[PORTALNAME]

Search College Courses

Quickly search millions of current course descriptions by location and keyword. See how courses compare and are accepted for transfer credit across colleges and universities.

Course Criteria

Add courses to your favorites to save, share, and find your best transfer school.
  • 16.00 Credits

    Faculty: Dharshi Bopegedera (physical chemistry), Susan Aurand (studio art, humanities) Major areas of study include chemistry, art, art history and humanities. Class Standing: This Core program is designed for freshmen. Prerequisites: Strong algebra skills. This program is a one-quarter, interdisciplinary study of light. We will explore light in art, science, art history and culture. All students will do studio work exploring how light is depicted in art, the phenomenon of color, and light as a tool for creating photographic images. All students will also explore the interaction of light with matter in the classroom as well as in the laboratory. In addition, collectively, we will explore how light has been thought about and depicted in various times and cultures. This integrated program is designed for students who are eager to explore both art and science in a hands-on way. Our weekly schedule will include studio and science labs, specific skills workshops, lectures and seminars. We will focus on helping students build basic skills in both art and lab science, as well as library research and expository writing skills. As part of our program work, students will have the opportunity to undertake an individual or collaborative interdisciplinary project on a topic related to the theme of light. Total: 16 credits. Enrollment: 46 Special Expenses: Approximately $125 for art supplies and tickets to museums. Program is preparatory for careers and future studies in science, art and the humanities.
  • 16.00 Credits

    Faculty: E. J. Zita (physics, astronomy) Major areas of study include astronomy, physics, mythology and history of science. Class Standing: Sophomores or above; transfer students welcome. Prerequisites: Strong writing and algebra skills. In Astronomy and Cosmologies, we will learn beginning-to-intermediate astronomy through lectures, discussions, interactive workshops, and observations. We will use naked eyes, binoculars, and telescopes. We will build simple astronomical tools such as spectrometers, motion demonstrators, and position finders. We will learn about the structure and evolution of our universe and celestial bodies. Students will research a question that interests them, share research with classmates, and publish their work on our program Web page. We will also discuss cosmologies: how people across cultures and throughout history have understood the universe and our place in it. We will study creation stories and world views, from those of ancient peoples to modern astrophysicists. We will learn ways in which human understanding and knowledge are constructed. Students are invited to help organize an optional field trip to a location with clear skies. Students must be willing to work in teams and to use computer-based learning tools, including the Internet. We may have some online seminars using chat-room software. Look for program details and updates on the Academic Program Web page, linked to the professor's homepage. Total: 16 credits. Enrollment: 25 Special Expenses: $15 equipment fee; optional field trip expense is possible. Program is preparatory for careers and future studies in astronomy, education, science, history and philosophy of science. A similar program is expected to be offered in 2009-10
  • 16.00 Credits

