|
|
|
|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
1.00 Credits
No course description available.
-
1.00 Credits
No course description available.
-
1.00 Credits
No course description available.
-
1.00 Credits
(Open to all qualified students with consent of instructor) Transcriptions for symphonic band; compositions written especially for band, wind ensemble, and stage band. For enjoyment of members and to enrich college life.
-
0.00 - 1.00 Credits
No course description available.
-
0.00 - 1.00 Credits
No course description available.
-
1.00 Credits
(Open to all qualified students with consent of instructor) Performance of choral music on campus, in the community, and on tour. Concerts by Concert Choir and Tech Singers, the select touring chorus.
-
3.00 Credits
Elements of music, terminology, notation simple rhythms, melody writing and basic ear training.
-
0.00 - 3.00 Credits
(MUSC-250 or permission of department) Written theory is a study of notation, key intervals, chords four-part writing, melody, structure, simple analysis, instrumental ranges and transposition. Keyboard lab is a study of basic keyboard skills, music reading, techniques, playing simple intervals, major, minor, augmented and diminished triads, major and minor scales, cadences, and simple melodies with accompaniment. Aural theory is identi- fication of simple intervals, scales, four types of triads, cadences, simple rhythmic and melodic dictation.
-
0.00 - 3.00 Credits
(Continuation of MUSC-260) Continuation of Written Theory I, all types of 7th chords, modulation to closely related keys, modes, style periods, basic compositional procedures, and study of American pop- ular music. A continuation of Keyboard I with the addition of simple harmonic progressions, left-hand chord patterns, chord inversions, arpeggios, harmonization of simple melodies and all minor scales. Continuation of Aural Theory I, modes, compound intervals melodic dictation involving these items, simple harmonic dictation dominant sevenths, diminished sevenths.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2025 AcademyOne, Inc.
|
|
|