Course Criteria

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  • 3.00 Credits

    Semester two of a two semester intensive research and writing course for accomplished and motivated upper-level students under the close supervision of a faculty member in the department or program. Students must take the initiative in seeking a faculty member to help in the design and supervision of the project. This is an individual enrollment course, and registration is carried out through consultation with the faculty member. Prerequisite: GRMN 499A
  • 3.00 Credits

    No Description Available
  • 3.00 Credits

    More than just Bratwurst and BMWs, German business is a global phenomenon with an important economic impact on South Carolina and the U.S. There are over 270 German companies based in South Carolina alone. This class explores business-related issues in the 20th and 21st century German-speaking world. Through film, literary and historical texts, we'll discuss critically the emergence of the German economy out of the rubble of World War II, the economic miracle, its role in industrialization, globalization, materialism and as the economic powerhouse of the EU. We will also analyze cultural differences between Germans and Americans in business settings.
  • 3.00 Credits

    This course introduces students to topics or themes in contemporary German culture.
  • 3.00 Credits

    What does life look like for a Person of Color in today's Germany or Austria? In this course, we will examine the lives and writings of the Black/African Diaspora in German-speaking European countries (specifically Germany and Austria) and their perspectives on ethnicity, nationality, and identity. Readings and films focus on autobiographical encounters of colonized Africans, African Americans, Black Germans, and African migrants within German and European culture. All texts in English or with English subtitles/translations. No knowledge of German required. This class is taught in English.
  • 3.00 Credits

    Surveillance is often understood as 'watching someone from above', and has been shown to be one of the most effective expressions of power in political communities since the medieval ages. Metaphors such as "Big Brother" or "Panopticism" have become cultural chiffres for 20th century western societies. Recently, these metaphors have been rediscovered by artists all over the globe in an effort to grapple with contemporary mass surveillance. Centering around questions of individual and collective (artistic) agency, this course explores versatile surveillance cultures ranging from the 19th century up to contemporary surveillance capitalism. Course and readings in English.
  • 3.00 Credits

    This course explores avant-garde art and its legacies in a global context from the early 20th century until today, with a specific emphasis on art that blurs the lines between artist and audience and art and political engagement and asks how art can create sites for resistance, subversion, and social change. The course begins with the historical avant-gardes and political theater in German-speaking Europe around 1900 but resituates these movements in a global context with an specific emphasis on experimental art and social change in the context of race and decolonization. Course and readings in English.
  • 3.00 Credits

    This course explores political and environmental issues by examining the roots and culture of environmentalism in Germany, including its long history with recycling and Germans' fascination with, and appreciation of nature, the Greens political party, and current environmental initiatives and their reception in Germany. The course will also investigate environmental initiatives within other countries in Europe and how European Union regulations have influenced Europe's green innovations. Current green practices within the U.S. and other countries around the world serve as a point of comparison to current practices within Germany and Europe. Course and readings in English.
  • 3.00 Credits

    Berlin has historically been the cultural, societal and political crossroads of the development of a Queer identity and aesthetic in Western civilization. Through the narratives of significant voices in the LGBTQ movement, this course explores issues including non-binary and transgender identity, queer theory, the role of gay identity in and between the World Wars, the persecution of queer bodies under the Nazis, and LGBTQ life in the former German Democratic Republic. In the second week, the class will travel to Berlin to visit important sites of queer importance. Course and readings in English.
  • 3.00 Credits

    An introductory course on German cinema with rotating topics and themes such as Horror and Transnational German Cinema.
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