    Faculty: Terry Setter (music, instrument building, media), Cynthia Kennedy (leadership, movement, sailing, cultural studies) Major areas of study include movement, music, leadership studies, cultural studies, research presentation, critical writing and thinking, community studies, holistic education, sailing and philosophy. Class Standing: This Core program is designed for freshmen. Our greatest challenge is how to live a humane existence in inhuman times ¡ª Joseph Campbell Awakening the Dreamer, Pursuing the Dream is designed to help students meet this challenge. To do so, we will focus on the individual's relation to self, society, leadership and the creative process. This program is intended for students who seek to explore and refine their core values in a context where they can act upon them with increasing awareness and integrity. The faculty recognize that the social and psychological challenges of every era have required people to live their lives in the face of hardships and, often, in the midst of chaos. Therefore, the program will begin by focusing on how people in the past have worked to create a meaningful relationship between themselves and the world around them. We will trace music, dance, stories and images of many creative practices and spiritual traditions, from ancient to modern times. We will examine these in an attempt to discover which of them are relevant to our own lives. As students gain knowledge and skills in these areas, they will develop their own multifaceted approaches to prioritizing and pursuing their dreams. Throughout the year, the program will make use of cognitive and experiential approaches to learning. Students will engage in their own practice of music, movement (such as dance or yoga), writing, drawing, or theater in order to cultivate the senses as well as the imagination. These practices will help us explore the deeper aspects of the human experience, which is the source of self-leadership, intentional living and change. Students will read mythology, literature and poetry while exploring ideas that continue to shape contemporary culture. We will also look to Indigenous cultures to deepen our appreciation of often-overlooked wisdom and values such as social justice and sustainability. We will seek to develop a broader understanding of contemporary culture as a stepping stone to thinking critically about how today's dreams can become tomorrow's reality. During fall quarter, we will look at how people have drawn on diverse resources from personal to global in scale including intuition, mythology, psychology, religion, the arts, and nature, in order to be guided to richer, more meaningful lives. We will use a combination of lectures, seminars, collaborative and individual projects, research presentations, critical and creative writing, expressive presentations, and service learning. Weekly workshops will include music, movement and somatic practices. We will also make use of the water and islands of the Puget Sound through field trips, including day and overnight sailing trips. There will be an overnight retreat during week three at which we will work with Native arts practitioners. These activities are designed to help us know ourselves better, to build real-world skills, to develop leadership within small groups, and to intentionally create community within the program. In the winter, we will begin to build students' skills in incorporating these resources into their own lives. We will continue to draw upon poetry, literature, philosophy, science, music, dance, meditation, and creative collaborations between the students. We will also engage in leadership development activities and other means to investigate ways in which students can define and pursue their own dreams. By spring quarter, students will develop individual projects for presentation in the many communities of which they are members. These might include (but are not limited to) internships with local support services, wor
  • 16.00 Credits

    Faculty: Bill Arney, Sarah Williams Major areas of study include education, consciousness studies, creative writing, social and cultural studies, feminist theory, history and somatic studies. Class Standing: This all-level program accepts up to 25 percent freshmen. Awareness-a program devoted to exploring the complementarity of ascetical and critical studies-has been offered in various forms for the past three years. It has raised questions for the college, faculty and students: What is the value, or the virtue, of contemplative education in modern institutions of higher education Can we reclaim the virtues of Evergreen's mascot or animal totem-the geoduck's predisposition for stillness (hesychia) and letting it all hang out-as we contemplate anew what is extolled when we sing our alma mater, "Omnia Extares!" at graduation ceremonies Our collective inquiry will involve a look back-through important texts, student work and evaluations, institutes and retreats, programs at other institutions-to help answer these questions. Join us as we assess, appreciate, and incorporate within our own work together the best of what has been learned about the influence of this curriculum on learning communities as well as on collegiality at the college. In addition to this core work for everyone in the program, students also will design their own learning experiences. These field studies, which will constitute up to half the work of the quarter, can be anything: walking, reading, sailing, midwifery, writing, gardening, Aikido, hospice care, welding, cooking, meditation, etc. (These may seem mundane activities but any independent work will be undertaken knowing that your work, reflections and study will be conducted in light of the bookish and somatic inquiries of the program. ) Each person will answer these questions: What do you want to learn How are you going to learn it How are you going to know when you have learned it How are you going to show others-faculty and colleagues-that you have learned it And, what difference will it make Learning happens when you have an experience and then reflect on it. Our focus will be on the craft of reflection. Our interest is the relationship between conscious reflection-awareness-and learning. As a learning community we will participate in mind-body practices, as well as bookish study, that facilitate and enhance our ability to reflect on our current situation in historical, cross-cultural and gendered contexts. Total: 16 credits. Enrollment: 48 Special Expenses: $30 for yoga workshops. Program is preparatory for careers and future studies in education, consciousness studies, creative writing, social and cultural studies, feminist theory and somatic studies. This program is also listed under Culture, Text and Language. A similar program is expected to be offered in 2008-09.
  • 16.00 Credits

