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Music 207: Music of the Romantic Period
3.00 Credits
Sewanee-The University of the South
A study of the history, literature, and ethos of musical romanticism as it is expressed in the works of the great composers from Schubert to Mahler. (Credit, full course.) Shrader
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Music 207 - Music of the Romantic Period
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Music 208: Music of the Twentieth Century
3.00 Credits
Sewanee-The University of the South
A study of the history and literature of music from the Impressionist period to the present day, encompassing neoclassicism, expressionism, serialism, and electronic music. (Credit, full course.) Delcamp
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Music 208 - Music of the Twentieth Century
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Music 212: Bach to Stravinsky:the Classical Canon
3.00 Credits
Sewanee-The University of the South
The world of western art music continues to be dominated by the works of the common practice period (that is, the corpus of works composed from 1700 to 1920 by Bach, Beethoven, Wagner, Brahms, and others). Music 212 examines specific masterworks from this vast repertory of works that continues to engage the attention of performers and listeners at all levels. Selected musical compositions are studied in depth from an analytical, historical, and critical perspective. Prerequisite: Musc 101 or Musc 105 or consent of instructor. (Credit, full course.) Shrader
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Music 212 - Bach to Stravinsky:the Classical Canon
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Music 213: From Ragtime to Radiohead:Music in the Era of Recordings
3.00 Credits
Sewanee-The University of the South
Recording technologies, which date back to the late nineteenth century, have affected music more profoundly than any other musical change since the adoption of music notation. This course traces the development of those technologies, with particular attention to the performers, composers, and repertories that have exploited them. Many important figures and movements in twentieth- and twenty-first century music are addressed: ragtime, blues, jazz, and rock; Copland, Varèse, Reich; the Beatles, Pink Floyd, Radiohead. Different recording formats - from piano rolls to mp3s - receive particular attention. Prerequisite: Musc 101 or Musc 105. (Credit, full course.) Mille
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Music 213 - From Ragtime to Radiohead:Music in the Era of Recordings
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Music 219: The Symphony
3.00 Credits
Sewanee-The University of the South
A study of the principal genre of orchestral composition from its birth in the eighteenth century to the present day. Selected works by Haydn, Beethoven, Brahms, Mahler, and others are closely examined. The evolution of the symphony orchestra is considered. (Credit, full course.) Staff
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Music 219 - The Symphony
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Music 223: American Music
3.00 Credits
Sewanee-The University of the South
A chronological survey of music in the United States from the colonial period to the present day with emphasis on the music of the twentieth century. The course examines both European-derived and vernacular styles (e.g., ragtime, jazz, and rock). (Credit, full course.) Miller
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Music 223 - American Music
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Music 225: Music and Drama
3.00 Credits
Sewanee-The University of the South
A comparative and historical examination of works for the lyric stage, including grand opera, comic opera in its various national manifestations, and American musical theatre. Literary sources of stage works are read in conjunction with the study of scores. (Credit, full course.) Shrader
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Music 225 - Music and Drama
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Music 227: Survey of Keyboard Literature
3.00 Credits
Sewanee-The University of the South
A study of music composed for keyboard instruments from the time a distinct keyboard idiom appeared in the late Renaissance to the present day. Selected works by composers such as Bach, Chopin, Liszt, Debussy, and Messiaen are closely examined. (Credit, full course.) Delcamp
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Music 227 - Survey of Keyboard Literature
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Music 229: The Mass in Music
3.00 Credits
Sewanee-The University of the South
An historical survey of musical settings of the mass from Gregorian chant to the twentieth century. Settings by Palestrina, Machaut, Bach, Haydn, Beethoven, Verdi, and twentieth-century composers are analyzed in detail. (Credit, full course.) Delcamp
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Music 229 - The Mass in Music
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Music 231: Music in the Anglican Church
3.00 Credits
Sewanee-The University of the South
A survey of music in the English church from the Reformation to the present day. The evolving role of music in the Anglican liturgy are considered against the backdrop of the history of the English church and the evolution of European musical style. Works by Byrd, Gibbons, Purcell, Handel, Vaughan Williams, and others are closely examined. (Credit, full course.) Delcamp
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Music 231 - Music in the Anglican Church
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