4.00 Credits
After World War II ended, American movie theaters began showing films from Europe that became popular among war veterans, college students, and graduates. Unlike most classical Hollywood films, the new "European Art Cinema" was less concerned with presenting stories with happy endings than with exploring social, political, and psychological themes through the use of film as an aesthetic form. This course introduces students to the art cinemas of Italy, France, Germany, and Sweden, concentrating equally upon the appreciation and analysis of individual films, the historical and cultural conditions of their production, and the relationship between Hollywood and the European film industries. In addition to reading film and cultural history , we will watch and discuss a full-lengthfeature film each week in class. Screenings include Vittorio DeSica's Bicycle Thieves, Federico Fellini's Nights of Cabiria, Francois Truffaut's The 400 Blows, Alain Resnais' Hiroshima, Mon Amour, Michelanglo Antonioni's Red Desert, Jean-Marie Straub's Not Reconciled, Claude Chabrol's La Rupture, , Ingmar Bergman's Persona, Rainer Werner Fassbinder's The Marriage of Maria Braun, and Jean-Luc Godard's First Name: Carmen. All students will be required to write a paper pertaining to the specific competencies chosen. Students registering for Integrative Learning competencies, capstone competencies, or advanced electives will be required to conduct and incorporate outside research for their final paper . In November 2000, please visit the course website for more information: http:/ /www .depaul.edu/~mdeange1/artcinema/ Pre-1999 Competencies: AL-l, AL-3, HC-1, AL-9, AL-l 0, HC-9, HC-O BA- 1999 Competencies: A-l-A, A-I-C, H-I-E, E-l, E-2, 1-3, 1-4.