    Faculty: Bill Arney, Sara Huntington (These faculty gave up expertise in favor of attitude. Take the program or not; don't do anything because someone is an expert. ) Class Standing: This all-level program accepts up to 25 percent freshmen. Attend. Paying attention to how events, people, the big wide world in all its tiny manifestations-how they all appear, how they mean anything, how they engage us-that's what we'll do. We'll attend to the terms of our engagement, the costs, the ways we renounce in order to have a modicum of freedom-a freedom that turns out to be so strikingly different from the freedom that we think about, carelessly, as living beyond restraints, limits, duty. The freedom that is the effect of careful craft, discipline and practice-that's what we want to focus on. We'll write a lot, not as a means of self expression, not to find a voice or a self, but to pay attention, to study, commit, love. "Creative writing requires a dual love of language and life, human and otherwise. The storyteller then sculpts these raw loves with acute observation, reflection, creative struggle, allegiance to truth, merciless awareness of the foibles of human beings, and unstinting empathy toward human beings even so" (David James Duncan). Our inquiry requires attention to ascetic as well as critical practices. We will all participate in mind-body practices, lectio and other communal reading, community service and bookish study. Writing may include socio-historical inquiry, reportage, annotations, comedy, antilamentations, jeremiads, humor, fictionings of the present, manifestoes, confessions, statistics-based scandals, rants, incautious cautions, sightings or prayers, but no poetry, plays or, especially, plans. Students should attend this class for two quarters. This program provides continuity for those students enrolled in previous quarters of Awareness. Total: 16 credits each quarter. Enrollment: 36 Special Expenses: Approximately $35 each quarter for yoga workshops. Program is preparatory for careers and future studies in any area of pursuit where people enjoy awareness on a daily basis, not for the monetary rewards and not for the lifelong opportunities a career or future study might provide, but for the love of being engaged in their work. This program is also listed under Culture, Text and Language. A similar program is expected to be offered in spring 2008. Academic program Web page: Awareness: Writing and Renunciation
  • 16.00 Credits

    Faculty: Frederica Bowcutt (botany) Major areas of study include introductory plant science, economic botany, field botany, expository writing and independent research in botany. Class Standing: This Core program is designed for freshmen. Basic Botany: Plants and People is an introductory program in plant science. Our focus will be on developing an understanding of both the natural and cultural dimensions of the kingdom Plantae. We will attempt to address the following questions: How does present form and function inform us about the evolution of various groups of plants How does the form and function of plants shape animal/plant interactions People use plants to build houses and to make baskets, furniture and a variety of other material objects. Globally most food and medicines are derived from plants. Why do people use the plants they do What meaning do people give to plants We will work through a botany textbook learning about plant anatomy, morphology, systematics and ecology. Lectures based on the textbook readings will be supplemented with laboratory work. Students will get hands-on experience studying plants under microscopes and in the field. Seminar readings will be on the general theme of plants and people. Readings and films will cover such topics as horticulture, agriculture and ethnobotany including herbology and basket making. In addition, we will explore the religious, folkloric, mythological and historical meanings given to plants. Students will learn library research methods and complete a research project, of their choosing, related to plants and people. Time will be spent helping students improve their ability to write a research paper that is thesis driven and supported with evidence from the scientific literature. Students will also learn basic plant identification of common species. To support their work in the field, students will learn how to maintain a detailed and illustrated field journal. Total: 16 credits. Enrollment: 23 Internship Possibilities: With faculty approval. Special Expenses: $200 for field trip. Program is preparatory for careers and future studies in conservation, ecological agriculture, ecological restoration, forestry, herbology, natural resource management, plant ecology, or plant taxonomy.
  • 2.00 Credits

