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Course Criteria
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6.00 Credits
II; 3-6 cr (H-A). A practical class: preparation and performance of a production for young audiences, with development and implementation of accompanying educational material. P: Cons inst.
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4.00 Credits
I; 3-4 cr (D). Examines techniques used to create costumes. Rotating topics including draping, period patternmaking, tailoring, crafts, and painting. Lab required for 4th credit. P: Theatre 163 or cons inst.
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4.00 Credits
II; 3-4 cr (A). Detailed study of lighting design techniques and professional practices for commercial and resident theatres. P: Theatre 366 & either Theatre 370 or cons inst.
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4.00 Credits
I, II, SS; 1-4 cr. Guest artists will offer interdisciplinary courses on topics appropriate to their specializations. P: Consent of department.
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3.00 Credits
Alt yrs.; 3 cr (A). Organizational and planning responsibilities of the performing arts technical director. Estimating, scheduling, purchasing, safety, materials, resources, organizational structures. P: Theatre 170 or equiv & cons inst.
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3.00 Credits
Irr.; 3 cr (D). Materials, processes and organizational techniques commonly used in the fabrication of stage properties. P: Theatre 170, 370, 372 or equiv.
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3.00 Credits
Alt yrs.; 3 cr (D). Painting scenery for the stage. Techniques for painting drops, flats, and props in a range of illusion effects.
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3.00 Credits
Alt yrs.; 3 cr (H-A). Selected major critical and theoretical sources, from Aristotle to the present day; the influences of theories upon playwriting and modes of theatrical production. P: Jr st.
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3.00 Credits
Alt yrs.; 3 cr (L-A). Plays and essays from the European repertoire (England, France, Germany, Spain, Russia, Italy) prior to the rise of Realism and representing several theatrical forms (new-classicism, romanticism) and including such playwrights as Wycherley, Behn, Congreve, Racine, Moliere, Beaumarchais, Schiller, Goethe, Kleist, Lope de Vega, Calderon, Ostrovsky, Goldoni, etc. P: Jr st or cons inst.
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3.00 Credits
Alt yrs.; 3 cr (L-A). The development of realistic and postrealistic forms in modern and postmodern drama, from Zola, Ibsen, Strindberg, and Chekhov through futurism, expressionism, Dada, and surrealism, Brecht, the Theatre of the Absurd, and contemporary European theatre. P: Jr st or cons inst.
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