematical thinking. Students will be expected to work independently and in groups, and present some of the course material and solutions to problems to the class. In the spring quarter, students will have the opportunity to work on individual projects. Total: 16 credits each quarter. Enrollment: 25 Program is preparatory for careers and future studies in mathematics, physics, education, the history of mathematics, the philosophy of mathematics and the history of science. A similar program is expected to be offered in 2009-10.
  • 16.00 Credits

    Faculty: Ruth Hayes (animation, media arts and studies), Beatriz Flores Gutierrez (Media arts and studies) Major areas of study include media arts, media studies and production including animation, film, digital video, media theory and history, sound design and independent media projects. Class Standing: Juniors or seniors will be given priority, however qualified sophomores may apply; transfer students are also welcome to apply. Faculty signature required (see below). Prerequisites: Two quarters of an Evergreen interdisciplinary program or the equivalent interdisciplinary learning community experience at another academic institution. This is a foundation program in media arts that assumes no prior experience in media, but upper-division college-level critical thinking, reading and writing skills are required. Faculty Signature: Students must submit a written application that includes copies of recent faculty and student self-evaluations, or in the case of transfer students, an unofficial transcript and a letter of recommendation from a previous faculty. Application forms will be available by mid-April, 2007, in the Program Secretaries offices, Communications Building, room 303A and 303B. For more information contact Ruth Hayes, (360) 867-6890 or hayesr@evergreen. edu. Applications received by the Academic Fair, May 16, 2007, will be given priority. Qualified students will be accepted until the program fills. What does it mean to make moving images in the information age How do we critically engage the traditions of media practices while pushing beyond established forms What responsibilities do media artists and producers have to their subjects and audiences In Mediaworks, students will engage with these and other questions as they gain skills in film/video history, theory, critical analysis and media production. We will explore a variety of media modes and communication strategies including animation, documentary and experimental film/video, emphasizing the materiality and specific artistic properties of film, digital video and other sound and moving image media, as well as the various strategies artists and media producers have employed to challenge traditional or mainstream media forms. Our emphasis will be on experimental and/or alternative conceptual approaches to production that include nonfiction, autobiography, audio-visual essays, and strategies of image and sound production using digital video, film and sound in live-action and animation. Students will also have opportunities to extend their media experiments into performance and installation modes. In fall and winter quarters, students will acquire critical and technical skills as they work collaboratively to explore different ways to design moving image works, execute experiments in image-making and sound and "read" films and video tapes. Students will strengthen critical and conceptual skills as they learn to analyze visual material and negotiate the politics of representation through readings in media criticism, film theory and history, seminars, research and critical writing. Students will integrate this theoretical material into their production practices as they develop skills in drawing, animation, cinematography, film and digital video, audio and post-production techniques. Artist statements and project proposals will be developed in preparation for individual or collaborative projects that will be produced in the spring. Throughout the year, students will participate in regular critique sessions, another form of collaboration, through which we help each other evaluate and improve our work. Total: 16 credits fall and winter quarters; 12 or 16 credits spring quarter. Enrollment: 48 Internship Possibilities: Spring quarter with faculty approval. Special Expenses: Approximately $200 to $300 each quarter for media supplies, lab costs and field trip expenses. Program is preparatory for careers and future studies in media arts, visual arts, education and comm
To find college, community college and university courses by keyword, enter some or all of the following, then select the Search button.
(Type the name of a College, University, Exam, or Corporation)
(For example: Accounting, Psychology)
(For example: ACCT 101, where Course Prefix is ACCT, and Course Number is 101)
(For example: Introduction To Accounting)
(For example: Sine waves, Hemingway, or Impressionism)
Distance:
of
(For example: Find all institutions within 5 miles of the selected Zip Code)