    Faculty: Jin Darney, Eddie Maiava, Rudy Martin, Norma Alicia Pino, Christine Wagner,and Sonja Wiedenhaupt Class Standing: Freshmen. This program/course has been designed to provide incoming first-year students with an introduction to the resources, tools and practical skills you will need to do college-level work. Beginning the Journey will also help you to establish important connections within the College, as well as recognize and improve the skills you will need to become a successful college student and engaged community member. The course begins on Monday, September 17 and will meet daily through September 21 (Orientation Week). You will also meet for workshops, discussions, or other scheduled activities for two hours per week during the first five weeks of Fall Quarter. Beginning the Journey will include a common reading component. This book will be selected soon. We will either send your complimentary copy or make arrangements for you to receive it by late July. You will also receive a Reader's Guide and related information about how we will use this text. As a participant in this program and part of its learning community, you are asked to read this book before arriving on campus in September. We are confident that you will find it an engaging, informative, evocative part of this program and your learning experience at Evergreen. NOTE: You should also register for a full-time (16-credit) academic program. This 2-credit program would be an addition to your full-time program, but at no extra cost if you register for 10 - 18 credits. See the Programs for Freshman page. The Course Reference Number (CRN) for this program is 10251. If you need an accommodation during Orientation Week, contact Access Services for Students with Disabilities (360) 867.6348, or via TTY (360) 867.6834. Total: 2 credits. Enrollment: 150 A similar program is expected to be offered in: Fall 2008
  • 16.00 Credits

    Faculty: Lisa Sweet (visual arts), doranne crable (performance studies) Major areas of study include drawing, movement, Butoh, art history, dance, anthropology and writing. Class Standing: This all-level program accepts up to 25 percent freshmen. The human figure is dynamic and expressive¡ªits gestures in performance, drawings and sculpture speak volumes without utilizing words. Indeed, the belief that art "expresses the inexpressible" hinges on the idea of art's capacity for transcending common language and text to speak to the heart, mind and soul in another, more complex and focused language. In Beyond Words, we will explore the body's expressive capacity through movement and life drawing. Our focus will be the gesture. One may think of simple gestures absent-mindedly used to communicate on a daily basis: the hailing of a bus, waving at a passing acquaintance, a facial expression of displeasure, the ritual of washing one's face, or embracing a beloved. The impressionists made much of these small gestures¡ªthe picking of peaches, dance rehearsals and images of the bath were among the simple gestures these artists focused on to create works of art. Likewise, the history of dance has been rooted in a broad range of both grand and humble gestures of physical human expression to convey meaning. The gesture as ritual, communication, form and movement will be at the heart of our work. In drawing, we refer to the gesture in two ways: as the pose of the body, and as a type of loose, quick preliminary drawing that captures the essence of the human figure's pose. These drawings aim for accuracy of emotion and movement rather than anatomical accuracy. In dance and movement, we refer to the gesture as the first element in a phrase (initiation) leading to where the gesture creates movement through full-body posture (follow-through and recuperation). Paralleling the use of gesture in drawing, in dance it serves a similar purpose: it is subtle, often quick, and expresses a moment of memory so that the postural pose can carry forward to reaction or response. Intensive workshops on life drawing and fundamentals of movement with a focus on Butoh technique will form the core of our work. Students who are self-motivated and are able to commit, without reservation, to collaborative work will benefit from our inquiry. Expect about 50 hours of work in class and outside of class: in studios, out-of-class assignments and reading texts that will enrich our understanding of the body and the expressive power of its movement. Lectures and readings on the use of the body in performance and art history will complement our studio work. Total: 16 credits. Enrollment: 40 Special Expenses: Approximately $40 for drawing materials. Program is preparatory for careers and future studies in expressive arts therapy, movement theater and visual arts. This program is also listed under Expressive Arts.
  • 16.00 Credits

    Faculty: Larry Geri (management, international affairs, economics), William Bruner (economics, management), Nelson Pizarro (business administration, entrepreneurship) Major areas of study include business, Latin American studies, management, economics, political science, finance and quantitative methods. Class Standing: Sophomores or above; transfer students welcome. Prerequisites: It is helpful, but not essential, that students have introductory accounting and introductory economics before taking this program. In this two-quarter program, we will combine the study of business practices with an exploration of Latin American culture, politics, business practices and economic development. Over the last two decades, China and much of East Asia experienced remarkable economic growth and improved living standards (though at a significant social and environmental cost), while many of the countries of Latin America struggled to improve the lives of their citizens. Our goal is to gain knowledge and skills in business and management (on topics such as accounting and finance, organizational development, organizational behavior, marketing, economics, business history and ethics) while attempting to answer two questions: What led to this wide difference in social and economic outcomes What policy options are available for improving such outcomes in this diverse region During fall quarter, we will develop analytical frameworks, subject expertise and basic skills in business, management, economics and the study of cultures and political systems. In winter quarter, we will apply these frameworks to an analysis of globalization, culture, and the state, with an emphasis on Latin America. We will examine the complex relationships between the U. S. and countries within the region, and between the state and business, as well as the opportunities and problems associated with increased trade within the Americas. This discussion will emphasize the impacts of the North American Free Trade Agreement and related free-trade proposals. Students in the program can expect to gain a solid introduction to business and management as a basis for more advanced study, or for jobs in either the public or private sectors. They will also gain an improved understanding of the countries and cultures of Latin America, and insights into the relationship between business and society. Total: 16 credits each quarter. Enrollment: 75 Program is preparatory for careers and future studies in business, management, public administration, law and the social sciences.
  • 16.00 Credits

    Faculty: Brian L. Walter (mathematics, computer science), Steven Hendricks (creative writing) Major areas of study include mathematics, literature, fiction writing, literary theory and computer science. Class Standing: This Core program is designed for freshmen. Prerequisites: Strong algebra, reading and writing skills are recommended. "O Godiva, I could be bounded in a nympholepsy and count myself a kingfish of infinite spacemen." ªHamlet Mathematical principles can provide the basis for creative writing, from the chance operations that generated the quote above to plot structures, themes, content, and even style. Author Italo Calvino views writing as a combinatorial game, an all but random process of associations and layers of implications that can lead to great works of literature as surely as nonsense. Calvino and others reveal that writing guided by abstract principles, particularly mathematical concepts and constraints, can lead to some of the most wondrous, original, and provocative work. Jorge Luis Borges's stories provide numerous examples. In The Aleph, the narrator attempts to describe a location from which all places can be seen simultaneously: "Mystics, faced with the same problem, fall back on symbols: to signify the godhead, one Persian speaks of a bird that somehow is all birds; Alanus De Insulis, of a sphere whose center is everywhere and circumference is nowhere; Ezekiel, of a four-faced angel, who at one and the same time moves east and west, north and south." Works like The Aleph not only reflect mathematical concepts but also give them flesh, rendering those abstractions poetic and tangible. Informed by the work of writers such as Borges and Calvino, we will construct fictional narratives that reflect or are governed by mathematical concepts. In the fall quarter, students will be introduced to a wide range of mathematical and literary principles and practices. Using those tools, students will produce works rigorous in their literary content and thorough in their mathematical precision and depth. In the winter quarter, the primary focus will be on a major writing project, along with the study of computer programming as a tool to aid further investigation of the potential interplay between mathematics and literature. The regular work of the program will include book seminars, short papers, and workshops in literature, writing, mathematics and computer programming, as well as the aforementioned writing project. Readings will introduce students to relevant historical and philosophical ideas, numerous examples of writing that fuse math and literature, and provocative mathematical concepts. Coursework will emphasize foundations and skill development in mathematics, creative writing, critical reading, argumentative writing, literary theory, and computer programming. Total: 16 credits each quarter. Enrollment: 46 Special Expenses: Approximately $75 each quarter for overnight field trips. Program is preparatory for careers and future studies in mathematics, literature, fiction writing, literary theory and computer science.
To find college, community college and university courses by keyword, enter some or all of the following, then select the Search button.
(Type the name of a College, University, Exam, or Corporation)
(For example: Accounting, Psychology)
(For example: ACCT 101, where Course Prefix is ACCT, and Course Number is 101)
(For example: Introduction To Accounting)
(For example: Sine waves, Hemingway, or Impressionism)
Distance:
of
(For example: Find all institutions within 5 miles of the selected Zip Code)

Ready to see what transfers?

It takes about 3 minutes. No credit card. No spam.